For 7,613 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
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| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,116 out of 7613
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Mixed: 1,475 out of 7613
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Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert K. Elder
It's an event film, all about flash and spectacle, even though the movie itself is void of any real substance.- Chicago Tribune
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Reviewed by
Michael Wilmington
Just another self-absorbed teen chronicle, with the added twist of a little time travel and a surprise ending.- Chicago Tribune
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Loren King
The rigidity of most of the rabbis interviewed in the film is balanced by the presence of openly gay Orthodox Rabbi Steve Greenberg, who offers a more liberal, but no less scholarly, interpretation of the Torah.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's so thoroughly engaging, so beautifully made, strikingly shot and chock-full of humor and humanity, I can't imagine any intelligent audience not falling in love with it - if only they take the leap of faith to see it.- Chicago Tribune
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Reviewed by
Michael Wilmington
Vibrating with humanity, it's a potent portrait of love, ranging from the purely carnal to the impurely sublime.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a good film but an over-obvious one. I wish I'd liked it more.- Chicago Tribune
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Reviewed by
Michael Wilmington
An outrageously unlikely prison action movie made with lots of eye-catching pizzazz and undeserved expertise.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's just another case of mourning over what might have been.- Chicago Tribune
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Reviewed by
Michael Wilmington
The film is truly special, truly different -- a wondrous talky roundelay about and for people who love life.- Chicago Tribune
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Loren King
Deftly uses the conventions of the urban buddy/ romance film to create a fast and loose, often humorous, atmosphere.- Chicago Tribune
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Reviewed by
John Petrakis
This film would be an excellent companion piece to Wim Wenders' "Wings of Desire," which deals with angels looking down on this scarred city. Berlin Babylon isn't nearly as lush, but in its own curious way, it's every bit as spiritual.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Mark Caro
The characters may be speaking Chinese, but such rousing entertainment needs no translation.- Chicago Tribune
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Michael Wilmington
Like "Memento," Mulholland Drive is an amnesiac noir in the tradition that goes back to "Spellbound" and "Somewhere in the Night."- Chicago Tribune
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Loren King
Offers something rare for a modern movie: an uncynical depiction of the redemptive power of human relationships.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
It's sensuality with a stinger, and Fat Girl is an adolescent sex drama that takes no prisoners.- Chicago Tribune
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Reviewed by
John Petrakis
A multilayered documentary that explores music and friendship, and in its own quiet way, the battle with fame.- Chicago Tribune
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Reviewed by
Michael Wilmington
A gentle film, not very controversial despite its gay content, Chop Sue is valuable as a record of beauty and obsession, much less interesting as a human document.- Chicago Tribune
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- Critic Score
Delightful coming-of-age film that becomes universal by way of its subject matter.- Chicago Tribune
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Reviewed by
Michael Wilmington
This is a movie that rocks and socks you, and has a performance by Washington that's ruthless and scary. But in the end, it leaves you unmarked.- Chicago Tribune
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Reviewed by
Michael Wilmington
There is a thrill in seeing them wooing and pursuing each other through the streets of New York, a city that here again, for a while, becomes a movie isle of joy.- Chicago Tribune
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Loren King
It's the pre-teen set who will revel in the adolescent angst and anarchic high jinks of Max Keeble.- Chicago Tribune
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Reviewed by
Robert K. Elder
A pair of decent performances does not a movie make, however, as Mazur and Giovinazzo are surrounded by fourth-tier actors (Ventresca and Steven Bauer) and spotty directing of a mediocre script.- Chicago Tribune
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Patrick Z. McGavin
Argentinean filmmaker Lucrecia Martel takes fundamental risks with form and style, and it pays off brilliantly.- Chicago Tribune
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Reviewed by
Michael Wilmington
It may be the most serene and optimistic film Rivette has made in France. Yet even the art-house audience may undervalue it, miss the beauty, style and wit.- Chicago Tribune
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Reviewed by
Michael Wilmington
Almost nothing new to offer -- despite its good actors, flashy visuals and well-textured New York gloss and grit. But there are teasing hints of another, better movie buried inside somewhere.- Chicago Tribune
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Mark Caro
The main problem is the director-star's choice to play so far beneath his intelligence for so long. Stiller lacks the physical gifts and projected sweetness of, say, Jim Carrey in "Dumb and Dumber," and unlike Peter Sellers in the "Pink Panther" movies, he can't keep a straight face.- Chicago Tribune
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Reviewed by