Tingus Goose is an unforgettable psychological horror that succeeds because it is bizarre without being too gory. You can’t help but wonder what’s coming next as you progress through each level. There is a slight learning curve, and the bizarre imagery can make you feel nauseous at times. However, Tingus Goose succeeds because it’s a game that you can’t forget after seeing it once and is worth playing to the end.

Outcast – A New Beginning presents an exciting adventure into the planet of Adelpha. While the innovative combat and environmental interactions are fun, the game is too similar to other open-world RPGs to truly stand out. Exploring Adelpha in its entirety is also challenging because several bugs hamper your progress, sometimes even crashing your game. The game may not break the barrier into greatness, but you can still easily have a good time if you look past the flaws.

Retro Machina is a game that includes themes that have been explored countless times before, yet brings its own understanding and take of these views to the table. It is the care put into creating the game’s backstory and world that made me fall in love with this title and wonder just how horrible a world without humans would be.

As the Entity looms overhead, The Casting Of Frank Stone is a cinematic run at an IP begging for further exploration. But with a strong set-up, the film reel birth of a killer lacks the flesh of a real rampage let alone multiverse caper. Thankfully though, this is still a decent game that is able to stand on its own. The Cutting Room Floor is a welcome addition to the Supermassive cinematic horror formula that needs to return in their other games. This is a love letter to Dead By Daylight fans but those outside the game’s grasp might be a little bit harder to hook. I strongly believe we’ll be seeing more from this partnership in due time.

Pepper Grinder is a good video game but it doesn’t feel like a complete video game. The mechanic of burrowing away through different biomes is always satisfying as you make platforming leaps of faith between different bodies of ground. What exploration, world and mechanical growth is there is really strong, it’s just limited and brief. Fun throughout but over before you know it, Pepper Grinder is a charming title that is just missing that extra little spice.

You probably know already if you fit within the Venn diagram of Reigns fans who also love the world of The Witcher. Outside of the hit-or-miss combat, Nerial hasn’t exactly revolutionised its patented Reigns formula with Reigns: The Witcher, but it also doesn’t really need to. The trademark swipey narrative puzzle gameplay suits The Witcher very well, with its focus on moral choices and dark sense of humour. I had a good amount of fun with Reigns: The Witcher. If you’re a fan of The Witcher or enjoyed the previous Reigns games and want to see a twist on the formula, so might you.

Teardown does a great job in delivering on its premise, offering players the ability to pull off professional heists any way they want by manipulating the environment to their advantage. You will always have something to do if you get bored of the campaign, such as the sandbox mode where you can experiment and play to your liking, or the challenge mode where you put your skills to the test. Unfortunately, the game’s freedom is tied to your progression in the campaign, forcing you to work within certain constraints. Unless you are a big fan of creating your own experiences, you can quickly become bored of the game if you don’t give yourself time to take a break. Despite this, Teardown is still a solid sandbox experience that can provide hours of entertainment and goals to work towards. For players looking for a good sandbox experience that makes you think and promotes your creativity, you can’t go wrong with Teardown.

A fantastic mix of endless runner and racing game, which marries the aesthetics of WipEout with the challenge and difficulty of a hardcore roguelike.

Backbone is full of potential for greatness and makes a terrific first impression. With its compelling lead and supporting cast, and a fascinating setting full of tantalising lore and mysteries to solve, I spent most of my experience excited to find out where it was all leading. Unfortunately, much of the detective gameplay and plot start to come apart by the end, leading to an oddly inconclusive and unsatisfying conclusion.

Impressively, this superhero action game isn’t just a cash-grab, shovelware release for kids. Batgirl, Supergirl, Wonder Woman, and friends are charming representations of their cartoon and comic-book counterparts with heaps of flair. The slice of life elements are decent, with humorous stories and meaningful drama peppered throughout, but not without superficial parts. Exploring the handful of open-world levels invites plenty of picture-taking and collect-a-thon fun, even if the rewards aren’t much more than levelling up, shopping for lacking clothing options, and a poorly implemented city-building mechanic. On the other hand, combat is addictive with notable scalability and satisfying skills to decimate an array of pesky robots and possessed toys across varied missions. Altogether, DC Super Hero Girls: Teen Power is a surprisingly entertaining action and social game for the whole family.

Boomerang X is truly a spiral of interlocking gameplay loops stacked on top of each other. After a slow start, Boomerang X whips up an absolute whirlwind of bullet-time style combat that can be an absolute sight to behold. So much love and care have clearly permeated the gameplay of this title. The problem is that beyond the loop, there isn’t a lot going on. Some frustrating design elements and a feeling of repetition is present, although it doesn’t fully dampen what is undoubtedly some fantastic moment-to-moment gameplay.

The Hundred Line – Last Defense Academy is interesting; it does a surprisingly good job of meshing together the visual novel and strategy game elements in a satisfying way, but it just falls so incredibly short on the pacing that it makes it hard to properly enjoy these elements. There are some very cool developments in here, but it just takes so long to get to them that it almost feels like they are never coming. I have my complaints with it, certainly, but there is some truly great design in there, and I wish it got a chance to shine. For what it’s worth, Kodaka-san, I hope you don’t go bankrupt and quit making games forever.

The Dark Pictures Anthology: The Devil in Me is the best game in the series yet. Featuring a solid cast and dynamics to boot, I was well engaged in wanting to ensure everyone made it out of the horrific Murder Castle alive and was genuinely devastated when some didn’t. More opportunities are provided to explore and pick apart the environment than ever, often unearthing genuinely intriguing readables. Technical shortcomings once again rear their head a bit, showing stiff character animations from time to time and varied visual fidelity in some character models. Some of the equipment you’ll use to poke about the hell you’ve found yourself in is inconsequential but when they work they really work. At the end of the day, these flaws are forgivable. With obstructive shifting walls and deadly traps waiting around every corner so that you’re never really sure when you’re safe or not, The Devil in Me is a very alluring setting for horror fans.

A love letter to all our favourite mystery series of the past, Detective Instinct: Farewell My Beloved is easy to get engrossed in. With expressive characters and a gorgeously rendered environment, fans of mystery games will love letting the tale unravel with intuitive ‘talk and search’ gameplay. It tackles tricky societal themes with moderate success, only falling short in the later chapters with some missing emotional stakes, but otherwise wraps up its bite-sized revelation with thoughtful grace.

TRON: Catalyst proves that there are still plenty of stories to be told on the Grid, even if it never fully realises this potential itself. Its narrative is well-written and engaging, it faithfully captures the aesthetic of the films and has perfectly function combat and exploration, but its repetitiveness and inability to fully take advantage of the possibilities of TRON’s ‘discfu’ leaves it feeling like version 0.8 rather than 1.0 when it comes to taking advantage of the possibilities of this series.

Boyfriend Dungeon is a good dating sim held back to being something truly great by its curious choices and lite dungeon-crawler elements. While you may not get the deepest rogue-like experience in-game, you will be satisfied by some of the intense, hot (and maybe even cute) relationships on offer. Just tread careful ground if you’re sensitive to some of the themes that the game is exploring. Regardless, some good and disposable fun can be had smashing some monsters and pashing some cuties. Delve on.

Mighty Morphin Power Rangers: Rita’s Rewind is probably the most ambitious title this franchise has ever received. It mixes classic side-scrolling beat-em-up action, with varied other retro-inspired styles of gameplay. It is hit-and-miss; playing by yourself feels brutal and at times unfair, and the non-beat-em-up sections, whilst initially exciting, can be tiresome. But with hand-drawn SNES-style graphics, a pumping soundtrack and nostalgia coming out of its ears, it still manages to be fun most of the time.

1000 Deaths feels like it’s a crazy fever dream I had in the early 2000s after falling asleep in front of the TV. I mean this in the best way possible. Filled with fun levels, genuine heart and a killer, crazy aesthetic, if you’re looking for a colourful experience reminiscent of classic 3D platformers, this is for you.

I ended up enjoying Greedfall: The Dying World quite a lot; however, I recognise that it won’t be for everyone. The Real Time with Pause combat was more manageable than I expected, but I still think I’d have preferred either a straightforward action combat system like the first game or a proper turn-based combat system if the developers wanted to go in a more tactical direction. The large and diverse cast of companions is deep and interesting, and it’s just as well, as the main plot isn’t quite as compelling. If you’re looking for a return to the highs of Real Time with Pause RPGs, like the old Dragon Age or Baldur’s Gate games, Greedfall: The Dying World doesn’t quite get there, but it comes damned close. There’s a fascinating world out there to explore, just be aware that the journey won’t be free of storms.

Demon Slayer – The Hinokami Chronicles 2 gives you a strong fighting game that draws you into the story just like the original manga/anime. Prioritising teamwork and combos makes you utilise every moveset for maximum effectiveness. It’s not an easy game to master, and the story can be finished in a few hours. Fans will love what this game has to offer, but you may not enjoy the game if you’ve never heard of the Demon Slayer series.

Bye Sweet Carole features a magnetic, magical and also horrific 2D world to explore that takes the conventions of 2D animation and turns them on their head to create a memorable story filled with narrative themes and puzzles that are nailed with pinpoint precision. Without a shadow of a doubt, Lana’s story is one worth experiencing, and it’s a unique horror adventure. However, it’s marred by the sheer scale of a few of its faults, including significant bugs and scarce, unnecessary sequences that take away from the gem that’s there. There’s a magical time to be had here, and I wholly want people to have that… it just hasn’t quite fully found its voice yet.

With a changing Daily Circuit mode and a Custom Circuit mode offering players different ways to structure their workouts, Fitness Circuit is a great fit for players with different exercise needs. The personal profile’s focus on weight and BMI may not be ideal, however, it is fortunately optional. If you’re keen on a Switch game that helps you fit a quick workout into a busy day, Fitness Circuit is worth checking out.

Quarantine Zone: The Last Check is a more-than-competent zombie border security game. It invites players to focus on the small details, providing enough strategic options and management systems to feel rewarding for the player. The game stumbles, or perhaps shambles, in its implementation of certain systems, not always feeling like a cohesive or perfectly thought-out experience. With more depth added to the character interactions and less focus on perfecting security checks, Quarantine Zone: The Last Check could have risen to new heights.

Thymesia is unlikely to blow anyone’s socks off, especially if they are a Souls veteran. A snappy, fluid, and visually striking experience doesn’t quite make up for the lack of character and purpose the game unfortunately suffers from. You’ll likely enjoy your time playing the game and fighting through the different locations and bosses, but Thymesia still fails somewhat to leave a lasting impression.

Rune Factory 5 is more of the familiar, which isn’t necessarily a bad thing. It makes enough small improvements that it does feel newer, but if you are looking for something leaps and bounds different from the last game, you will be disappointed. The game has a lot of charm and love put into it, but the abysmal frame rate does make it hard to recommend, even though I thoroughly enjoyed it. With some future patches addressing the game’s framerate issues and input delay, Rune Factory 5 could easily turn into a wonderful game.

Undoubtedly set to be divisive, We Are OFK will garner fans in with its catchy pop tunes and emotional storytelling, but also lose just as many with narrative and character omissions, light gameplay and purposefully cheesy dialogue. Still, for better or worse, this is an experience not like many others. Captivating cinematography also paints a haunting if bittersweet L.A. narrative. Like a classic pop debut that its own self is based on, We Are OFK has heart and moments that’ll reel you in while remaining plenty messy. If all else, isn’t that how this road was always going to go?

Fire Emblem Engage is an okay addition to the Fire Emblem series, with fun and varied maps and enough changes to the tactical mechanics to make it probably worth playing for any FE fan, though not all of its changes are winners. Its spectacular graphics are something to behold; it’s just a shame that it is accompanied by a story that falls completely flat and emblem heroes that are shadows of their former selves. It’s just sadly underwhelming in the face of what its predecessor, Three Houses, achieved better. 

GRID Legends is a mismatched racing game with a surprising story mode and features. The gameplay is an awkward mix of simulator and arcade that doesn’t lend itself to either’s strengths, and with puzzling direction will likely alienate fans of both. Yet, Driven to Glory and the sensational crashes in races make for good fun. With Codemasters’ car expertise and implementation of hardware accessories, the experience is worth trying. Still, coming up against other big-name racing series, I don’t think GRID Legends will make the podium finish.