Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. At the end of 83 unmerciful minutes, audiences will be exclaiming, "Dude, I can't believe I sat through that movie!?" Stick to the trailer.
    • Chicago Tribune
  2. If you were forced to judge it simply on its action-movie visual and technical elements, you'd have to count it a roaring success... . But if you lay aside that action and watch the people instead, it's a morass of dimwitted family crises and hack action-movie cliches.
    • 45 Metascore
    • 75 Critic Score
    The movie delivers on its own terms. It may emerge a bit bruised and tattered around the edges, but its ever-beating heart provides the ultimate Proof of Life.
    • Chicago Tribune
  3. The sad truth is, I can say nothing to recommend this film.
    • Chicago Tribune
  4. Splendid, soaringly ambitious Chinese period fantasy.
    • Chicago Tribune
  5. Not too many actors last year bettered or equaled Beatty and Schreiber here, separately or (better yet) together. It's a pleasure and a privilege to watch them work.
    • Chicago Tribune
  6. How is it possible that actors as expert as Close and Depardieu can wind up together in a mostly brainless big-budget stinker?
    • Chicago Tribune
  7. Kaufman's startling Quills gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination.
    • 62 Metascore
    • 75 Critic Score
    The irony is that although Unbreakable is as compellingly watchable, stylish and intriguing as its predecessor, its ending has almost the opposite effect on the overall picture.
    • Chicago Tribune
  8. Opulence almost interferes with the movie, weighing it down when it should seem lighter than air, surrounding the inarguably brilliant Carrey with too much frosting and frou-frou.
    • Chicago Tribune
  9. Doesn't really work when examined in the daylight outside the theater doors.
    • Chicago Tribune
  10. A fine French comedy-drama.
    • Chicago Tribune
    • 49 Metascore
    • 63 Critic Score
    Once Schwarzenegger got attached, the short-sighted, commercially minded forces took over; the man is desperate for a hit, so the movie dare not overestimate the audience's intelligence or tolerance for uneasily resolved dilemmas.
    • Chicago Tribune
  11. Isn't novel entertainment, but adults who accompany kids to it are not likely to feel that it is a form of abuse for either of them.
  12. Sweeps us back into a terrifying and desperate string of events and makes us feel them - and, more crucially, understand them as well.
  13. A feast of bad taste, a demonic hog-wallow.
  14. Honest, poignant and very funny, full of memorable, moving moments.
    • Chicago Tribune
    • 34 Metascore
    • 50 Critic Score
    The slogan for Red Planet could be "In space no one can hear you yawn."
  15. Inspirational biographical movie that really works.
  16. Though it's sweet and likable to a fault, it's also a movie that never seems heartfelt or deep.
  17. It's hard to believe how bad this movie is.
    • Chicago Tribune
  18. A picture about America with the blinders off, a film about heroism that makes you chuckle and feel sad - and a film about childhood that lets us reenter that lost world and see the grass, sky and sunlight the way they once looked, in the golden hours.
    • Chicago Tribune
  19. Offers an honest, understated and unsentimental look at a small incident in the course of a friendship - but it is the kind of incident that defines most childhoods.
  20. Strong, hard, dirty, funny, moving atmospheric and laced with scabrously musical street dialogue.
  21. A comedy of bad manners with many punchy moments and many irritatingly glib ones.
  22. Showing us a world through a child's eyes, A Time for Drunken Horses speaks so truthfully and well that it breaks the heart and scars the conscience.
  23. This film has so many good ideas, it tends to seem better after you've left the theater. But the mock TV stuff is just too faux to be funny.
    • Chicago Tribune
  24. An odd little ghoul too cleaned up to survive, a bloodless vampire movie that's mostly lifeless as well.
  25. Run-of-the-mill sitcom-y in its pedestrian writing and uninspired direction.
  26. Resembles an old Nine Inch Nails video. Missing from the mix are any characters with whom you'd want to spend one minute around a campfire.
    • Chicago Tribune

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