Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
    • 93 Metascore
    • 100 Critic Score
    Mastroianni gives what might be the greatest performance of his legendary career, making an ideal focus of attention for Fellini's cinematic pyrotechnics. [09 Apr 1999, p.14]
    • Christian Science Monitor
  1. A plan for a perfect murder goes wildly wrong in this 1958 melodrama by one of France's great filmmakers.
  2. A profound film by a legendary director in the greatest period of his career.
  3. Godard brought to the screen the jagged, intuitive temperament of youth in a way that nobody else had ever done before.
  4. This thriller was overpraised in the '60s and it still looks hokey. The acting ranges from wooden to petrified: Day and Rex Harrison are at their least convincing, and John Gavin sounds like his voice was dubbed by someone barely more British than himself. [29 Jul 1987, p.19]
    • Christian Science Monitor
  5. Based on William Faulkner's novel "Pylon," this 1958 melodrama gains much of its dark power from Douglas Sirk's visually rich directing, which transforms basically sordid material into a moral tale of love, loss, and redemption. [27 Jun 1996, p.14]
    • Christian Science Monitor
  6. The mid-'50s version is slow going most of the way, but there's no beating Cary Grant and Deborah Kerr in the charm department, and director Leo McCarey comes up with some amusing moments that are more diverting than anything in Beatty's updated edition. [13 Oct 1994, p.10]
    • Christian Science Monitor
  7. The legendary Mifune leads a superb cast, and Kurosawa's kinetic camera keeps the adventure sizzling with energy and wit from start to finish.
  8. Broadway showman Mike Todd created this extravaganza, which launched the venerable movie tradition of the celebrity cameo. The color holds up well, although the leisurely pace may be an adjustment in today's world of fast-paced editing. [14 May 2004, p.14]
    • Christian Science Monitor
  9. This masterpiece of 1952 is one of the gentlest, subtlest tales from one of Japan's all-time-great filmmakers, combining the sweep of a novel with the intimacy of an elegy. [10 Jan 2003]
    • Christian Science Monitor
  10. This is the only film Laughton ever directed, and he packed it with a mixture of eerie chills, ingenious suspense, and absurdist humor. It's a genuine classic.
  11. In the hands of a lesser talent, this might have become a self-conscious stunt, but in Hitchcock's it has the tightly wound perfection of a flawless sonnet or sonata.
  12. Brando made one of his most indelible impressions in this relentlessly dramatic, ever-controversial tale of loyalty and betrayal in the world of working-class unions.
  13. Montgomery Clift is at his very best as Pvt. Robert E. Lee Prewitt, a career soldier stationed in Honolulu just prior to the attack on Pearl Harbor, in this 1953 adaptation of James Jones's classic novel, directed by Fred Zinnemann with the utmost grace. [3 March 2006, p.12]
    • Christian Science Monitor
  14. Cary Grant is irresistible as Dudley the angel, David Niven brings offbeat humor to the clergyman, and Loretta Young is refreshingly low-key as the title character. The picture is more witty than laugh-out-loud funny, but director Henry Koster serves up some fetching scenes, and there are snappy second-string performances from old pros like Monty Woolley, Elsa Lanchester, and James Gleason. [03 Jan 1997, p.15]
    • Christian Science Monitor
  15. Based on a popular book by Betty MacDonald, the story is silly at best, woefully predictable at worst. MacMurray and Colbert are in excellent form, though, and Louise Albritton heads a colorful cast of supporting players. [14 Oct 1987, p.21]
    • Christian Science Monitor
  16. The plot isn't scary, but the low level of filmmaking will have you shivering in your seat. [13 Jul 1988, p.19]
    • Christian Science Monitor
    • 92 Metascore
    • 100 Critic Score
    They don't make 'em like this anymore! [13 Nov 1998, p.B2]
    • Christian Science Monitor
  17. In all, Wyler's version is a fine example of classical Hollywood filmmaking. But if you want the full experience of this dark and stormy tale, spend a few evenings curled up with Bronte's novel. Nobody has improved on it yet. [19 May 1989, p.10]
    • Christian Science Monitor
  18. This great masterpiece of German film is evocative and inventive from its first shot to its last.
  19. The chief reason for its legendary reputation is the brilliant match between its timeless historical subject - the trial that required Joan to defend her faith before skeptical representatives of church and state - and Dreyer's decision to film it primarily in relentless close-ups, using the sharply etched faces of his performers to suggest the invisible spiritual struggles going on beneath the drama's human dimensions.

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