Georifters has good things going for it but it definitely needs some tweaking, especially for veteran fans of the genre. That said, I would certainly recommend this game for families, especially those with young kids as the art style does feel like it caters to children more. Adventure mode can be a fun couch co-op experience but I wouldn’t be surprised if Battle Ground mode would be the one played more often.

The single greatest oversight in this game, aside from the controls, is the inability to interact with your bird. You can inject it with mutagens to power it up but you can’t pet it? If I had been given the opportunity to interact with my warbird, customize its gear and coloration, and build a real bond with it, I would have enjoyed this game much more than I did. As is, I found The Falconeer to be a compelling but frustrating experience.

The intriguing mysteries, colorful characters to befriend, and overall charm in everything from the voice acting to the design of the different Bugsnax makes this game a true winner. It vaguely feels like Pokémon for the new generation, and both children and adults will find a lot to love here. The controls are easy to master, the gameplay is superb, and there’s a lot to do on the reasonably-sized map. If you are what you eat, then I'm the happiest Cinnasnail this side of Snaktooth Island has ever seen.

This same freedom of choice and flexibility is what ultimately pins Assassin’s Creed Valhalla to the wall. This is an experience composed of morsels, dozens of fun things pressed into one. The core gameplay loop is just a series of smaller loops, none of which really come out on top. Every element is pretty good, but not quite great, on its own. But those bits still add up to a lot of fun had over a lot of hours.

Though it’s not as polished as the 2018 original, Spider-Man Miles Morales is a smashing success. It looks sensational and is an absolute riot to play. Miles’ story brings all the drama and feels it needs to and highlights a community outside what’d normally be on the drawing board for a game like this. Despite some bugginess, this is the game you want to show off your impressive new hardware. I can guarantee I’ll be slinging from Harlem to Hell’s Kitchen daily for the foreseeable future.

Alas, Astro’s Playroom is only a few astonishing, magical hours long. There are lots of collectibles to go after and a leaderboard driven speedrun mode, but when I finished, I was still hungry for more. And that’s kind of the only criticism I can levy against it. The way it leverages PlayStation’s history, I can’t wait to see what irresistible creation Team ASOBI comes up with next. In the here and now, Astro Bot has earned a place in my heart among the very best of PlayStation’s franchises. ‎

Despite the aged feel, Need for Speed: Hot Pursuit Remastered offers cross-platform asynchronous multiplayer powered by Autolog. While this may be hit or miss for new fans, it’s admirable that Criterion Games and EA wanted to maintain the original gameplay experience that created the cult following within the Need for Speed community. This is now the best way to play Need for Speed: Hot Pursuit as it’s updated for the PS4 and Xbox One without losing anything that made the original game great.

It all ends up coming across as an ‘almost’ experience. Pacer is almost a successor to Wipeout, but poor track design, a lack of strong audio design, and lackluster weapons all add up to a ho-hum experience that leaves you wanting for the early Wipeout days. If you really need something to scratch that old itch, then give Pacer a whirl. If you’re looking for the next S-Class zero-g racer, you’ll likely want to dust off an older PlayStation.

Yakuza: Like a Dragon is the perfect update for a flagging series. Its clever storytelling, bizarre substories, and engrossing gameplay makes this one of the strongest entries in the franchise. Mixing deep societal messages with references to popular culture, the game is both hilarious and thought-provoking. It is very clear to see that with Ichiban Kasuga, the series is in safe hands.

If Found…is deep and comforting, a little disorienting, and at times heartbreaking. It is by no means trying to make people feel sorry for Kasio. Instead, it is creating an experience that some of us will never go through, and walking side-by-side with a character who does makes reality more understandable. As Kasio, we meet people who accept her, but also face hostility from the ones closest to her. It helps readers relate, understand, and reflect. It may be a very short game, but it tells a warm and powerful story that is worthwhile to read.

There are a lot of things it does right — from the boo-tiful visuals to the haunting music, to the mostly-fun gameplay. It could use a bit more work in its jumping mechanic, and there are some segments that go on longer than they should. But I had a hell of a good time overall and Pumpkin Jack is much more treat than trick.

Without my suffering-tinted lenses, Ghostrunner is a fast-paced, tough-ass platformer. Every stage is a non-stop barrage of fresh new challenges. Death is around every corner if you ever stop moving. You’ll experience crushing defeat in a host of different ways, but your victories will be all the sweeter. You can choose your path to victory, with multiple routes available through some of the larger stages. On the aesthetic side of things, more or less every stage is drenched in cyberpunk minutiae. The neon, the grime, and the violence lend an electric urgency to your already death-defying exploits. My only warning is this: know what you’re in for first. First-person action platform games aren’t for everyone. Of course, I had to play one to discover this, so who knows! Maybe a new favorite subgenre is waiting in the wings.

Overall, Rebirth is a deeper game than Dark Descent, which had a more visceral impact because it was a new experience and relied much more on jump scares. Still, because the questions being asked of Tasi require more thought from the player, the decisions made linger and their consequences will haunt you long after finishing the game.

If you’ve been itching to get back in the driver’s seat, DIRT 5 is what the doctor ordered. Despite a lackluster career mode that fails in both connecting to the player and building tension, DIRT 5 succeeds where it matters most. Driving. This is the best representation of off-road vehicular shenanigans I’ve ever had the joy of playing. Mastering my skillset and conquering each course was as fun as any racing game over the last five years – I attribute much of this to each class of car being as certifiably entertaining as the last.

The Dark Anthologies: Little Hope improves on the franchise’s previous entry in all aspects and is one of the most compelling narratives that I have experienced in recent times. With an incredible ending that left a profound, lasting effect, this is a game that fans of interactive dramas need to experience. Supermassive Games have slowly honed their skills in order to be considered one of the giants in storytelling and Little Hope has left me excited in anticipation of the next entry in what is proving to be a landmark series.

Budget Cuts surprised me in more ways than I expected – and to clarify, that’s good and bad. What I thought was going to be a fun homage to the likes of Job Simulator turned out to be a game that, more than it had any right to, made me feel like I was in ‘The Matrix.’ It’s easy to feel like a badass when you glide through a room and eliminate all threats without breaking a sweat. But, it’s also easy to get caught up in aggravating tracking issues that you won’t find on top-of-the-line VR headsets. If you can play Budget Cuts on your PC, do so. But if your only option is the PSVR, you aren’t entirely left out in the cold.

Maybe the writing is good? The voice acting? The visuals? Nope. Remothered: Broken Porcelain looks awkward, the writing is weak and the voice acting… actually the some of the voice acting is alright. So, at least it has one redeeming quality, otherwise, this one is a hard pass.

It’s hard not to characterize Watch Dogs: Legion as “Ubisoft open-world game with hacking”, but that’s what it is. That’s not inherently a bad thing, but I believe that more could have been done with the new mechanics without taking away from other portions. Overall, Watch Dogs: Legion is a fun game with a shiny new mechanic that can be utilized in different ways in the future.

Hades is a hell of a good time. It’s tight and responsive, with vast depth beyond the surface levels you’ll need to technically complete it. It looks great, sounds better, and does a masterful job of keeping you moving forward in both story and mechanics. Hades is without doubt one of the best roguelite games to date, a new high point for Supergiant Games, and a dark horse contender for game of the year lists this fall.

It’s a well-crafted children’s book come to life with some puzzles that will absolutely leave you stumped and trying new things. I was happy to see a chapter select option upon the games completion as well as the reveal of hidden collectibles I can’t wait to go back and find. I would have liked if some of the environments had a little more going on in regards to the aesthetic detail, but I also acknowledge their design better reflects the nature of a map as is its intention. Carto is the kind of game you love to play on a quiet rainy day and I’m excited to play it over and over again.

ScourgeBringer is a roguelike (or roguelite, whatever) that came out a month after Hades set the gaming world on fire. A lot of roguelike games are fine. Hades set a new gold standard. And ScourgeBringer doesn’t quite manage to rise to that level. Your progress is too slow and simple. There’s a skill tree, and you spend Judge Blood on it; you make Kyhra more powerful. It works. Still though, I never felt that excited to unlock a new capability, and it took far too long before I felt like I was making any progress. Maybe I would have felt better if I was making progress across multiple fronts, but character development feels mostly linear.Still though, I never complained about character development when I was playing Sunset Riders on that emulator. I played it a zillion times, trying to beat the next boss or get a high score. That game could entertain me for hours, simply because it was nice to look at and felt great. And that feeling, where the controls help make the drama… you can’t fake that. That’s why you’re going to play ScourgeBringer and you’re going to enjoy it.

If there’s one positive about this game, it’s the puzzles. While they’re not on the caliber of, say, AI: The Somnium Files (which has a vaguely similar premise) or the Zero Escape series, some of the puzzles are interesting, if relatively easy. None of them gave me any trouble outside of finding the right item elsewhere in the level or avoiding getting killed in the meantime, but they offered a brief moment where I could pretend that they’d put that modicum of effort into the other aspects of game design. If you absolutely have to pick up this game, do yourself a favor and play Detective mode. You’ll get through it three times as fast and can move onto something worth your time.

This particular journey simply didn’t hold the appeal for me that it once might have. If you’ve got fond memories of this series, then the Definitive Edition of AoE 3 will hook you good. This new model looks and sounds great, there’s a ton of new battlefields to conquer, and new ways to do that conquering.

In the end, Cloudpunk is no Cyberpunk 2077. That should come as a shock to absolutely no one. As an Indie game, I can forgive Cloudpunk for being smaller, simpler than a AAA blockbuster, and it would be unfair to judge it by the same standard. This Switch version has also undoubtedly lost some of its polish in the port from PC. But there still must be gameplay, and what is attempted must be followed through on. Cloudpunk looks gorgeous, especially in first hour of playtime. The ability to just visit and fly over that huge, neon-soaked city of Nivalis is quite an accomplishment and for some, that will be enough to make it worth playing. It’s just a shame that there couldn’t be more to actually do among those beautiful, sparkling towers above the clouds.

Transformers: Battlegrounds is a fun, inclusive, tactics game that may act as a gateway into the genre for younger gamers. If you can look past the mobile-esque aesthetic, the core gameplay is fun even though it doesn’t reach the heights of XCOM or Mario + Rabbids Kingdom Battle.

Mario Kart Live: Home Circuit is a unique experience that is really impressive at first glance. I enjoyed putting the courses together and exploring the variety of Grand Prix’s, but after a while, the experience does lose its charm much faster than normal Mario Kart experiences.

It doesn’t matter if you’ve never played the games before or if your artistic ability is basically zero, Jackbox Party Pack 7 is sure to bring a lot of joy into your home. There is a good variety of games, from creating speeches to drawing pictures, which can be as vanilla or as inappropriate as you choose it to be. Even though it is an offline multiplayer game, you can easily stream this to your friends. This party pack is a no-brainer to have in your library and is guaranteed to keep everyone busy while putting a smile on their faces.

I had no real expectations for this game, and I still managed to be blindsided by what I discovered. Tough, tiny indie games often try to supplement their size with atmosphere, but the results are often mixed. Here, a small project from a smaller team has brewed a fabulous blend of mechanical finesse and atmospheric splendor. The game is crazy hard, and some of the puzzle elements are pretty obtuse, but I still loved it. If you’re not so impressed by the screenshots and the trailers, take my word for it: Disc Room is so much better than you’re expecting it to be.