Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. Impresses more than it entertains.
    • Chicago Tribune
  2. This is camp, pure and simple, and unless the translators have taken far greater liberties than is apparent, the filmmakers know it.
    • Chicago Tribune
    • 17 Metascore
    • 63 Critic Score
    Entertaining, but it doesn't add enough to the genre to make it truly blessed.
    • Chicago Tribune
  3. Weighed down by the presence of Griffith. She plays her satiric part without much gusto or conviction - as if she were afraid we might believe she really is Honey.
    • Chicago Tribune
    • 30 Metascore
    • 25 Critic Score
    This is the laziest kind of filmmaking.
    • 71 Metascore
    • 75 Critic Score
    Contains ample dry humor and its share of surprising turns, but they operate on a human level rather than with the kind of empty flash we've come to expect from the post-Tarantino crime flicks.
  4. Halfway through, it becomes clear that the filmmakers don't know how to end the film.
    • Chicago Tribune
  5. So laden with forced plot twists that it will never be able to recover.
    • Chicago Tribune
  6. When Aimee and Jaguar gets on one of its frequent rolls, it can evoke memories of Bertolucci or even De Sica.
    • Chicago Tribune
  7. The problem is that we never see Dex employing the Steve technique to bed a female.
  8. Whimsy and wit are the saving graces of much British movie comedy, and Saving Grace has a decent measure of both.
  9. Works better as a sociological study than as a gripping drama.
    • 42 Metascore
    • 50 Critic Score
    There's nothing here that's outrageous, startling or daring enough to give your funny bone a jolt.
  10. Ends up working like a charm.
  11. Meant to be appreciated solely for its gleaming surfaces.
    • Chicago Tribune
    • 24 Metascore
    • 38 Critic Score
    The folks who made this movie apparently had nothing inside their heads, either.
    • Chicago Tribune
  12. Despite greater resources and high-tech whiz bang than the first movie, has a lot more turkey than dinner.
  13. It's surprising how much of the old mood Leconte manages to recapture, how sumptuous he makes the black-and-white cinematography and timeless Parisian and Mediterranean settings look.
    • Chicago Tribune
  14. One of the best realistic dramas of the year.
    • 46 Metascore
    • 63 Critic Score
    Lo's writing is generally solid, and he creates some genuinely funny and touching moments with his use of dream sequences and flashbacks. He may not have gotten his proportions perfect in this first try, but Catfish in Black Bean Sauce shows that Lo has sharp cinematic instincts.
  15. A film poem of sometimes humbling beauty: a movie that opens up a new world to us - in the mountains of Iranian Kurdistan - with an enchanting freshness and austerity of vision.
    • Chicago Tribune
    • 19 Metascore
    • 38 Critic Score
    Children's films can be thrilling affairs for parents and kids. Unfortunately, this film is not likely to thrill either group.
    • 35 Metascore
    • 63 Critic Score
    Loser is anemic.
  16. If the mark of a successful documentary is its ability to make us examine a tired subject in a fresh way, then Eyes is a rip-roaring success.
    • Chicago Tribune
  17. It's a lovely, terrifying sight.
    • Chicago Tribune
  18. A classy supernatural lady-in-distress thriller.
  19. No matter how many heists you've seen, how many gangs you've watched fall apart or how many aging crooks you've seen walk up a mean street to a violent destiny, Rififi never loses its ruthless grace and force.
  20. Mind-numbing sequel to "Pokemon the First Movie."
    • 14 Metascore
    • 25 Critic Score
    Insipid, ineffective, inept and insulting to our intelligence.
    • Chicago Tribune
  21. Pseudo art can be fun, though, even if it doesn't quite awaken all your senses.
    • Chicago Tribune

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