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Critic Reviews
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A visual treat packed with both moments of beauty as well as true horror. But while the narrative is less cohesive this season, with its core characters scattered to the winds, its capacity to fascinate us remains intact, especially as the themes which have always been lurking in the show become more present.
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Ultimately, Westworld hasn't gone back to the place where it all started, and continues to expand its scope far beyond the borders of the park, but rather than this resulting in more disarray, what plays out are the exciting twists, turns, and surprises through time that will make anyone sit up and take notice.
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It is still dense and intense – and yet remains hugely rewarding, provided you’re willing to expend your grey matter to keep up. In particular, it displays a refreshing determination to not repeat itself and it is great fun watching familiar characters adapting to changed circumstances.
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It has its cake, it eats it, and you may as well enjoy the spectacle.
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The polarizing drama about cowboys, robots, and free will is finally good again. Even the handful of flaws in the first four episodes HBO made available to critics, while irritating, don’t distract from that familiar one-two punch of puzzlement and shock.
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Now the fourth run takes some of the best of each season to deliver a cocktail of apocalyptic drama, baffling mystery and a nice dose of body horror.
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Beautiful, baffling, and bonkers. A welcome resurgence for Joy and Nolan’s box of violent delights, and one that firmly dispels any hint that Westworld might have gone south.
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The initial cool shock of Westworld has passed, and now, six years since the show’s premiere, we can just settle in for more of the comfortably familiar. Albeit with a few new tweaks that approximate, ably enough, the thrill of true innovation.
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There are some truly fascinating choices and parallels sprinkled throughout this first half of the season that shift and muddy the show’s narrative perspective, leaving me genuinely excited for what the back half of this season could look like.
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Led by strong work from Evan Rachel Wood, Thandiwe Newton, and Aaron Paul, the sleek visual aesthetic Westworld works with allows it to coast on its own cool weirdness whenever the plotting starts to chase its own tail.
Awards & Rankings
User score distribution:
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Positive: 19 out of 49
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Mixed: 13 out of 49
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Negative: 17 out of 49
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Jun 28, 2022
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Jun 27, 2022
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Aug 16, 2022