Hades is an excellent action game that allows players to find progression even in death. Roguelikes are normally known for their high level of difficulty, but in Hades, the greatest challenge you’ll face is trying to put it down.

There are brief flashes of something special in Greak: Memories of Azur, but, sadly, they're mired by sloppy execution and a litany of irritations that seem to have been implemented by design, rather than by accident.

Art of Rally is an unbridled joy, its Career Mode and free roam options, in particular, providing hours of rally driving nirvana in an appealing package that celebrates a glorious, golden era of off-road motorsport.

A grim, dystopian future shock, The Ascent is an action-packed ARPG brimming with guns and ultra-violence. It's enormous fun, especially in co-op, but bothersome bugs and repetitive quests unfortunately put a dampener on things.

A lovingly crafted dungeon crawler brimming with personality, Death's Door combines robust, rewarding combat with equally gratifying metroidvania exploration, and a story packed with oddball characters. An assured, sophomore effort from developer Acid Nerve, Death's Door is caw-fully good.

While it's a shame that classic cars have been nixed this year, F1 2021 is nonetheless an exhilarating racing game brimming with compelling modes and customisation features, as well as the new Braking Point story mode, for countless hours of wheel-to-wheel action. Another sterling effort from Codemasters, racing games don't really come much better than this.

Going rather heavy on its convoluted, nutty storyline, Scarlet Nexus delivers on all fronts as far as its combat is concerned, with fast, flexible action that's always a joy. Bandai Namco's game is certainly bizarre, but it's also unique and well worth playing - it's the best Brain Punk game ever made.

Credit where credit is due to Team17 for trying something different. While not necessarily a roaring success nor an abject failure, Worms Rumble guarantees enjoyment in the short-term, but its long-term prospects don't seem as promising. After a few hours, Worms Rumble does prove a bit wearisome and may not worm its way into your affections.

Boasting solid combat marred by a woolly lock-on system and repetitive objectives, Dungeons & Dragons: Dark Alliance is, nonetheless, a mostly enjoyable hack 'n' slash adventure that's best played in co-op.

I did enjoy my time rolling with Circle during his journey to complete himself. The story was great, the graphics matched the simple premise of the game, and rolling through the game's beautiful scenes while listening to its relaxing music was a great experience. But with its high peaks, there are also low valleys that I just cannot get past. Tough to follow dialog bubbles really disconnected me from the story at times, and frustrating sequences like the magnetic fields and cloud hopping really hurt the entire experience overall.

An endearing and impeccably-made reboot of a Capcom classic, Ghosts 'n Goblins Resurrection not only looks really good, but it doesn't compromise on any of the aspects that made the original so special.

Biomutant is a scrappy and charming open world RPG, but despite its many systems and gameplay mechanics, there isn't enough depth and direction to make this game truly great.

If you've never played a Mass Effect game before, you can consider purchasing the Legendary Edition an absolute no-brainer. If you fancy revisiting BioWare's seminal sci-fi saga (and frankly, why wouldn't you?), then, equally, Mass Effect Legendary Edition is essential. Bottom line: you need this.

Hood: Outlaws & Legends takes a unique 4v4 multiplayer premise and fails to do it justice. While the art style is cool and the concept is neat, the execution falls short with a lack of content, balancing issues, and a slew of frustrating elements.

An esoteric little gem, Dragon Quest Builders 2 is an enormously enjoyable RPG-building sandbox hybrid that deserves time and attention.

Enjoyable in a mad, pantomime sort of way, Resident Evil Village feels like a pretty significant step back from Resident Evil VII, and a toe back into the absurd. It's a game you're unlikely to forget in a hurry, for entirely the wrong reasons.

If you're a Yakuza fan, you've probably already bought Judgment in your head. If you're not, then this is a great place to start, Yagami's hardboiled crime saga a remarkably engaging, surprising, and rousing journey from beginning to end.

A welcome revamp to a more than decade-old cult classic, NieR Replicant ver.122474487139... will be equally inviting to Automata fans, NieR veterans, and newcomers alike. Only a lack of variety, a lightweight combat challenge, and disappointing boss encounters put a downer on proceedings.

Outriders is a looter-shooter built upon solid enough foundations, and its blend of gunplay and powers can prove intermittently enjoyable. But it's also a game lacking an engaging narrative heart, characters that you'll care about, and any sort of exciting long-term content. The quest for loot will only sustain you for so long.

I understand that Balan Wonderworld wasn't made with me in mind – clearly it's meant for a far younger demographic. But even from an objective standpoint, I can't figure out why anyone would want to voluntarily sink hours of their life into such an annoying and incoherent game.

A game that provides a healthy dollop of pathos with its co-operative fun, It Takes Two is an unadulterated shot of joy brimming with inventive puzzles and smart ideas. Sure, some of its metaphors for the breakdown happening in May and Cody's relationship might be a little heavy-handed, but there's so much to love here that it's hard to care about such trifles. It Takes Two is a breath of fresh air and total.

If you’ve spent hundreds of hours with Kazuma Kiryu over the years, then the conclusion to his sprawling arc in Yakuza 6: The Song of Life won’t disappoint. And if you haven’t played a Yakuza game before, you’ll still get a whole lot out of this. Yakuza 6 is a sensational game.

Despite contriving its fair share of unsettling moments, Little Nightmares II is a disappointing follow-up to one of 2017's most pleasant surprises. It might be a bigger game than its forebear, but it certainly isn't better.

Werewolf: The Apocalypse - Earthblood fails to satisfy as a stealth game or a brawler, and is let down by poor AI and shoddy presentation. At its best, it’s playable, but commits the cardinal sin of just being boring.

Layers of Fear showed early promise, Blair Witch demonstrated that Bloober could resurrect a dormant movie license to great effect, and Observer saw the studio successfully turn its hand to cyberpunk horror. The Medium is a similarly excellent game, serving as further proof of the developer's horror expertise and its credentials as an exciting creative outfit.

The third act is often the hardest, and with Hitman 3, IO Interactive has managed, somehow, to mix things up and make it feel fresh. Some will celebrate the lengthier, curated stories, but those who love Hitman for its replay value will be slightly dismayed at Hitman 3. Nonetheless, it's still a great bloody video game.

The game will perpetually get compared to WWE All Stars and I think it’s fair. I have to admit that through my rose colored glasses, I remember All Stars as the better overall title at launch, but the lack of roster depth (including no women) and the fact that it died off because its parent studio did really hurt its potential. The fact that Battlegrounds still that potential to be discovered and 2K can do so much more with it makes this an interesting title to watch, and one I’d recommend giving a shot if it intrigues you enough.

Cyberpunk 2077 is an incredible but hugely flawed video game. At its core lies a deceptively deep-RPG, set in one of the most wonderous cities every created in video games and it’s genuinely an experience I’ll never forget. It’s just a shame it’s such a bloody bugfest, though.