The problems with framerate and shooting controls made me shorten my playing sessions out of frustration. [06/2020, p.73]

While waiting for the game, I didn’t realise how close to home it will hit. Lockdown here, lockdown there. I like immersion but this is too much. Fun experience though. [06/2020, p.72]

A really good choice for a gaming evening both with kids and adults. The solo gameplay is somewhat pleasurable but nothing beats cooperation. [06/2020, p.71]

If you want to get sweaty, play the game without the active pause. [06/2020, p.70]

Cockroach took the legacy of the intriguing first and second episodes’ stories and just trampled it in the third one. [06/2020, p.66]

Éric Chahi created an experience as intriguing, as sleep-inducing. [06/2020, p.65]

Its mobile legacy comes with a bit of unresponsiveness on the PC but it’s still a warm collection of simple stories that we all need more of. [06/2020, p.64]

The game spent last two years in Early Access and a few months more would not be a steep price to pay for more polish. Still, its AI and physics do successfully infect the players with the ‘one more turn syndrome’. [06/2020, p.60]

The game demands a lot of grind which could be boring, especially at the beginning. Its strongest feature, though, is, by far, designing your own, sometimes completely crazy, monster spaceships. [06/2020, p.59]

It’s a well-made remaster but also one without which we could easily get by. Only for those who didn’t play the original game in the first place. [06/2020, p.58]

It’s an XCOM on steroids, with buckets of blood. The best game in the genre in this century and absolute must-have. [06/2020, p.52]

A calm, almost meditative game with no violence – something there should definitely be more of in the industry. Engages the player’s imagination more than anything else with its modest visuals, great ambient audio and a simple but engaging story. [06/2020, p.56]

There’s a lot of things you can do with folklore themes but Mira lacks and interesting idea for a story, well written dialogue and, oh, so many other things... [06/2020, p.51]

There’s less content here than in many games in early access but everything is polished almost to perfection. Also, next to a spectacular shooter/slasher gameplay, there is an interesting story and universe here. [06/2020, p.50]

To say the game is already doomed may be premature but it has no chance with Overwatch and will probably share Battleborn’s (which was a much bigger game itself) fate in the upcoming months. [06/2020, p.46]

It’s simply pure entertainment and a lot of laughs. The usage of renaissance paintings was wonderfully executed. [06/2020, p.48]

There’s a lot of gameplay ideas here but I’d rather the game was a half shorter, so that it would constantly surprise the player. [06/2020, p.45]

Visually it’s one of the best games in the genre but to say the camera work is unpolished is like to say Deadpool has a slightly better immune system than average. [06/2020, p.44]

It’s full of detail, pretty small things, and surprisingly well working simulations and systems – everything polished in such a way that the player really does care about everything that’s going on. [06/2020, p.40]

It’s more an adaptation than a regular remake and I’m OK with that. It’s also the best modern Final Fantasy – even if wordy and quite slow at moments [06/2020, p.34]

An intriguing idea of a game but unfortunately lacks soul. [05/2020, p.77]

The narrative part of this ‘stealth Darkest Dungeon’ is a pleasant surprise – with strong characters, a dark Victorian western vibe and lots of references to Lovecraft’s works. [05/2020, p.84]

It’s impossible to not love the little one-eyed fighters but then again the remastered version is only for the ones that truly miss them. And they probably have the lag free PSP game already. [05/2020, p.83]

I had lots quite a lot of fun at the beginning, especially while livestreaming, but the feeling faded as the office remained rather empty until the end. [05/2020, p.82]

An old school fighting game with a really compelling combat system. The Switch port is rather an artistic than technological feat, sporting loads of bugs and other shortcomings, though. [05/2020, p.80]

Simply one of the best conversion of classic arcade games – both true to the original and borrowing lots of contemporary gameplay mechanics. Plus it’s really funny. [05/2020, p.79]

A perfect example of why things that could have worked fifteen years ago, have no place today. Especially if you sell them as a premium game. [05/2020, p.78]

It won’t be a hit of Hotline Miami’s proportions but the game is well worth recommending to all fans of the genre. Especially because everything, that’s not welded to the ground, can become a weapon. [05/2020, p.76]