Tell Me Why is a memorable experience that's done well. The adventure portions are a good reminder to adventure game fans that the classic experience of logical puzzle-solving is alive and well, but the narrative becomes the driving force for completing the title. From the natural reactions to the characters to the assurances that the subjects of culture and transgenderism aren't just there for show, everything is elevated to the level of some of the best television dramas. For those who want something that's still considered new in the gaming landscape, Tell Me Why is a title that's well worth checking out.

Wasteland 3 does everything you expect from the series but in a sleeker package. From the freedom in building character abilities to your approach to the missions or which ending to strive for, there's plenty that's within your control, and those variations help if you want to play through the game multiple times. The story is interesting thanks to all of the decisions you get to make, and while your created characters don't add much personality, your companions are chatty enough to make encounters worthwhile. If you can forgive the occasional bugs, you'll find Wasteland 3 to be a top-notch RPG.

Tony Hawk's Pro Skater 1 + 2 is emblematic of how good the original arcade skating formula is and how excellent Vicarious Visions is at remastering jobs. Everything here feels just as tight as those original titles but with a fresh coat of paint that will impress those who still play those PlayStation and N64 originals to this day. The quick runs and easy-to-learn controls make for an addictive experience, so you'll find yourself going for just one more run. The addition of online leaderboards and created levels give this game some serious legs, so THPS1+2 is a must-have for your gaming library. The only people who wouldn't enjoy this title are those who live and die by a sim skateboarding experience.

Your enjoyment of Wavey The Rocket is going to be highly dependent on how well you adapt to the controls and sine-based movement. Get used to how things work, and you'll find the game to be challenging in a fun way with plenty of bite-sized levels to keep you entertained. Until that happens, though, prepare for some frustration because you'll experience failure over and over again, even in the early stages. If you don't mind that inherent challenge, give Wavey The Rocket a spin.

If all you want is to play through the video game equivalent of a Marvel movie, then it does an excellent job. If you're hoping for something you can play for infinite hours with constant updates, the truth is that it's too early to tell. What we played was fun for a few hours of co-op, but I have my doubts about its long-term viability. It's by far the best Avengers game ever made, and with the exception of Hulk (whose Hulk: Ultimate Destruction remains the pinnacle of Hulk gameplay), it features the best video game version of the superheroes to date.

If Samurai Jack: Battle Through Time had been released when the show was still popular or even alongside the 2017 release of the last season, perhaps it would be more understandable. Instead, it feels like a game without a purpose. It's stunningly average and plays exactly like the long-forgotten cheap tie-in titles that once dominated the market. It gives the simplest fan service and the least challenging take on the character, but it occasionally shows signs of greater ambition. If you're a fan looking for a chance to play a Samurai Jack game, this is probably your best choice, but for most people, it would make more sense to watch the final season of the show without adding in a playable clip show between the series' two most dramatic moments.

In the end, Colt Canyon is a solid roguelike shooter. The tight mechanics and various characters give most players enough to keep their interest, while the high difficulty and adherence to restarting from scratch on each run makes it appealing to those who are more experienced in the genre. The presentation might be hit-and-miss depending on what you're into, but there's no doubt that it contains a magic that'll keep you coming back after you fail another run for the umpteenth time. Colt Canyon is well worth checking out.

Considering that this could be the closest thing we see to "normal" football for a long time, Madden NFL 21 works. However, I can't shake the feeling that more could be done. Some things feel practically untouched. The create-a-player faces are still weird. Why can there be such a discrepancy in head sizes? Why can't I seem to port over the player I created in Face of the Franchise into a regular roster or at least have him available in regular create-a-player? The array of quarterback throwing motions still seems limited, and it pales in comparison to the way players in other sports games are so heavily signaturized. I still feel there's plenty of work to be done with this franchise, and that so-called "next level" we keep looking for can be reached. For now, I might tighten up my Yard skills, see what new decisions I can make in a new career mode, and beef up on my RPO mastery while I hope for more in next year's Madden outing.

A fun little hack-and-slash. The nostalgia of playing on a GBA might not be there anymore, but there's a lot of adventure packed into a small package. Its biggest flaws are that it doesn't feel particularly inimitable nowadays, and the multiplayer is almost a must. If you're looking for a relaxing way to beat down some baddies with your friends, Crystal Chronicles gives you everything you might be looking for — without having to shell out for four portable systems.

Even though Pistol Whip has a small musical offering at the moment, it's one of the best VR experiences I have played on PSVR and in general. It's easy to pick up, great to play, and tough to put down, and ultimately, that's all it's about. It isn't rich in features yet, but with a content roadmap in place, this potentially looks like "the next big thing," although it's marginally held back by a lack of content and song variety for now.

No Straight Roads is an enjoyable romp through a weird world of colorful characters. It almost has a Psychonauts vibe to it, and not just due to the art style. NSR provides a cute adventure with some fun boss fights, but it doesn't redefine the genre or do anything extraordinary. If the in-between areas had been stronger, they might have elevated the game, but they don't currently detract from the experience. All in all, NSR is a charming title that is worth a look. As the developers say in the ending credits, "We like EDM too."

Vectorlord is good. The twin-stick mechanics remain solid, and it doesn't feel out of place since the game pairs this with old-school automatic vertical scrolling. The attack system is deep for a shooter of this type, and while the various mechanics do their best to challenge your progress, it isn't overdone to the point where it feels unfair. For genre fans, this is an absolutely solid pick-up.

Your view of Crew 167: The Grand Block Odyssey is going to depend on what you value from the game. If you're in it for the story, then it starts off strong but ends up being predictable. As for the presentation, some parts look good once you know the context, and other scenes look rather low-rent. If you're in it for the puzzles, then you'll find a nice balance between ingenious and frustrating thanks to the constant mechanical variety on tap. It may not be a perfect game, but those looking for a brainteaser will be satisfied with what they find in Crew 167.

It speaks volumes about PGA Tour 2K21 that, despite its lackluster roster and game modes, it's still such an easy recommendation. It owes it all to a phenomenal gameplay loop that's as easy to pick up as it is difficult to master. The series may be a few years away from true greatness, but don't let that stop you from shooting your shot now.

Battletoads isn't bad, but it is boring. It starts off relatively strong and quickly devolves into uninteresting minigames. When the title returns to beat-'em-up gameplay, it shows the potential to be something more, but then you're forced to play "rock paper scissors" or mash buttons for a few minutes, and it all fades away. The concept, characters and visuals are excellent updates of the original, so it's a shame that the gameplay isn't.

Despite some of my qualms with the production and PC port quality, I highly recommend picking up Horizon: Zero Dawn for the PC. Yes, there is some risk of encountering the issues that others have seen, but fortunately, Steam's generous refund system serves as a comforting protection against wasted money. Overall, it's an easy recommendation for all cohorts of gamers. Players who didn't have a PS4 can experience a well-crafted world with a captivating story to flesh it out, and those who already played it back in 2017 might still enjoy the PC version's improved visuals and frame rate. This is a great way to refresh your memory on Aloy's adventures before the sequel releases in 2021 for PS5.

Warhammer 40,000: Mechanicus is incredibly intriguing and draws in the player with its world-building and tone. The art and music provide just enough to pique one's interest, but as a game, Mechanicus leaves a lot to be desired. I makes itself into such a cookie-cutter experience that progression doesn't feel rewarding, and it reduces the battles to pauses in narrative progression. Top that off with insufferably written narrators, and you get an experience that's tough to sell. The concept and world of Mechanicus are interesting, but the follow-through, laced with lethargic gameplay and sometimes indecipherable characters, is lacking.

All in all, Nioh 2: The Tengu's Disciple is a solid piece of DLC. It doesn't break the mold, and it doesn't offer much that's new. What it does offer is more of the enjoyable gameplay that made Nioh 2 so fun. The new weapon is a nice bonus, even if it isn't for every player, and there's about 9-10 hours of content here. It's only for Nioh die-hards, but at $10, it's easily worth the price.

Even after achieving "G.O.A.T." status, I have a hard time peeling away from UFC 4. After hours and hours of play, I still feel like there's a lot more to learn about the fighting systems and all the moves that can branch out from each ground position. It's addicting to tinker around with it or map out a new career for another created fighter, messing around with building (or burning) bridges with either fighters to see how his or her path maps out. Whether you want a little action distraction or want to get lost in what the MMA world has to offer, UFC 4 has it. Just remember to apologize to your training partners in advance.

Due to its nature, it is difficult to rate Pattern like you would a traditional video game. It feels like a germ of an idea that has been released to the public in its current form; it's different from what the developer originally intended, but it's fascinating nonetheless. The decision to turn it into a diary makes it an artistic endeavor more than a traditional game with an explicit goal, and its endless nature can have several interpretations, none of which can be considered wrong. Regardless of score, your decision to try Pattern is dependent on whether you enjoy the genre; those who do will find this to be an experience that'll stick with them for some time.

Despite having cute otters, The Otterman Empire doesn't work out. The speed at which you deplete your ammo makes shooting more of a chore than fun, while your low health pool and inability to tell where enemies are shooting from means that you'll be going through the respawn sequence far too often. The squirrelly controls don't help matters, and while the local multiplayer is appreciated, the lack of online play hurts the game's potential longevity. For the time being, pass on this one.

Flying Red Barrel: The Diary of a Little Aviator is solid. The back-to-basics shooting feels good, as do the difficulty and the changes, like a limited continue pool. One really needs to put in some effort to see this through to the end. Its age means that it lags behind its contemporaries in terms of graphical options and online hooks, but for genre fans, those elements matter very little when the gameplay is still going strong.

As mentioned at the beginning of the review, your appreciation of Star Wars: Episode I: Racer appearing on the Switch will heavily depend on the rose tint of your glasses. On the one hand, the presentation is especially rough, and the lack of difficulty for most of the campaign makes the task of unlocking everything a chore — at least until the final few races become competitive. On the other hand, the sense of speed in races is still present, and the track design isn't bad when you consider how fast things are going. While those who have played the game before might get a kick out of being able to play it again on a modern, portable machine, others may be fine leaving this one alone.

Despite my qualms about the closing hours of Death Stranding, I truly enjoyed about 30 hours of it. There are plenty of moments where tone-setting music sets in and the vastness of the landscapes smothers you with solitude and despair. Collecting materials and contributing them to an online structure was engaging and even downright addictive. Moreover, the foundations of the plot intrigued me so much. I think that's what pains me so much about Death Stranding: I can see its potential, but the game went too far in too many disparate directions.

As a sum of its parts, Crysis on the Switch is another "miracle" port that turned out less magical than others of its kind. It's a less extreme example of the dissonance between being able to run a game and whether it should have been ported in the first place. It's not as pared back as The Outer Worlds was, but it also doesn't offer a lot of content, and its shortcomings in different areas are enough to hamper the experience. If you cannot play Crysis on any other platform, this may be as good as it's going to get, but if you don't care about portable play, the Switch version isn't as good of a proposition as it should have been.

Sadly, reaching the end of Dogurai feels less like the rewarding success of a job well done and more like getting home from a long day at work. Sure, you're home now, but it would've been nicer to spend your day at home or feeling productive. The game's eight short levels can be completed in less than five hours if you search for the unrewarding secrets. This is with some padding, as one of the levels is reused and another has you fighting all of the bosses that you have fought up to that point. While the concept and some aspects of the gameplay are interesting, the game feels like a no-frills nostalgia trip for someone with little time to spare. While this could be a mindless way to pass the time, Dogurai largely falls short in engaging the player in a meaningful way.

It may sound like I'm negative about Demon's Rise: War for the Deep, but it's great for people who want a combat-focused tactical RPG with different character classes. For anyone else, the minimal plot, simplistic gameplay, and low-quality visuals will probably turn them off before they can get deep enough to see where the strategy element shines. It's very much a game made by fans and for fans, and anyone else will probably be better off looking at the recent XCOM 2 release or even Mario + Rabbids for their tactical action.

Carrion is a fun one-and-done game and not much more than that. The concept of playing as the monster in the vents is a cool one, and Carrion executes the fantasy fairly masterfully. Unfortunately, it runs out of tricks before too long and is only saved from tedium by the short game length. It's worth a playthrough if you like the concept, but don't expect anything genre-defining. There's a lot of potential in the concept, and perhaps a Carrion 2 will give us something with more meat on its … amorphous horrifying frame.