CD-Action's Scores

  • Games
For 3,535 reviews, this publication has graded:
  • 39% higher than the average critic
  • 9% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5 points lower than other critics. (0-100 point scale)
Average Game review score: 70
Highest review score: 100 Grand Theft Auto V
Lowest review score: 10 Uprising44: The Silent Shadows
Score distribution:
3535 game reviews
    • 70 Metascore
    • 55 Critic Score
    20 years ago Parkasaurus would have been a huge success but compared to contemporary games by Frontier (Planet Zoo or Planet Coaster), it looks like, well, a dinosaur. Actually, even RollerCoaster Tycoon (1999!) was deeper, more complex and better designed than Parkasaurus. [11/2020, p.44]
    • CD-Action
    • 76 Metascore
    • 70 Critic Score
    You need to be familiar with the animated series to fully enjoy Battle Through Time, otherwise you’ll find the game to be rather unexceptional and confusing. As a huge Samurai Jack fan, I was delighted with both the nostalgic journey and the story it offered me, even if sometimes the camera was unbearable. [11/2020, p.42]
    • CD-Action
    • 64 Metascore
    • 90 Critic Score
    Vampire: The Masquerade – Coteries of New York was an introduction to the World of Darkness, whereas Shadows of New York is a specific story with a predefined protagonist, that would allow the writers to really show their craft. And show their craft they did! I was falling asleep playing Coteries, but Shadows held me in its grip for 10 hours straight and finally convinced me that being a vampire is awesome. [11/2020, p.40]
    • CD-Action
    • 91 Metascore
    • 90 Critic Score
    It’s not just a game, it’s a phenomenon. It lets you explore literally the whole planet – cities, mountains, lakes, rivers, even my house was there – from the cockpits of 20-30 (depends on the version of the game) airplanes. Flying experiences are also great and vary from machine to machine. I’m sure I’ll be returning to MFS for years to come. [11/2020, p.38]
    • CD-Action
    • 90 Metascore
    • 95 Critic Score
    If you enjoy crafting and management, Factorio is unbelievably addictive. It’s also bursting at the seams with content, offers an editor, and a multiplayer, so whether you’re looking for a game to get you through a pandemic lockdown, or a title to spend years with on a desert island, Factorio is one of the best ideas. [11/2020, p.37]
    • CD-Action
    • 75 Metascore
    • 75 Critic Score
    I respect the Cold Symmetry team for their courage to put their own twist on the soulslike formula. In Mortal Shell almost nothing works how you would expect it to and even if the game doesn’t always benefit from that, it feels fresh and is definitely worth checking out. [11/2020, p.36]
    • CD-Action
    • 89 Metascore
    • 95 Critic Score
    What the developers of THPS 1 + 2 managed to achieve is nothing short of miraculous. During the first minutes with the game I was sure I had traveled back in time and only some new songs on the soundtrack convinced me otherwise. The remake feels exactly like the original game and, simply put, it is absurdly good. [11/2020, p.34]
    • CD-Action
    • 85 Metascore
    • 90 Critic Score
    A shooter with a roguelike’s soul, Risk of Rain 2 is pretty much devoid of any deeper meaning, but at the same time perfectly executed and brilliant in its simplicity. [11/2020, p.33]
    • CD-Action
    • 69 Metascore
    • 40 Critic Score
    Captain Tsubasa’s biggest strength is its touching story about friendship, rivalry, and the love of football. Unfortunately, I’m not talking about the game. The narratives of both story campaigns in Rise of New Champions are boring, full of clichés and poorly written dialogues. That’s not the biggest problem though. As soon as a match starts, the abysmal gameplay turns the game from okayish to awful. [11/2020, p.32]
    • CD-Action
    • 67 Metascore
    • 65 Critic Score
    It could’ve been a great single player title. The publisher chose to go down the game as a service path though, and those who prefer to play solo need to tackle run-of-the-mill co-op missions. The multiplayer on the other hand is messy, chaotic and in the long run boring. When the developers manage to fix the most pressing bugs and find a way to bring more variety to co-op, this might become a solid game. Right now, I can only recommend it to the biggest fans of the Avengers. [11/2020, p.26]
    • CD-Action
    • 34 Metascore
    • 25 Critic Score
    I can’t believe the studio behind Project CARS and Need for Speed: Shift developed such an atrocity. I guess this is what happens when you’re assigned a laughably tight budget, have to spend half of it on voice acting by movie stars, and the publisher wants the game to imitate a triple AAA title. [10/2020, p.93]
    • CD-Action
    • 69 Metascore
    • 55 Critic Score
    Death Come True has an interesting narrative foundation which is wasted due to illusory choices (think “Telltale games”), the finale boiled down to choosing one of two options, and mediocre special effects. It’s like a B movie – mostly watchable if there’s nothing better, but forgettable. I’m still waiting for an FMV game to sweep me off my feet. [10/2020, p.92]
    • CD-Action
    • 74 Metascore
    • 85 Critic Score
    If you love Portal, The Witness, or The Talos Principle, you’re gonna enjoy Relicta. Its puzzles might get a little tedious in the long run (they are all based on magnetic gloves), but I really enjoyed them throughout most of the campaign. What’s important (to me at least), the story is not just a quick, half-baked addition to the puzzles, but a valuable element of the game. [10/2020, p.90]
    • CD-Action
    • tbd Metascore
    • 65 Critic Score
    The dialogues in this visual novel are surprisingly good (but maybe it’s just my inner cyberpunk and science fiction aficionado speaking), but as a whole Synergia is disappointing – too short and too shallow. [10/2020, p.89]
    • CD-Action
    • 67 Metascore
    • 70 Critic Score
    A somewhat flawed port of an excellent XCOM cousin. There are some bugs and performance issues, and the included Heretek expansion disappointed me with the straightforwardness of its battles, but I will always recommend Mechanicus regardless of the platform. [10/2020, p.88]
    • CD-Action
    • 76 Metascore
    • 80 Critic Score
    With its engaging story steeped in Scandinavian folklore, varied and satisfying puzzles, unique art direction, and terrific audio, Roki is a real treat for every fan of the frosty North. [10/2020, p.87]
    • CD-Action
    • 72 Metascore
    • 75 Critic Score
    Rock of Ages III will surely satisfy fans of the series, but if you didn’t enjoy the previous games, this one will not win you over either. If you’ve never played Rock of Ages, watch the trailer – if it makes you laugh, you should give the game a chance. [10/2020, p.86]
    • CD-Action
    • tbd Metascore
    • 70 Critic Score
    Simple rules, addictive gameplay, and lots of charm make Krumit’s Tales easy to recommend to anyone, regardless of age. It’s not perfect (could use some more variety in the classes and combat departments), but on the other hand it might be the most stylish deck-building roguelike I’ve encountered. [10/2020, p.84]
    • CD-Action
    • 64 Metascore
    • 55 Critic Score
    The game’s setting and horror vibes are interesting and boss fights are decent but my overall impression of Hellpoint is that the developers got in over their heads. I don’t recommend it to anyone who still has other soulslikes to feast on. [10/2020, p.83]
    • CD-Action
    • 61 Metascore
    • 55 Critic Score
    Hellbound offers some old school fun if you enjoy putting your aim and reflexes to the test. It’s a shame the developers stopped at seven levels, one boss fight, a handful of monsters, and six weapons (of which two are useless and some lack an alternative fire mode). What would have been merely a first episode in a 90’s shooter, pretends to be a whole campaign in Hellbound. If you’re experienced with the genre, you’ll finish the game in around two hours. [10/2020, p.82]
    • CD-Action
    • 83 Metascore
    • 95 Critic Score
    The latest adventure game by the developers of Botanicula and Machinarium will once again delight you with its beauty, but will also drag you into its amazing surreal world with a charming story. [10/2020, p.81]
    • CD-Action
    • 54 Metascore
    • 60 Critic Score
    The concept behind Aeronautica Imperialis’ turn-based tactical gameplay is neat (your and enemy units move simultaneously, so you need to do your best to predict enemy behavior) but right now I can recommend the game to hardcore Warhammer 40K fans only. Everyone else should wait for the developers to add much more content and variety, because in its current state the game gets boring after an hour. [10/2020, p.80]
    • CD-Action
    • 80 Metascore
    • 85 Critic Score
    In many aspects The Origami King is the best game in the Paper Mario series. It’s brimming with intelligent humor and it looks and sounds better than any of its predecessors. Unfortunately, combat is more challenging than before while still being superfluous (there’s pretty much no incentive to engage in it), so after a couple of hours I started avoiding the chore of fighting whenever I could. [10/2020, p.78]
    • CD-Action
    • 89 Metascore
    • 85 Critic Score
    The fifth chapter of this brilliantly creative and polished indie game is the best thing I’ve experienced in gaming in recent years. [10/2020, p.76]
    • CD-Action
    • 74 Metascore
    • 85 Critic Score
    What looks like a straightforward side-scrolling shooter with some platforming elements quickly turns out to be a rich (tons of items and upgrades!) and highly addictive roguelite. [10/2020, p.75]
    • CD-Action
    • 73 Metascore
    • 75 Critic Score
    Rocket Arena is surprisingly fun and addictive for a simple, non-violent title for younger gamers. It would’ve been a blast if there were more people playing it, but a couple of weeks after the release its servers are pretty much desolate. [10/2020, p.74]
    • CD-Action
    • tbd Metascore
    • 80 Critic Score
    It’s easy to start playing Railway Empire but difficult to stop. The game is very addictive, the Complete Collection is brimming with content, and building a railway network with dozens of efficiently moving trains gives great satisfaction. [10/2020, p.73]
    • CD-Action
    • 69 Metascore
    • 65 Critic Score
    Maid of Sker was at its best when I was navigating dark corridors unsure of what awaits me around the corner, while unsettling noises of the dreary hotel literally gave me goosebumps. Unfortunately, skillfully built atmosphere evaporated immediately whenever I met one of bland enemies and had to engage in a lame game of cat and mouse that quickly becomes a chore. [10/2020, p.72]
    • CD-Action
    • 61 Metascore
    • 50 Critic Score
    I feel Skully had huge potential but due to the overall low quality (dated visuals, samey levels, poor voice acting, terrible camera) I can’t recommend it. If you choose to play it for the story (which is actually quite good), remember to use a gamepad, because keyboard and mouse controls are horrible. [10/2020, p.71]
    • CD-Action

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