Penny’s Big Breakaway is big on ambition, for a studio the size of Evening Star they have turned in a title that is a cut above the 3D action adventure norm, most of the time. At its best, Penny’s is vibrant, colourful and packed with imaginative ideas and mechanics. The use of momentum feels natural and the level design feels intuitive. The overall presentation is excellent and is backed by a banging soundtrack that brings the game to life. That said, there are moments where Penny’s Big Breakway crosses the threshold from difficult/tricky and into frustrating territory. Whilst not bad enough or frequent enough to ruin the experience, it did create moments where I felt I needed to put the controller down and take a break. Overall though, in a genre flooded with competitors, if you are looking for something different, Penny’s Big Breakaway could be just the ticket.

Lost Judgment is a hell of a game, mess and all. Passing its predecessor in some regards and lagging behind in others, it at least has solid bang for your buck and brings the franchise goods that have been built upon over recent years. However, I'm disappointed by some of the shortfalls. Female character treatment remains a problem in-game and the mystery or detective gameplay don't feel as solid as the one prior. Still, if you're after a living breathing world with plenty to do and some of the best combat the series has seen yet, then this is a mystery adventure that still manages to hit hard.

Unemployment Simulator 2018 uses the language of survival games to tell a bleak, relentless tale of depression and existential horror. At the same time, it’s full of eldritch whimsy, revelling in the abject misery of the modern job hunt with nihilistic abandon. As a labour of love from a solo dev, its rough technical edges and inconsistent controls can frustrate, and there’s no real satisfying narrative pay-off; however, as an atmospheric deep-dive into the human experience of unemployment under late-stage capitalism, it absolutely nails the brief.

In spite of its obscure, overwritten prose and awkward puzzles, Centum provides a chilling and compelling narrative experience that both devastates and provokes reflection. Its stunning environment design builds a universe that extends beyond the screen, while its grossly uncanny characters evoke a base level of anxiety that is at once compelling and horrifying. Recommended for fans of classic point-and-click spookies who don’t mind a bit of skim-reading.

With inspirations like Ultima, Dungeons and Dragons, and other deckbuilding and roguelike titles, Gordian Quest will feel familiar to any card game fan. However, if you’re a seasoned deckbuilder looking for a hardcore strategic gameplay experience, be warned: the in-game difficulty can vary wildly from battle to battle, and at times combat feels a tad too easy. On top of this, Gordian Quest’s extra features make the overall gameplay experience a little unwieldy. With that said, if you enjoy a casual card game and are keen for some variety, Gordian Quest will likely keep you entertained with a range of enemies to defeat and story maps to explore.

Temtem isn’t just a copycat Pokémon. Incorporating MMO elements and engaging characters into fan-favourite gameplay is an overwhelming success, with an abundance of addicting endgame content. Unfortunately, Temtem suffers from optimisation issues and needs to present its most captivating features at the forefront rather than behind the MMO grind and a slow main story. I can’t deny how much fun it is to play Temtem, it just needs more time and polish to be the best there ever was.

After my time with Pokémon Legends Z-A, the overall impression I am left with is “good, but with room for improvement.” It achieves that addictive urge to explore and catch ’em all, but the world map is small and doesn’t do enough to make up for it. Real-time battle mechanics are a fresh twist and are the game’s stand-out achievement, but it is a little chaotic and cluttered in its current form. The game looks better than previous Pokémon titles, but continued half-hearted attempts to give itself a high-definition look seem to come at the expense of deeper, more complex content. It’s easy to ignore these cracks, complete the satisfying gameplay loop and vibe through Z-A’s Pokémon adventure, but I know Pokémon is capable of more than this.

Saints Row successfully reboots the much-loved franchise, although things don’t feel as wild or chaotic as I was expecting or hoping. The main campaign is a short but enjoyable romp with some decent creativity, but the open world template doesn’t innovate beyond the trappings of the genre. Side missions and distractions are amusing yet repetitive, and the adventure is lacking in polish overall. Still, being able to play the entire experience with a mate by your side makes for a lot of laughs, and if you can forgive the cringe dialogue, there are some fun moments between all the meandering that still makes it worthwhile. I can’t say that the Saints are “back and better than ever”, but gearing up for a modest romp with a lot of explosions and strong personalisation will certainly set them up for a roaring sequel if given the chance.

Omno is an enjoyable and visually beautiful experience. While there are some elements of the gameplay that feel lacking and where you’ll feel like you’re taking a backseat, it accomplishes what it sets out to do with its relaxed approach to puzzles and exploration. It will give you an atmospheric adventure to immerse yourself in for a few hours, and maybe as a bonus, leave you with a nice warm fuzzy feeling. And sometimes, that’s just what you’re looking for.

Neptunia: Sisters VS Sisters has some stumbles on the Switch. The frame rate can drop, multiple endings are hard to find, and the intricacies of combat pass you by. But if you give the game a chance, you will find a story that occasionally moves you while entertaining you with light-hearted humour. It’s not a story that stands out because it’s special, but because it’s easily accessible and funny. The game is inviting even if you haven’t played other games in the franchise. You might have to work harder to understand and spend more time on the mechanics, but it’s an adventure well worth the investment.

I have a lot of respect for Monster Jam Showdown, this is the kind of title that a lesser developer might have just gone through the motions with. But this time around the full force of Unreal 5 is unleashed, creating a frequently stunning and impressive-looking game. Despite their size, the superstars of Monster Jam handle brilliantly the different environments and challenges on offer. Given that most fans who attend the real-life shows or watch on TV will have their favourite truck and driver it is a bit of a shame that pretty much all of the trucks need to be unlocked via play time and challenges. Other than that though, believe it or not, I have played a tonne of Monster Truck-themed games in my lifetime and the bar is higher than you might think. Monster Jam Showdown gets a pass from me.

Though it may alienate some players due to its lack of gameplay, Last Stop has an action-packed narrative that doesn’t get stale. It beautifully juxtaposes the mundane day-to-day life of three characters against a bizarre science-fiction story. The fantastic voice talent brings a level of charisma and life that unfortunately isn’t matched by the rather stiff in-game animations, although that doesn’t stop the game from being a fun tube ride through an alien-infested London where weird stuff happens to pretty ordinary people.

Ys X: Nordics may not have been the flourishing and vibrant first venture in the series I was after, but I’m also far from turned off by the franchise. Its fast-paced action combat with a plethora of strategies and abilities to employ never ceased to satisfy my brain’s often insatiable need for flashy fighting. Backing it is kickass battle music with a heavy emphasis on electric guitar riffs that never get old. Though I wish the story, world and lore found within were more captivating, pretty and memorable, I can’t fault how fun and solid the gameplay loop of perusing both the vast seas and involved islands is. There are plenty of secrets, fun gameplay moments and goodies that await. Having considered all that, I’d call Ys X: Nordics a damn fine seaworthy ride indeed. Nothing more. Nothing less.

A cosy, brief, beautifully crafted narrative experience, Leila tells its story in a uniquely interactive way. It leverages its gorgeous hand-drawn artwork in its environmental puzzles, which tend to satisfy despite some occasional frustrating pixel hunting. Its short length does mean that you’re left with more of an aesthetic wash rather than an impactful narrative journey, but for the right player, Leila’s bite-sized story will be just enough of a cosy treat to satisfy.

Blanc is a great game to play if you’re looking for another co-op game to share with someone close to you. There are some noticeable issues including a lack of visual cues and a camera that’s just not as effective as it should be. Though the journey the game takes you on is fun, and the beautiful art style is clearly evident. It’s a short enough game and there’s definitely room for improvement. But it’s also clear that the passion is there. Another good and wholesome game for anyone to play.

Invincible VS is a bloody, brutal, and bombastic tag fighting game that perfectly nails the vibe and violent visuals of the comic series and the animated television series. It reminded me why I love fighters, but it also reminded me why I sometimes hate them. There’s a level of depth here that gives Invincible VS the sauce players are always looking for, and made the fast-paced and action-stacked matches a delight despite cheesy strategies and wishing I had more agency in my playstyle. But this sauce still needs a little more time simmering in the pot, because its taste profile feels a little barebones and unfinished. While I can’t say how happy it will make the tag-fighting game community, I can say that it is a fun game that pays homage to its source material while serving as a love letter to the titles that inspired it.

I had a great, albeit frustrating time with Eldest Souls and thoroughly enjoyed the short experience. It is a brutally difficult game, but the music, art style, and overall challenge had me coming back for “one last try” each and every time. I will say that if you are not a fan of boss-rush or challenging games, then this will not change that. But if you are after a title with an old-school appeal that does not hold you by the hand and presents a truly captivating time, then I think you will find a lot to enjoy here.

SkateBIRD is an adorable action sports game with a lot of charm and funky beats. Setting aside minor control and camera issues, the unique perspective of being a teeny bird helps bring a refreshing look to the skate game genre. From dirty cereal bowls to server cables, travelling across 5 different levels to help your human come home was enjoyable and engaging. Meeting several interesting and pun-filled birds who help you on your journey just added to the quirk and charm. Glass Bottom Games has done a commendable job making this accessible for all gamers, allowing for a unique player experience.

Bittersweet Birthday is a mix of elements that I wish had more room to breathe. It features a compelling narrative that quickly becomes confusing and a cast of charming characters that I wish we spent more time getting to learn about. Some puzzle rooms, especially those with time-based puzzles, can feel unfair rather than actually challenging, which slows the pacing down in a negative way. While Bittersweet Birthday has its flaws, it definitely has strengths too, with an in-depth Souls-like combat system and boss rush mode allowing players to customise battles with collected memories to change up each fight, offering a strong level of replayability.

I’m a little sad about how Maiden of Black Water resulted in Project Zero’s pause as a series. Great photography gameplay is on offer and had me frantically thinking on the fly to snap some solid (and horrific) photos. Poor pacing, voice acting and less than admirable treatment of female characters is present though, which can at times be tough obstacles to overcome. Still, the eerie atmosphere the game sets up for itself remains throughout. It is a thrilling, quite pleasurable experience that, while the answers may not always be satisfying, will leave you guessing until its conclusion. I can only hope this remaster is the start of a new turn for the series. Flaws and all, the Project Zero franchise is more than worthy of another shot in the spooky spotlight.

Bionic Bay is an enticing adventure with responsive controls that encourage players to zip energetically through these gorgeously obliterated environments. A fast and exciting gameplay experience remains rewarding throughout its campaign. Yet the reality-bending powers and smartest level design feel too sparsely used and lack depth. Players will likely enjoy the speedy platforming of Bionic Bay, but may wish the game fully realised the potential of its solid building blocks.

Blasting through unbelievable tracks at sonic speeds, Redout 2 is one of the fastest racing games around. It shows off beautiful science-fiction races across an alternate Earth and galaxy. Yet, the track design is impractical, making it a challenge to play and that difficulty extends into the beastly AI, tiresome overheating mechanic, and time trials demanding precision and perfection. Multiplayer doesn’t hold up either, with network and matchmaking problems galore and a handful of bugs breaking races and visuals. However, there is still a fantastic amount of single-player content for the adrenaline junkie looking for extreme fun.

Call of Duty: Vanguard is As Expected: The Video Game. You get the polish, the excitement, the rush the series always delivers within the stylised World War 2 setting. This year, the single-player campaign is undoubtedly the standout action blockbuster, with the Multiplayer serving chaotic fun and Zombies mode failing to try something different. Pick it up if you’re already a fan.

Disgaea 6 Complete is, overall, a stronger entry in the series than the original Disgaea 6: Defiance of Destiny, yet still leaves a lot to be desired when it comes to game balance, quality of life, and ease of use. The many game mechanics are simply too varied and plentiful, and while the game’s cast and plot are a fun ride, the best of them are left as afterthoughts as part of the pack-in DLC. The performance and stability fixes will be welcomed by those who struggled with the Switch port, as the powerful PS5 and PCs run the game with ease. I would say fans of SRPGs should definitely give Disgaea 6 Complete a spin, but expect a devilishly cheeky time that does not conform to the genre’s traditional values.

Does The Jackbox Party Pack 8 stand out amongst the prior 7 releases? Probably not. But what we do have is a genuinely solid lineup of 5 new minigames that’ll help ensure your next games night is an absolute cracker. This is one yearly release I’m happy to support because Jackbox offers crazy good value for money and a gaming environment that’s so approachable for gamers and non-gamers alike. After 8 years of annual releases, The Jackbox Party Pack 8 certainly doesn’t feel as special as past games, but the entertainment found within is undeniable.

Despite boldly declaring “the JRPG is back” and then doing absolutely nothing new with the genre, Eiyuden Chronicle: Hundred Heroes is a decent, traditional JRPG that will tickle anyone who adored the classic PlayStation titles of the late nineties. Its modern affordances in visual design and voice acting bring this nostalgic adventure into the present day, but it is let down by sluggish, repetitive combat and some missed opportunities when it comes to utilising its massive roster of characters. Fans of Suikoden will likely already have this pre-ordered — for everyone else, check this out if you’re looking for a nostalgic romp and don’t mind a few speed bumps along the way.

Ty the Tasmanian Tiger HD Collection successfully updates the first two games for a new generation of gamers. The endearing characters and story shine through with the beautifully rendered HD world Krome Studios have created, but it really is best played in handheld mode. The voice acting is just as great as it was on its initial release, and completionists will relish in the many collectibles throughout the games. Further fixes to the camera angles and underwater controls would have elevated this game further, and some of its elements feel outdated and a bit too easy, but this is a solid HD update to a collection of classic games that will never go out of style.

The Wandering Village has a grasp of the building blocks of its genre, but never truly capitalises on its core mechanics or its premise. Rather, it presents an enjoyable but somewhat shallow city-builder that just happens to also be on top of a wandering behemoth, rather than truly embracing and exploring what that could mean in gameplay terms. While its visuals and audio are both lovely, there is little here to really sink your teeth into, particularly for a veteran of the genre. The Wandering Village is worth a visit, but I wouldn’t want to live there.