Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. By the time the film is over, you may not feel differently about the key issues than you first did, but you will have many more facts (sound) and opinions (fury) to consider.
    • Chicago Tribune
  2. As for Ramis, he's no Stanley Donen. He can make us laugh, but he can't make a movie dance.
    • Chicago Tribune
  3. Scene after scene in Calle 54 just knocks you out.
    • Chicago Tribune
    • 74 Metascore
    • 75 Critic Score
    Enjoy this rare chance to catch Chan on the big screen at his near-peak mastery.
  4. Shines whenever we see the performances of Phoenix and Caan.
  5. A dull, amateurish mixture of the sentimental and the obvious.
    • 40 Metascore
    • 50 Critic Score
    Too high-minded to stoop as low as it does, particularly in its unforgivably manipulative ending.
    • Chicago Tribune
  6. It's a joy. Altman does Dallas the way he did "Nashville" in Nashville or Hollywood in "The Player."
    • Chicago Tribune
  7. Not without its humorous moments, but they are too few and far between.
  8. A triumph that deserves a broad audience.
    • Chicago Tribune
  9. A teen comedy wise beyond its years.
  10. So filled with illogical twists and ridiculous turns, that eventually it evokes unintentional laughs.
  11. One of the most remarkable English-language feature debuts of recent years.
    • Chicago Tribune
  12. It's an intelligent and informed look at the preposterous ways our leaders are often picked and sabotaged.
    • Chicago Tribune
  13. Brimming over with affection and humanity, this memory drama about the destruction of one family and the birth of another is nostalgic in a good sense: funny, bittersweet, poignant.
  14. Effectively a demo. It doesn't give you the whole picture, but it lets you know what's possible. It's hard not to wish the ride could have lasted longer.
    • Chicago Tribune
  15. Great, bittersweet family drama.
  16. Starts out hilarious and then turns very, very grim.
    • Chicago Tribune
  17. These two actors have a kind of genius for dark comedy: Stiller for suffering through crises and De Niro for creating them.
  18. Often, Requiem for a Dream is as technically inventive and daring as the Scottish heroin film "Trainspotting," but it has more resonance and feeling. And when Burstyn is on screen, it often becomes heartbreaking.
  19. What it gains in fun, the film loses in credibility, as the production number itself more closely resembles a high-priced Las Vegas extravaganza than a quickly organized charity event.
    • Chicago Tribune
  20. Girlfight, for its skill and theme, will please many. It's a shame it's no knockout.
    • Chicago Tribune
  21. Shallow though it may be, is a breakthrough.
  22. A welcome respite from the high-volume ugliness of rock extravaganza.
  23. Works better and cuts deeper than the mostly fictionalized "Hoosiers."
    • 23 Metascore
    • 25 Critic Score
    Spends its first three-quarters confronting us with one of the most dislikable characters in recent memory.
    • Chicago Tribune
  24. For sheer laughs, Willard and Piddock take the trophy.
    • Chicago Tribune
  25. It's hard not to feel angry that you've spent almost two hours watching this moronic exercise.
    • 41 Metascore
    • 63 Critic Score
    A dish that's pretty easy to swallow, but if it could have borrowed some of Isabella's more potent spices, it might have boasted a more lasting flavor.
  26. (The film is) one of the most anguished, intense and weirdly brilliant of the year.
    • Chicago Tribune

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