For 7,599 reviews, this publication has graded:
-
62% higher than the average critic
-
2% same as the average critic
-
36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
-
Positive: 5,104 out of 7599
-
Mixed: 1,473 out of 7599
-
Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Michael Wilmington
Swedish cinema has been famous for a number of things: beautiful actresses, fine sexy psychological dramas, natural settings, cinematic bawdiness and a touch of melancholy. Under the Sun fits that profile well.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Loren King
Manages to wring some originality out of its fairy-tale plot. This freshness compensates for the expected hackneyed qualities in this Cinderella tale.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
This sequel succeeds as a slightly convoluted, paint-by-the-numbers buddy/action comedy with fast, funny banter and well-choreographed fight scenes.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Magnificent to look at, thrilling, ingenious, spellbinding and superbly done on every level, this is not just one of the best films of the year or the decade, but of all time.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
This century's Planet of the Apes is a rouser, a screaming-banshee fun house.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A noir with a smile, and after all these years, its deft mixture of darkness and light still makes us smile.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
John Petrakis
What is most impressive about Kurosawa's direction is how he uses the entire frame, complete with expository background action, to fill in the story blanks. His eagerness to suggest, rather than declare, marks him as a director with confidence to spare.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
The acting is primo and the cinematography, on high-definition video by the gifted M. David Mullen, is striking.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Loren King
It is awkward and dull, a capital crime for an aspiring noir.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Loren King
Unambitious and transparent, but that doesn't mean it won't warm the hearts of audiences on both sides of the Atlantic.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
This low-budget comedy will most likely try the patience of a paying audience with its uneven pacing, wavering tone and poor production quality.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Fun to watch it may be, but it's shallow fun. Like the drugs and booze the characters keep using -- and even the sex -- it's a passing pleasure.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
All these good actors and all Crystal's sass and witty candor can't bring back the heyday of Billy Wilder and Preston Sturges. Or even, most of the time, their off-days.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
(Mitchell's) Hansel may be small-boned and soft-featured in an androgynous way, but his Hedwig is a force of nature, burned out and jaded yet brimming with compassion and bursting with energy.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
What I did like unreservedly was the acting. Enid, as enacted by the sometimes astonishing Birch, is one of the more convincing, no-nonsense teens in recent movies.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Michael Wilmington
It's a summit meeting between three brilliant leading men from three generations with three striking on-screen personas.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
The good news is that Vaughn is back in needling, loosey-goosey mode in Made, which he produced with Favreau. The bad news is that by the end, not only do you find him quite resistible, but you also may wish one of the tough guys of this mob comedy would heave him out a window.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Witherspoon goes further, pouring so much humor and pizzazz into Elle that she lifts up the whole movie.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Just withers compared with many older, better movies about teen alienation and nihilism, from "Rebel Without a Cause" to "River's Edge."- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
John Petrakis
The film doesn't always take advantage of its dramatic potential (except for its strong soundtrack), as it relies too heavily on scenes of crazed warriors in makeup and costume, running and screaming and jumping up and down.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
Isn't likely to satisfy the gamers' appetite for action. It also probably isn't heady enough for the science-fiction crowd, and it's too remote for those who simply wish to be immersed in a head-spinning fantasy world.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
It's a simple story with complex reverberations and undercurrents, as secrets keep being revealed.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Loren King
Likable comedy about ordinary people stumbling badly and then triumphing.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Loren King
Boldly goes where Hollywood rarely treads: into the passionate, intense and complex world of girls at the point in their lives when self-discovery is tempered by enormous vulnerability.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
It's one thing for a script to set the framework for an action film -- it's quite another when the script gets in the way.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
Dry and irreverent, Jump Tomorrow plays like a Hal Hartley ("Henry Fool") comedy with a lighter tone and more laughs.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Robert K. Elder
Scary Movie 2 had seven writers. Seven. That's one writer for every big laugh in its stealthy 82 minutes. More frightening: these jokes are worth waiting for.- Chicago Tribune
- Read full review
-
Reviewed by