For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
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| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
The kind of movie some audiences are starved for, a comedy with a human face, warmth and spirit.- Chicago Tribune
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Reviewed by
Mark Caro
Delivers that rare combination of winning traits. It's a low-key comedy with a risque hook -- a seemingly straight woman dabbles in lesbianism -- yet it maintains an old-fashioned faith in literate dialogue, believable behavior and themes that reach beyond the plot points.- Chicago Tribune
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Reviewed by
Michael Wilmington
This is only a movie. But a good one. May Roddy Doyle give us many more.- Chicago Tribune
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Reviewed by
Robert K. Elder
An engaging character study, steeped in religion, demonology and community politics.- Chicago Tribune
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Reviewed by
Mark Caro
The surprise here isn't that 15 Minutes isn't a masterpiece; it's that the movie works at all.- Chicago Tribune
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Reviewed by
Michael Wilmington
Of all the movies I've seen in the past several years, this is one of the ones I love the most.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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Reviewed by
Michael Wilmington
The movie loses its magic by the time the solution is revealed.- Chicago Tribune
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- Critic Score
Series 7 does exactly what independent cinema should -- challenge audiences while it entertains.- Chicago Tribune
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Reviewed by
Loren King
Manages to find the magic through its documentary style, and manages to find the erotic in the commonplace. Not since the glory days of Italian neo-realism has lust among the peasants looked so good.- Chicago Tribune
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Reviewed by
Loren King
Give David Arquette credit. He shares nearly all his screen time in See Spot Run with a clever canine and a cute kid and still manages to pull off his usual nutty-slapstick routine with gusto.- Chicago Tribune
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Reviewed by
Mark Caro
Plays like a drawn-out outline of a better movie; no one got around to fleshing out the details or providing some soul.- Chicago Tribune
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Reviewed by
Michael Wilmington
A mind-numbing, bloody, ridiculous experience.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Loren King
A film that celebrates simple human kindness. If the ending feels somewhat unsatisfying, it is perhaps because one hates to see this too-brief film end at all.- Chicago Tribune
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Reviewed by
Michael Wilmington
Has the resonance, eloquence and formal rigor of a piece of great literature.- Chicago Tribune
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Reviewed by
Michael Wilmington
This rich, gorgeous music and the wistful pastoral scenes create a rhapsodic mood that the rest of the film doesn't really sustain.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Loren King
An amusing and entertaining animated feature, and it's harmless enough for the elementary-school set.- Chicago Tribune
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Reviewed by
Loren King
Nice to look at but too calculated and clichéd to resonate beyond its surface slickness.- Chicago Tribune
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Reviewed by
John Petrakis
Though the final journey drags at times, the early expository scenes in the shadows of Saint Sophia and assorted mosques are impressive and quite moving.- Chicago Tribune
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Reviewed by
Mark Caro
The movie drags down everyone involved, regardless of their apparent talent.- Chicago Tribune
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Reviewed by
Michael Wilmington
Hannibal, riding the malicious wit of Hopkins' sophisticated fiend, is a gorgeous, wild, sometimes sick thriller, a feast for enraptured eyes and strong stomachs.- Chicago Tribune
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Reviewed by
Loren King
The storytelling is episodic, and the film takes a little while to get going, but it hits its stride.- Chicago Tribune
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Reviewed by
Michael Wilmington
Shimmers and glows. But it also stings a little -- like the lovely flame that dies and the smoke that, in yet another Cole song, gets in your eyes.- Chicago Tribune
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Reviewed by
Mark Caro
When a movie is structured around the unveiling of secrets, you ought to care what the answers are. But writer-director Adam Brooks (Almost You), never offers any compelling reason to do so.- Chicago Tribune
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Reviewed by
Robert K. Elder
While Nico and Dani presents itself as a no-frills coming-of-age tale, its soundtrack seems lifted from a teen comedy like "American Pie."- Chicago Tribune
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Reviewed by
Robert K. Elder
This otherwise predictable romantic comedy does have several genuinely funny scenes, thanks to Monica Potter's comic delivery and charm.- Chicago Tribune
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Reviewed by
Michael Wilmington
82-year-old Ingmar Bergman takes one of the most painful, shameful episodes of his own life and, writing for director Liv Ullmann, transmutes it into magical, brilliant artistry.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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