Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. Fast-moving shocker, but it's a dull shocker, so morally dead that it deadens you to watch it. After a while you couldn't care less if anyone is slaughtered or raped -- including the heroines.
  2. By creating a kind of politically correct version of Andy Griffith's "Mayberry," director Bezucha has drained the movie not only of bigotry but also of dramatic conflict.
    • Chicago Tribune
  3. Most of the performers have limited acting experience, but they are perfect for their parts, exhibiting the courage, stamina and wariness essential to live in such a harsh environment.
  4. A great love story and a deeply moving celebration of simple lives.
    • Chicago Tribune
  5. A movie meant to explode off the screen -- and it's at its best when those explosions are going full blast.
  6. Though the film falls short of its aspirations, there's something magical about it. It's a poetic look at transience, betrayal, loss and doom.
    • Chicago Tribune
  7. Has an assured air, rich with scenes of affection, anger and reconciliation, along with moments of unfeigned humor.
    • Chicago Tribune
  8. Kollek's fondness for whimsical plot turns adds still more random elements to a movie that at times seems edited by a blindfolded monkey.
    • Chicago Tribune
  9. Shot in Chicago, this is a picture that looks better than it sounds and is made much better than it deserves to be.
    • Chicago Tribune
  10. Alternately sweet and mean, sophisticated and vulgar, witty and base, dazzling and ugly, charming and charmless.
  11. A landmark musical movie -- controversial, mercurial, even cheeky. It's the kind of film that wildly divides audiences and critics -- people tend to either love or hate it. I loved it.
  12. Combining the immediacy of the Internet and the wise perspective of history, Startup.com proves that investing in real-life drama can reap rich dividends.
  13. A lame duck.
  14. As is often the case in Loach's films, all the acting is exemplary. Padilla, who learned English only shortly before making the film, is a natural actress, a smoldering presence.
    • Chicago Tribune
  15. There's much to love about this "Rocky" on horseback, and those laughable blemishes just fold into jokes that Helgeland likely intends audiences to laugh at.
  16. A train wreck you can't help but watch.
  17. Stands as a successful cinematic experiment and a gripping -- though a little too long -- study of humanity's most primitive instincts.
    • Chicago Tribune
  18. An amazing film, still a shocker after all these years. [07 Sep 2001, p.C1]
    • Chicago Tribune
  19. Never feels inflated -- and it builds to an ending of unusual power.
  20. Gives you your money's worth and then some.
    • Chicago Tribune
  21. It stays in your memory, will not leave you in peace.
  22. Action junkies may enjoy this non-stop barrage, which barely pauses for anything but the most rudimentary (albeit complicated) plot exposition.
  23. Suggests a raunchier, cruder version of a Coen brothers comedy, but it's also a kind of honky-tonk "Rashomon."
    • Chicago Tribune
  24. Has the air of a film and actor (Beatty)reaching clumsily for a golden past that's gone.
    • Chicago Tribune
  25. Dances in circles until you tire of admiring it.
    • Chicago Tribune
  26. It's outrageously stereotypical and weirdly personal, so loonily exaggerated it keeps surprising you.
    • Chicago Tribune
  27. The actors and writing lend unexpected dimension to all of the characters, and Lopez's Harry is an indelible antagonist, one who manages to be genuinely big-hearted and evil.
    • Chicago Tribune
  28. The film is surprisingly easy to sit through, digest and even enjoy. Why? A lot has to do with Hogan's well-documented charisma as a performer.
    • Chicago Tribune
  29. You'll find heartbreakingly star-crossed lovers, a heartless villain (Wilson) and a dazzling backdrop of aristocratic life before and after the Russian Revolution.
  30. Lightweight but likable and blessedly free of the posing and pretensions that mark the Hollywood crop of twentysomething coming-of-age films.

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