Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. The only glaring fault of this otherwise fine film is that director Jeroen Krabbe's sense of drama is far too heavy-handed in spots.
  2. Works so well for the first 40 minutes or so, that when the bottom falls out of it, I felt more than disappointed. I felt betrayed.
  3. Bravo!
    • 79 Metascore
    • 100 Critic Score
    Has moments of profound poignance, though it lacks the overall dramatic impact of "The Long Way Home."
    • Chicago Tribune
  4. When the final twist has been turned and the last corpse has hit the ground, it is a film that could have been twice as good if it had been half as complicated.
    • Chicago Tribune
  5. Just say no.
    • Chicago Tribune
  6. It's another slick-and-quick muscle car of a movie, racing along for a couple of hours, taking you nowhere as fast as it can.
    • Chicago Tribune
  7. One of those small films that will, one hopes, find a larger audience through word of mouth.
  8. The joys of singing give the movie a hook, but when Duets aims for lyricism, it's got a tin ear.
    • Chicago Tribune
  9. I loved this movie madly, and so will many of you.
    • Chicago Tribune
  10. What pulls us along through the inky shoals of The Way of the Gun? Sheer style, plus the movie's refusal to play nice.
  11. The movie has a deliberately screw-loose feel.
  12. A beautifully acted and deeply compassionate study of ordinary people coping with the vicissitudes of life.
  13. Sluggish and preposterous, full of violence and cliches.
  14. A decent idea that never goes deep enough for genuine satisfaction.
    • Chicago Tribune
  15. As solid as the earth, rich as a good meal and sometimes funny as hell.
    • 21 Metascore
    • 50 Critic Score
    Has to explain itself through so much of the film that there's just not much film left.
    • Chicago Tribune
  16. There is something inherently dishonest about Dark Days.
    • Chicago Tribune
  17. Too-loud, poorly directed and seriously overedited.
    • Chicago Tribune
    • 52 Metascore
    • 38 Critic Score
    Absurdly unrealistic at times.
    • Chicago Tribune
  18. Has a melodramatic glow.
    • 44 Metascore
    • 63 Critic Score
    Rarely ventures beyond familiar territory.
    • Chicago Tribune
    • 47 Metascore
    • 50 Critic Score
    A documentary that will likely leave Phish diehards hankering for more, and everybody else still wondering what all the fuss is about.
    • Chicago Tribune
  19. A seductive revisiting of an old classic - one that helps us see these lovers and their world with renewed passion.
    • Chicago Tribune
    • 44 Metascore
    • 50 Critic Score
    What we have here is the cinematic equivalent of a dead shark.
  20. I laughed all the way through it.
    • Chicago Tribune
  21. This is a quiet thriller and a middle-aged romance, and it's full of desperation and oozing anxiety.
    • Chicago Tribune
  22. The beauty of The Ballad of Ramblin' Jack lies in its ability to transform itself into a sad tale of loss, regret and missed opportunities while it also remains a solid documentary about a once-influential artist seeking his place in the sun.
    • Chicago Tribune
  23. One funny movie - for at least half the time.
  24. Feels more like a music video than a serious look back at a time, a place and a very smart, funny and unconventional man.

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