| Columbia Pictures | Release Date: August 5, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
20
Mixed:
32
Negative:
9
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Critic Reviews
Bullet Train feels like someone crossbred Kill Bill with a Final Destination movie. And at times, David Leitch’s film is almost as glorious as that description makes it sound — elaborate and ridiculous but dedicated to making the elaborate and the ridiculous feel … well, not plausible, exactly, but certainly compelling and fun.
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CNETAug 3, 2022
It's a gleefully exaggerated high-speed journey into action and comedy driven by swaggering star turns and first class boxcar brawls, and I'd work on that railroad all the live-long day -- no, I don't think I can keep this up. Bullet Train is just a hell of a fun time at the movies, OK?
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There’s a time and a place for mayhem, and that’s essentially what Bullet Train is: two hours of fights, carnage, and witty repartee. Oh, it’s too long, to be sure – probably at least by 20 minutes. And its puzzle-like structure is too complicated for its own good. But, taken on its own terms, it’s fun and energetic as only this sort of film can be.
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I had a good time with Bullet Train. I didn’t hate Bullet Train. I just think that I’ll begin to forget Bullet Train, and in remembering that I’ve forgotten it, I will resent it because I’m an easy mark for crime films and an easy mark for action movies—including but not limited to cheeky R-rated action-comedies
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It takes a special kind of smart to be really, really dumb. And make no mistake, Bullet Train is a really, really dumb movie. Like, every gunshot echoes around its gloriously vacant skull. Because there's also a particular kind of smart-dumb film that is endlessly, idiotically fun, and that's what Bullet Train is.
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RogerEbert.comAug 5, 2022
Bullet Train is at its best when it's a comedy about self-styled badasses who think they're free agents but are really all just passengers on a train rocketing from one station to another, oblivious to the desires of any individual riding on it. The abstractness and "it's all a lark" humor ultimately undo any aspect that might otherwise sink its roots into the viewer's mind.
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It’s no train wreck. Leitch’s film is colorful, cartoonish and well-choreographed. But the more-is-more manic energy of “Bullet Train” eventually peters out, since that’s all the movie was ever running on. Well, that and Pitt. His charm alone does wonders for the movie, raising it at least to the level of watchable.
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Given its premise and title, you’d expect a zippy movie with some momentum, yet too many flashbacks and a surprising amount of chattiness in the overlong film slows everything down – at least until a crazy albeit satisfying finale where Leitch pretty much cuts the brakes and lets chaos take the wheel.
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