Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. It's a unique blend of history and hysteria, and there's no escaping the dead-serious ideas that run beneath its flamboyant surface.
  2. Many belly laughs.
  3. Solid acting helps the story stay earthbound when Aronofsky's filmmaking gets addicted to its own flashy cynicism, but the picture sometimes seems as dazed and confused as the situations it wants to criticize.
  4. Rodriguez's acting almost scores a knockout even though the movie's directing and dialogue are fairly routine.
  5. It has a good heart, though, and makes an amiable introduction to the integration battles of the '60s and '70s.
  6. Too many clichés and too much uneven acting dilute its impact.
  7. The song-and-dance numbers that make this musical tragedy a celebration of life despite its awfully grim climax.
  8. The drama has compelling moments and touches of imagination, but it relies more on sentiment than sense in conveying its messages about faith, family, and tradition.
  9. Good acting and an effectively claustrophobic mood compensate for a story that doesn't add up to much in the long run.
  10. The action is fast, furious, and occasionally quite funny.
  11. This superbly acted, expressively filmed story offers a rare blend of compelling drama, ethical awareness, and sheer human emotion.
  12. The meandering story doesn't gather much momentum and Vittorio Storaro's camera work is less awesome than usual.
  13. The comedy as a whole is very slight.
  14. The comically tinged action is as lively as it is brainless, and it revels in violence a bit less eagerly than many thrillers of its ilk.
  15. The story evokes a lot of varied emotions, but none runs more than an inch below skin deep.
  16. Too crisp and calculated to match the moods of its wild and woolly characters, and its interwoven subplots lead to predictable outcomes.
  17. Victimization of homosexuals during the Holocaust era has often been overlooked. Epstein and Friedman lucidly recount this woeful history, with help from Everett's articulate narration.
  18. Fugit gives a starmaking performance as the teenage reporter, and Crudup and Lee are excellent as the band's lead guitarist and singer, respectively.
  19. Carax's cinematic imagination makes it worth viewing by movie buffs with a sense of adventure and a tolerance for explicit sex.
  20. Tavernier's compassionate views and long filmmaking experience shine through this eloquently acted drama.
  21. Zellweger is as charming as ever, and it's good to find LaBute working with a script by writers who don't fully share his crabbed, cramped view of human nature.
  22. Splendidly acted, sensitively directed.
  23. The picture's real interest lies in detailing the villain's sadistic crimes, though, and this is rarely fun or edifying to watch.
  24. Michell treats the Irish troubles of the 1970s with clear-eyed compassion, and Walters's performance ranks with her best.
  25. Wordy, wearying drama.
  26. The story is as simple as the average football cheer, but the dialogue has amusing echoes of "Clueless," and Dunst and Bradford make a mighty cute couple.
  27. Henderson steals the show as an elderly African-American man befriended by one of the main characters.
  28. The archival and interview footage is priceless.
  29. Sometimes they're truly hilarious; sometimes they're lazy enough to milk laughs from scattershot vulgarity.
  30. This superficial treatment makes so many dubious decisions - oversimplifying issues, for instance, so there'll be more time for high-flying emotion - that 1960s veterans may be moved to protest rather than praise.

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