Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. This sophomoric little gimmick picture -- although at times, serving as no more than a showcase for daredevil snowboarding -- provides enough powder power to keep the audience laughing, even over the rocky parts.
    • Chicago Tribune
  2. Fine ensemble performances and a tight balance of the supernatural against the historical make The Devil's Backbone a well-crafted, white-knuckled cinematic journey.
  3. Too full of worship and the culture of celebrity to ever pose the questions that should be asked.
    • Chicago Tribune
  4. The absurd meets the violent meets the droll, and we just watch from the outside, never having been drawn in by anything resembling believable feelings or behavior.
    • Chicago Tribune
  5. A short film with a unique subject matter. But you won't soon forget its people, its places or its sad, surprising revelations about all the sexes.
  6. Does it immerse the uninitiated into a new, fabulous world? Yes. To the book's many readers, does this feel like the real "Harry Potter"? For the most part, yes.
  7. So intent on driving home its worthy if not mind-blowing message that it becomes surprisingly conventional.
    • Chicago Tribune
  8. Mamet takes exactly those qualities that we most prize in genre movies -- characters, cleverness and high style -- and refines them to a high shine.
    • Chicago Tribune
  9. Takes a couple of curious turns that you will either applaud or hiss at, depending on the type of film you are looking for.
  10. The movie is funny, but it's also touching and poetic -- and Bertin's scenes are devastating.
  11. The climax, featuring what's essentially a suspended roller coaster of closet doors, is as thrilling as it is imaginative.
  12. This is the Paris -- and the mad, beautiful young Parisienne -- we look for in dreams.
  13. Tape may not be a great movie, but it's a great demonstration of creativity within severe limitations.
  14. There's almost no reason to see the movie, unless you have no qualms about wasting your time.
  15. Hits the ground running and never lets up.
  16. Like all the Coens' movies, "Man" is supremely self-aware and darkly, hellishly funny. It's also brilliantly written and acted to a fare-thee-well by an outrageously good cast.
  17. The images are lustrous, the cutting is brisk and the acting of the two leads is right on the money.
  18. The movie may not be as toxic and ultimately hopeless as Todd Solondz's "Happiness," but it also fails to find humor, dark or light, in anything.
  19. This movie lets you feel something. Like George's house, if not his life, it's built well and full of heart.
  20. It's an event film, all about flash and spectacle, even though the movie itself is void of any real substance.
  21. Just another self-absorbed teen chronicle, with the added twist of a little time travel and a surprise ending.
  22. The rigidity of most of the rabbis interviewed in the film is balanced by the presence of openly gay Orthodox Rabbi Steve Greenberg, who offers a more liberal, but no less scholarly, interpretation of the Torah.
  23. It's so thoroughly engaging, so beautifully made, strikingly shot and chock-full of humor and humanity, I can't imagine any intelligent audience not falling in love with it - if only they take the leap of faith to see it.
  24. Vibrating with humanity, it's a potent portrait of love, ranging from the purely carnal to the impurely sublime.
  25. It's a good film but an over-obvious one. I wish I'd liked it more.
    • Chicago Tribune
  26. Lacks the energy and urgency of its source material.
    • Chicago Tribune
  27. An outrageously unlikely prison action movie made with lots of eye-catching pizzazz and undeserved expertise.
    • Chicago Tribune
  28. It's just another case of mourning over what might have been.
  29. The film is truly special, truly different -- a wondrous talky roundelay about and for people who love life.
  30. Deftly uses the conventions of the urban buddy/ romance film to create a fast and loose, often humorous, atmosphere.
    • Chicago Tribune

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