Players who don’t mind the long game, and have a soft spot for the turn-based tactics games of old will find a lot of value here, even beyond its charm. There’s also multiplayer and a map editor with all the tools required to upload and share those creations, which is a massive added bonus to the basic product, and at less than 5GB to download, but with how much you get out of it, it’s hard not to recommend it. Just be ready for an intensive investment in time through its swift learning curve. This fledgling developer-publisher is on the right path to making a nostalgia-based name for itself if it stays this course.

There aren’t any fundamental problems per se with Ace Combat 7, and for fans of the series it most certainly is worth looking into. It doesn’t reinvent the wheel, but then again there isn’t a great need for wheels when you’re dancing between clouds.

Genesis Alpha One, once it grabs you, is a hard one to put down. Dripping in atmosphere, exploring and building your own space-ship and then visiting strange new planets has all the wonder you could hope for. The added tension of wondering if your crew has been infected by some sort of alien parasite – and then watching as your ship slowly becomes a scene from sci-fi horror film, is exhilarating.

This is a solid game built off an old experience that brings videogame horror to the visual contemporary. It can be frustrating and grinding at times, but this is how games were designed and played back in the day. We just may have come too far for a presentation of this calibre to be tied to game-design so long lost. Plenty of value if you’re a survival-horror/horror fan, or just a Resident Evil fan, but for mine -- a brand new experience would have been more welcome.

There’s challenge here in both combat and your patience with the game’s economy system (and in its slow movement), but mastering both and even jumping in with a buddy means you’re in for a gorgeous treat. Our eyes are firmly locked on what A44 does next, especially if they stick to this wonderful new IP and build on it as a franchise-in-waiting. Well worth your time and Dollerydoos in our humble, Aussie opinion.

In the end New Super Mario Bros. U Deluxe is a welcome addition to the Nintendo Switch library, a fun and entertaining platformer with charm and every now and then – that classic Nintendo feel. But due to the success of the platform, it also finds itself competing with many stellar indie platformers in a way that Super Mario Odyssey never did.

Hidden within Travis Strikes Again there are a few fun, unexpected, and outlandish moments. Some of the dialogue in the text adventure story sequences can be amusing, as are reading the fake classic game reviews you can collect. But even these are limited to only a handful of moments when you’re not in direct control of either Travis or Badman, and even they quickly begin to exhibit the same dual-traits of boring and over-played. In a game where you use toilets to save, fight with a lightsaber-like weapon, assassinate strange and odd characters in a world chock-full of pop culture references and absurdism – that’s strike three and four.

In the end The Eternal Castle is a fascinating experience and one that you won’t soon forget. If like us, taking one look at a screenshot makes you immediately wanted to play it – be sure to check it out.

Quite easily the best Smash game of all time. It’s got it all, and the Switch only helps compliment what makes Smash Bros. so damn fun. It’s the perfect console for the fighter, and is one of the best value for money propositions I’ve ever had the pleasure of taking on. It’s been an arduous wait, but it’s been well worth it — Super Smash Bros. Ultimate is absolutely brilliant.

Even though there’s not much going on mechanically that we haven’t seen before, one look or glance at GRIS and you'll feel the opposite – it is something you haven’t seen before. Like a beautiful and minimal watercolour painting or an evocative piece of album art come to life - GRIS is short, sweet, and often inspiring.

Full of memorable moments, fast-paced action, moody set pieces and surprising narrative twists and turns - Dusk may look like a long-lost gem from 1998, when it’s actually one of 2018’s best.

The series just needs a massive boost, and adding a new physics playtool in different types of weather just isn’t it. What you play a Just Cause game for will determine whether or not you grab this and how much you’ll actually invest in it from a time and gameplay perspective, but as a product that is more than just the fun, silly physics experiments part of itself, it’s difficult to glow at it beyond the “sickly” fun I mentioned in the intro. At the end of the day, what we need from Just Cause is, well, just cause; purpose to play beyond tethering baddies to boosters, each other and exploding barrels. As fun as that is.

An RPG story-driven game unlike anything else out there. One that features one of the best interactive bits of fiction this side of The Witcher III – with a flawed, interesting and awe-inspiring protagonist in the form of Meve. No doubt, we can’t wait to check out the next Witcher Tale.

It isn’t without performance hiccups, especially the deeper you go. But the breadth of content here and the open-world nature both in terms of playspace and just pure choice in how you go about it is something rarely seen in games.

In the end, if the balance of exploration, character progression, combat, and story felt more cohesive or in harmony then Mutant Year Zero: Road to Eden could have easily been great. This is not to say that it simply needs an ‘easy mode’. No, the hardcore challenge tips the scale too far away from the sense of adventure and story and the RPG-like opening moments. Those first impressions. Whether or not this stance is too critical of the deep and well-executed combat, well, who the duck knows? If the idea of a hardcore XCOM-like experience in a post-apocalyptic mutant world sounds enticing, then, hey, this is essential.

Fallout 76 is fun to play; the simple loop of scavenging and exploration and crafting and progression works well when you’re in a group. Alone, it gets pretty old pretty fast - especially when dealing with bugs and glitches and performance woes. Ultimately it’s disappointing that the size and scope of the multiplayer doesn’t match the impressive West Virginia you get to explore.

11-11: Memories Retold, however, is still a game worth more than a look-in, and at roughly five-to-six hours, you’ll gain a deep and respectful look at one of the world’s most jarring global conflicts, from the perspectives of the individual.

Combat that leans a little too heavily in the direction of counters isn’t the only issue here, but it’s the most prominent and one that bleeds into all the other shortcomings.

For all intents and purposes, Call of Cthulhu should have been amazing. Every element is there and it’s clear the studio had lofty ambitions, in as much as it’s clear they were working to an incredibly tight budget. Give this studio a bigger budget and a project they believe in, and I’m confident they’ll break myriad ceilings but Call of Cthulhu isn’t the breakthrough I thought it should have been. And it’s not helped that it has emerged in the year of polish by way of a number of other Triple-As, lead ceremoniously by Red Dead Redemption 2.

If you’re a Battlefield fan who didn’t like the times when DICE has played it safe in the past, Battlefield V is for you. I’m one of those people, and I cannot wait to jump into epic play sessions of what could quickly become my favourite Battlefield game, more so now that the community won’t be divided with future content.

In the end, with Diablo III being a game that millions have played over the years one might think it strange to refer to this port as essential or exceptional. But, in playing Diablo in handheld mode one quickly realises that the core experience, the flow, the skill and item-based action-RPG combat, is some of the best the genre has ever seen. Also, it’s a style perfectly suited to the on-the-go nature of the Switch. So, being able to take Diablo III with you wherever you go for a quick rift or bounty or two or three – is well-worth it.

This place Rockstar has crafted; the dewy plains, the flowery meadows, the snowy mountains, the swampy Bayou, the dense Saint Denis -- all of it. I just wanted to exist as one with it and feel alive within it. And that’s what I did, and continue to do. Horseshit-riddled streets and all. Rockstar, my dusty old hat is off to you. You’ve made this old videogame cowboy a very happy camper.

In the end though, perhaps what sets apart Project Warlock from the very recent old-school shooter renaissance we’ve been seeing is that outside of inspiration and certain elements it doesn’t look any one thing from the ‘90s. Which in the end makes it special, and something well worth checking out.

In the end though after, say, 15 or stages or varying length, the action does begin to feel a little repetitive with design that feels decidedly old-school thanks to the complete absence of environmental interaction and movement that is as floaty as watching synchronised figure skating with hundreds of skaters instead of two. But yeah, Warriors Orochi 4 is still a lot of fun to play. A blast even.

In the end Space Hulk: Tactics also has the appeal of its premise and works better as an experience played with others whilst also designing missions and various layouts. Much like the origins of Space Hulk it feels true to the tabletop roots of the series - but also lacking in its limited scope.

Call of Duty: Black Ops 4 is a pleasant surprise. While it’s lacking in any major offering for those wanting a campaign to play through, everything else is refined and iterated on in meaningful ways. Blackout is a blast, traditional multiplayer is as good as it’s been in years, and Zombies is insanity in all the right ways. Minor concerns aside, this is the best Call of Duty package I’ve played in a long, long time, and think the trade off of a campaign for Blackout — something I was more than surprised by — has been well worth it.

Life is Strange 2 features a story that packs real emotional weight, and one that surprisingly deals with real-world issues in a way that feels like a milestone achievement in interactive storytelling. But, by that same token it is indeed more of an interactive piece of cinema than traditional game. Here’s hoping that the next few episodes provide real tangible ways to interact with the world, from puzzles, to traversal, to even some form of action.

Construction Simulator 2 is so unrelentingly strict in its stringent adherence to following set tasks, there is absolutely no chance for imagination or creative outlet. Put simply, failure to follow the precise steps laid out for any particular task results in a breakdown that negates the contract or job, resulting in lost time, revenue, and any potential for enjoyment.