Despite its initial problems, Pokémon Go is an absurdly addictive and approachable game. Chances are you can go out on your lunch break and see people playing at this very moment. After staying out of the smartphone game market for years, Nintendo has finally jumped in headfirst and scored an absolute hit.

Inside is an artistic triumph. Video games, at their best, fold their various components into a whole that is far greater than the sum of their parts. Inside does exactly that, and more so does exactly what its name implies: it gets in your head, in your system, and stays there.

Kudos to id and Bethesda for managing to make an old game feel new again. That’s not easy to do, and while its multiplayer stumbles, Doom will leave you exhausted from its intensity, sick from its brutality, and yearning for more when you complete its 13-hour campaign. If you like your shooters fast and deadly, Hell is pretty heavenly.

Where Naughty Dog shines brightest, however, is in its ability to make you feel like you’re discovering your way through what is essentially a linear adventure game. The path is predetermined, the outcome singular, but when you find that one handhold or fling yourself through that one open window, you own it. Uncharted 4’s level design is remarkable, simultaneously holding your hand and letting it go.

This kind of thing only works when you’re invested in the characters and plot, and with little emotional payoff, the branching narrative feels more like a fun gimmick than anything else...And despite its impressive vision, “gimmicky” is a pretty accurate description of Quantum Break. I give Remedy credit for having the stones to actually follow through on its promise of combining a TV show and a video game, and perhaps there’s indeed a future here. But in a world crammed to the gills with great shows and great games, an experience that does neither particularly well just isn’t worth your precious time.

Firewatch is a fine way to spend a weekend. It’s one of those rare games that can be enjoyed with a friend or loved one simply spectating; it’s marathoning a few episodes of Lost. Terrific writing and voice work along with a gorgeous world outshine the game’s flaws and make for a game that sticks with you long after you’ve watched its closing credits.

Despite its frustrating lack of modes and features, I freely admit that I have had a blast playing Super Street Fighter V. It’s a genuinely fun fighting game that has a bright future. But its troubled present gives this mighty combatant a black eye.

Unravel might look like LittleBigPlanet, but in practice it’s the kinder, gentler Limbo.

It’s clear that XCOM 2 is an ambitious effort, with just about every mechanic from Enemy Unknown going under the knife in some way. Most of the changes are for the best, leading to another genuinely fun, tense romp through an embattled world desperate for your strategic brilliance. It stumbles a bit, however, and a handful of issues make the experience clumsy and overcomplicated, forcing players to pay an exorbitant price for their own ignorance. But hey, isn’t saving the human race worth a little saving and reloading?

Despite its casting issues, Marvel Avengers is a decent enough LEGO romp — better than the disappointing Jurassic World and Batman 3: Beyond Gotham but not quite as good as Marvel Super Heroes. Fans of its spandex stars should certainly suit up. The rest of you might want to wait for another hero.

Too often while playing The Witness, I realized that there were a lot of other things I’d rather be doing than playing The Witness. I respect it; I admire it. I just didn’t enjoy it all that much.

Though it’s not the best game in either series, Paper Jam delivers enough well-executed turn-based combat to please fans of both Paper Mario and Mario & Luigi. It’s unfortunate that the writing and humor aren’t quite up to snuff, but fast-forward through the dialogue and you’ll soon find yourself staring at another gang of bad guys just asking for a fire flower to the face. That’s a jam worth playing.

Although Darkest Dungeon becomes fiercely addictive, that feeling eventually wears thin. You tick off quests one by one, but it’s a long way to completion, and few will have the patience to get there. There’s not much variety in enemy types, and the dungeons themselves are just abstracted strings of encounters. But while it’s got its hooks into you, Darkest Dungeon exerts a powerful pull.

Despite its supernatural trappings, this is a game very much about the human condition, about love and loss and how even the most innocuous decisions can leave the deepest footprints. There’s some great work here, and while Oxenfree isn’t without flaws, like its teenaged cast, it points to a promising future.

Underneath the silly cash grab lies a genuinely fun multiplayer game. Siege took me back to the early days of Counter-Strike, when I would lose weeks at a time to endless late night sessions with friends. Find some buddies and Siege really settles in as thrilling game of calculated chaos. But between the paltry offline offerings and the slow, microtransaction-gated drip of goodies, I wouldn’t advise breaching this door alone.

The staggering amount of real estate, the intricate combat system, the engaging narrative, and the sheer number of things to do makes it a real JRPG standout. It’s water in a desert for Wii U owners, and a smashing success that will likely be remembered as one of the system’s finest.

Just Cause 3 is an over-the-top blast that embraces the term “sandbox” more literally — and un-apologetically — than any other game in the genre. If you’re seeking substance and depth, wandering Fallout 4's RPG wasteland might be more your speed. If you want to ride a weapon of mass destruction like a hobby horse, however, you'll want to consider joining Just Cause 3's rebellion.

Tearaway Unfolded, like its mobile forebear, is an enchanting adventure. A bedrock of strong platforming mechanics supports a world that recalls The Wizard of Oz’s wide-eyed whimsy. Children will absolutely adore it, but even grown-up gamers with a taste for handcrafted, homespun style should follow the fold.

I appreciate that developer Vicarious Visions has tried to steer Skylanders in a new direction, and there’s certainly plenty to do here. But I’m not sure the future of Skylanders lies in mediocre kart racing, and unfortunately, there’s just too much of that in Skylanders SuperChargers. Hopefully the next entry will get the series back on track.

If you’re just in it for the solo games — and let’s face it, Uncharted is at its best when it’s just you and Mr. Drake clinging to things together — the Collection is a fine choice.

Great narrative experiences don't come around often, and while SOMA lacks the gameplay oomph to keep you glued to the screen, it handily accomplishes what it sets out to do: freak you out.

Most egregiously, this game costs $60. That’s about $50 too much. A better choice? Go crank Goldfinger’s “Superman,” fire up your old PlayStation or Dreamcast, dig up a copy of the original game, and relive the glory days the right way.

Despite its lack of big upgrades and unsatisfying track list, this is still a blast to play with friends. If video games intend, in part, to deliver fantasy, then Rock Band is, once again, a resounding success. You play this game, you feel like a rock star. It’s that simple.

NBA 2K16 is the first time in quite a while I’ve seen the franchise make a serious misstep. Though there’s more than enough NBA goodness here to justify another courtside seat, the disappointing MyCareer mode is impossible to ignore.

Not every level in Yoshi’s Woolly World is a winner, and the game suffers in comparison to the absolutely magical Super Mario 3D World, which still easily ranks as the Wii U’s best platformer. But it deftly pulls off the trick of being both stupendously cute and technically well-crafted, appealing to youngsters drawn in by the sweet plush Yoshis and to more skilled gamers looking to challenge their reflexes and item-hunting skills.

Overall, the first episode of this family-friendly adventure is engaging enough to keep you playing through its brief 90-minute run time. The cliffhanger is also a doozy that nicely sets up the next episode.

Guitar Hero Live is a classic rock star: talented, interesting, bipolar, and filled with questionable ideas. The new guitar is a hit and the streaming mode is plenty of fun, but the full-motion video fail and annoying song rental model mar what could have been a legendary comeback album.

Rising Tide sometimes feels all wet, but Civilization’s ship can still be righted.