Chicago Tribune's Scores

For 7,613 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7613 movie reviews
    • 52 Metascore
    • 38 Critic Score
    Absurdly unrealistic at times.
    • Chicago Tribune
  1. Has a melodramatic glow.
    • 44 Metascore
    • 63 Critic Score
    Rarely ventures beyond familiar territory.
    • Chicago Tribune
    • 47 Metascore
    • 50 Critic Score
    A documentary that will likely leave Phish diehards hankering for more, and everybody else still wondering what all the fuss is about.
    • Chicago Tribune
  2. A seductive revisiting of an old classic - one that helps us see these lovers and their world with renewed passion.
    • Chicago Tribune
    • 44 Metascore
    • 50 Critic Score
    What we have here is the cinematic equivalent of a dead shark.
  3. I laughed all the way through it.
    • Chicago Tribune
  4. This is a quiet thriller and a middle-aged romance, and it's full of desperation and oozing anxiety.
    • Chicago Tribune
  5. The beauty of The Ballad of Ramblin' Jack lies in its ability to transform itself into a sad tale of loss, regret and missed opportunities while it also remains a solid documentary about a once-influential artist seeking his place in the sun.
    • Chicago Tribune
  6. One funny movie - for at least half the time.
  7. Feels more like a music video than a serious look back at a time, a place and a very smart, funny and unconventional man.
  8. Impresses more than it entertains.
    • Chicago Tribune
  9. This is camp, pure and simple, and unless the translators have taken far greater liberties than is apparent, the filmmakers know it.
    • Chicago Tribune
    • 17 Metascore
    • 63 Critic Score
    Entertaining, but it doesn't add enough to the genre to make it truly blessed.
    • Chicago Tribune
  10. Weighed down by the presence of Griffith. She plays her satiric part without much gusto or conviction - as if she were afraid we might believe she really is Honey.
    • Chicago Tribune
    • 30 Metascore
    • 25 Critic Score
    This is the laziest kind of filmmaking.
    • 71 Metascore
    • 75 Critic Score
    Contains ample dry humor and its share of surprising turns, but they operate on a human level rather than with the kind of empty flash we've come to expect from the post-Tarantino crime flicks.
  11. Halfway through, it becomes clear that the filmmakers don't know how to end the film.
    • Chicago Tribune
  12. So laden with forced plot twists that it will never be able to recover.
    • Chicago Tribune
  13. When Aimee and Jaguar gets on one of its frequent rolls, it can evoke memories of Bertolucci or even De Sica.
    • Chicago Tribune
  14. The problem is that we never see Dex employing the Steve technique to bed a female.
  15. Whimsy and wit are the saving graces of much British movie comedy, and Saving Grace has a decent measure of both.
  16. Works better as a sociological study than as a gripping drama.
    • 42 Metascore
    • 50 Critic Score
    There's nothing here that's outrageous, startling or daring enough to give your funny bone a jolt.
  17. Ends up working like a charm.
  18. Meant to be appreciated solely for its gleaming surfaces.
    • Chicago Tribune
    • 24 Metascore
    • 38 Critic Score
    The folks who made this movie apparently had nothing inside their heads, either.
    • Chicago Tribune
  19. Despite greater resources and high-tech whiz bang than the first movie, has a lot more turkey than dinner.
  20. It's surprising how much of the old mood Leconte manages to recapture, how sumptuous he makes the black-and-white cinematography and timeless Parisian and Mediterranean settings look.
    • Chicago Tribune
  21. One of the best realistic dramas of the year.

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