Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. The action is as grisly as it is surrealistic.
  2. Often trite and predictable but grudgingly likable in the end.
  3. The comedy is frantic and tasteless in the usual Waters mode, but it takes telling potshots at the Hollywood establishment, which isn't nearly so open about the tackiness of its products.
  4. So vulgar and incoherent that even Hackman's gifts can't score a touchdown.
  5. Baye and Lopez are excellent, as always.
  6. Färberböck has directed the story with a canny blend of liveliness and taste.
  7. Logue's magnetic performance is the movie's main virtue, supported by a good secondary cast and a sharply written screenplay.
  8. Blethyn's lively acting and some visually amusing moments lend spice to this minor but engaging comedy.
  9. Not even veteran talents like Dukakis and Scheider can surmount the artificial dialogue, arbitrary plot twists, and wan humor of this disappointing comedy-drama.
  10. The story takes a while to get started, but the acting is lively, the special effects are snazzy.
  11. This is fatuous twaddle with a nasty, misogynistic edge.
  12. The star's over-the-top energy isn't enough to make this hopelessly vulgar, numbingly repetitious farce worth watching.
  13. Although the story slips into clichés despite its offbeat subject, Leconte's cinematic style is fresh and vigorous, and Auteuil remains one of France's most engaging actors.
  14. The ensemble acting is impressively in tune; and Michael Nyman's surging score adds an extra measure of emotional power.
  15. A full-fledged masterpiece.
  16. Balaban's superb performance blends with Moyle's mostly understated directing to produce an uneven but sometimes enchanting comedy-drama.
  17. Riveting stuff.
  18. Heart-pounding melodrama.
  19. This drama is richly photographed and enhanced by Binoche's steadily appealing performance.
  20. A few scenes indulge in overstated hokum or thriller clichés, but Pfeiffer is first-rate and several sequences are suspenseful enough to deserve that overused adjective, Hitchcockian.
  21. Among the picture's many surprises is a superb robbery scene filmed in a near-total silence that contrasts exhilaratingly with the noisy flamboyance of more recent films in this venerable genre.
  22. Its eventual failure to make sense indicates that it's intended more as a surrealistic fable than an ordinary sex-and-violence adventure.
  23. Traveling from the tragic to the comic, this multifaceted film is richly acted and imaginatively directed.
  24. The picture is a little too pretentious to achieve its artistic and emotional goals, but its ambition and imagination are impressive at times.
  25. The mood is awfully dark for an escapist fantasy, though, and the high-tech mayhem gets repetitious.
  26. The best scenes capture the blend of irony, melodrama, and real emotion that distinguishes Fassbinder's most memorable pictures.
  27. The acting is excellent.
  28. The result is fine fantasy fun.
  29. Its ideas are worth pondering, but as a movie it's less memorable than its interesting cast suggests.
  30. There's lots of atmosphere and information to be gained, but stay away unless you can tolerate graphic plunges into the wildest kinds of youthful excess.

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