| Columbia Pictures | Release Date: August 5, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
20
Mixed:
32
Negative:
9
|
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Critic Reviews
Things really have to be precisely calibrated for comedy to work amidst all of this vicious violence—blood pours from eye sockets, gushes from neck arteries, and spouts from nearly decapitated heads—but no such luck. Instead, a talented ensemble of actors must stumble their way through chaotic tone shifts and declarations of irony that feel both uninspired and cruel.
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Every actor, bless them, works hard to sell the movie’s overweening moxie, leaning into the mannered quirk with admirable, if ultimately doomed, commitment. Pitt and Taylor-Johnson are perhaps best suited to the movie’s patter; they manage to give some actual fizz to leaden material. But those moments are short lived, and then it’s back to the awkward squirm of watching talented actors debase themselves for laughs that never come.
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For a movie with so much volatile physicality and bruising punishment, there’s an inertia about the whole thing, a soullessness that makes every contrived smirk grate. We don’t care about who gets pounded to a pulp or shot to pieces because there are no characters to root for — good guys or bad.
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Leitch’s talky, violent hit man movie, with Brad Pitt at the center of an over-cranked ensemble cast, reminds us why Hollywood has all but abandoned attempts to copy the successes of Tarantino and Ritchie. This film is not just bloated, tedious, dim-witted, and glib, it’s also redundant.
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The TelegraphAug 3, 2022
As a motor-mouthing smart-ass, the 58-year-old Pitt is badly miscast – every detail here seems tailored to Ryan Reynolds, director David Leitch’s Deadpool collaborator – while the film's bulging cast and bloated running time recalls those all-star capers of the 1960s: imagine It's a Mad, Mad, Mad, Mad World crossed with a migraine. For the sake of all that’s holy, take the bus.
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