Despite rather average controls and a few stretched out moments Luigi’s Mansion 3 remains one of the best Nintendo games of 2019 – and a proof that vacuuming can be proper fun. [01/2020, p.80]

The level design changes between exceptional and mediocre which is rather disappointing for a 6-hour long game. It was a pleasant experience overall but its potential dwindles before it has a chance to make a proper impact. [01/2020, p.79]

Everything in the game is unpolished and once again there is absolutely nothing interesting storywise; no mystery and no lead concept that would let the players explore the world by themselves. It’s the same level design, same designers’ tricks and the same sub-par balance which I know all too well form the previous games. [01/2020, p.76]

It’s a quite nice puzzle game with a quirky character and visual design but also which doesn’t actually stand out in any meaningful way. [01/2020, p.74]

The gameplay covers the basics and not much more. It’s a colourful but visually simplified game; offers a slightly engaging and quite repetitive gameplay. [01/2020, p.73]

Although I still do follow the World of Warships PC scene, I find more pleasure in comfort of the ‘lightweight’ console version. Especially now, with crossplay between PS4 and Xbox One which guarantees quick matchmaking either in standard or ranked battles. [01/2020, p.72]

It’s a game practically devoid of mechanics, with much of its weight revolving around storytelling. The Travel Stories build a bridge between a game and a book; between the literature of truth and fiction. [01/2020, p.69]

It’s a time travel which proves that now we live in better times. Those who understand how important the series was for the development of open world games, the ones who were raised on Shenmue I and II, will have a better time with it. Will it be a good time, though? I’m not sure. [01/2020, p.68]

All the game’s activities are painfully repetitive and simply dull. There is educational value in it and the kids should have a good time getting to know the bee world, sure, but the rest is very so-so. [01/2020, p.66]

I played the game almost non-stop for several days and I feared that after this kind of marathon I will forever hate it but it didn’t happen. Planet Zoo educates and entertains – in marvellous scenery to boot. [01/2020, p.62]

It’s a festival of good and interesting ideas that were drowned in boring grind, features borrowed from Forza Horizon, and reggaeton. [01/2020, p.60]

I still don’t know if I pulled all those all-nighters with the game despite its bugs because of my Stockholm syndrome or because it’s really that good. [01/2020, p.59]

Approach cautiously. Even if you like challenge, there will be times you won’t agree that the loss is your fault. Ugly visuals also don’t entice but the fantastic music, on the other hand, does so. [01/2020, p.57]

Boasts about all of its additional mechanics but it doesn’t quite pull off being a regular shooter while looking like from a decade ago. [01/2020, p.56]

A complete, very well put together experience in which story, visuals and music blend into something exceptional. [01/2020, p.55]

The puzzles, although repetitive, never stop encouraging the players to think. The game enchants with its visuals which are complemented by a truly masterful soundtrack. I am not going back to it after finishing it though. [01/2020, p.54]

If it weren’t for the swarms of technical bugs that ruin much of the gameplay experience, it would be an exceptional tycoon – deep, innovative and simply fun. [01/2020, p.52]

There were moments when I really enjoyed the game. I especially liked the animal cast and the creative way in which the developers play with the detective story genre. [01/2020, p.50]

The 2020 edition is as engrossing as always... but also as irritating as never before – in part because of the quite appalling match engine. [01/2020, p.46]

Fallen Order is a must have for Star Wars fans and the best Star Wars game in years. Both literally and figuratively: the Force is strong with this one. [01/2020, p.42]

After ignoring the lackluster graphics and when the game failed to annoy me with a bug for the last 15 minutes, I did have some fun with it. The series is still experimenting and looking for its identity, and yet falters when it comes to basics. [13/2019, p.42]

What it lacks in storytelling, it makes up with sheer brilliance in something far more important – the gameplay that pushes the 2D platformer genre to its limits. The game sparkles with creativity and the developers’ clear love for games. [03/2019, p.82]

The temperature of the gameplay dropped – not only thanks to the new winter map. The technical side of the game has always been its Achilles’ heel and the standard PS4 version reminds of it quite brutally. [03/2019, p.81]

It’s a very intensive and addictive experience – although it doesn’t get in your head as well as Hotline Miami, nor has it comparably good soundtrack. It’s a game put together from other people’s ideas which simply go well together. [03/2019, p.80]

Eight years after the original this sexy horror didn’t even get one wrinkle! It’s worth to give it another chance even if you’ve scored with Atlus’ work before. [03/2019, p.79]

I don’t have a slightest clue who for and why was this game even made, but on the other hand I simply have to appreciate the big heart which was put in it. [03/2019, p.77]

Solar Sails’ debut captivates mainly with its atmosphere and graphic style – similar to the most interesting works of Zoink! and Image & Form. And that is why, despite some of its shortcomings, I ultimately spent three pleasant evenings with it. [03/2019, p.76]

A miniature work of art, full of radiant colors. A pixel perfect animated film. Unbelievably well polished. A candidate for the biggest surprise of the year. [03/2019, p.74]