For 7,599 reviews, this publication has graded:
-
62% higher than the average critic
-
2% same as the average critic
-
36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
-
Positive: 5,104 out of 7599
-
Mixed: 1,473 out of 7599
-
Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Michael Wilmington
A grotesque slumgullion of kung fu, studio schlock and pseudo-Dumas swashbuckling that leaves you longing for Doug Fairbanks --or even Don Ameche and The Ritz Brothers.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Patrick Z. McGavin
The director's return home here parallels that of Fernando, metaphorically and artistically. Our Lady of the Assassins is a film of clarity, feeling and electric intensity.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
John Petrakis
One of those frustrating movies that takes forever to get where it's going, and once arriving, the frustration is increased because one realizes how much better it should have been.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Mark Caro
The movie can't quite embrace its characters or their scene; Wahlberg even cracks a joke over the end credits that heralds the late-'80s ascendance of hip-hop, which, of course, spawned Marky Mark and the Funky Bunch.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Patrick Z. McGavin
Filled with dazzling moments, Vengo never quite reaches the heights those moments promise.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Loren King
Throws its obvious predecessor, "Waiting to Exhale," into relief, making that 1995 syrupy revenge fantasy look positively Shakespearean next to the moronic Two Can Play That Game.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
May strike some audiences as even more real than Kiarostami's work, because the story is so luminously open. Watching it, we enter, without barriers, a world.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
Plays like an amateur debut effort written over a weekend during which its writer wasn't entirely sober.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A movie that celebrates and mourns heroism and friendship, while reminding us how seldom we truly see either on our big screens.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
Appeals to a universal appetite for stories that are as rich and warm as they are flavorful.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Carpenter writes his own scripts -- here with past collaborator Larry Sulkis -- and their "Ghosts" screenplay lacks the density, character and humor of a Hollywood genre classic.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Doesn't have the negative qualities of many big-studio romantic comedies, but it doesn't quite take flight.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Mark Caro
Now that Smith has gotten these characters and jokes out of his system, here's hoping he can turn to material that doesn't require winking at the audience.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Seemingly a simple comedy, it actually -- like all Allen's "simple" comedies -- has a lot to say. Will the audience listen or just dismiss it as minor, out-of-date Woody? If they do, it's their loss.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Robert K. Elder
Neither drama nor comedy, Summer Catch is a long, slow lob of a movie that never crosses the plate.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
It's a nice little film, likable but not exceptional, and it will probably appeal most strongly to actors, would be-actors, wannabes and ex-actors.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A beautiful, almost defiant film on an unusual subject: love among the elderly.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
In the end, grips us precisely because its actors are so utterly absorbed in their roles, so unfettered and nakedly expressive. This is the kind of acting we always look for, but rarely see.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
It's beautifully shot on Cephallonian locations by superb landscape photographer John Toll.- Chicago Tribune
-
Reviewed by
-
-
Reviewed by
Mark Caro
Zucker gives the movie an ebullient spirit, but he also keeps everything at the same loud pitch throughout.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
Not only does American Outlaws distort history, but the filmmakers have created a dull, one-dimensional pop icon out of James' complex character and legend.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
American Pie 2, which brings back the same cast for more of the same, is just another by-the-numbers, money-hungry sequel with a lot of recycled shaggy-sex jokes and gross-out gags.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
A classic haunted-house story enshrouded in fog and steeped in portentous atmosphere. It gives you a case of the creeps oh-so slowly, then hits you with a clever, mind-warping way of saying, "Boo!"- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
-
-
Reviewed by
Loren King
The heartfelt truthfulness of Gardos' tale, and the performances of all leads, particularly Johansson, make the film a powerful account of the universal search for identity and the meaning of "home."- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
Gets under your skin with laughs that are fast, slick and slippery and with visuals as vivid as anything this side of Demerol.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Patrick Z. McGavin
Creates an atmosphere of frenzy that is both powerful and unforgettable, providing neither solace nor comfort.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Jolie and Banderas are two hot actors, in many senses of the word, and their scenes together have a lewd excitement.- Chicago Tribune
-
Reviewed by