Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. There's so little authenticity between them, it destroys the story's most crucial element: the love between father and daughter. And finding the gold becomes our only reason to watch.
  2. The movie spares no effort to reach out to the crudest, youngest audiences it can.
  3. This movie is a particular disappointment. Although The Seeker is in Walden's tradition of positive storytelling, John Hodge's script is guilty of downright goofy utterances on occasion.
  4. The more the movie progresses, the more you realize how much Seinfeld's voice sounds like a droning bee -- the kind you want to swat away.
  5. But for all its passion and topical currency, the movie plays too often like a college colloquium. And it ends on an unsatisfying note, with each character's choice, whether fateful or fatal, hanging in a confounding limbo of indeterminacy.
  6. The movie simply delivers too many colorfuls for its own good, none of whom establish a true emotional identity, and thus it isn't moving, it's busy. Busy, busy, busy.
  7. Its main purpose -- and no, you are not experiencing ocular breakdown -- is spiritual.
  8. Unfortunately, "Youth" becomes so lost in its own conceptual, convoluted vortex, it becomes virtually incomprehensible. Coppola proves that even the best of our film artists can lose sight of what this medium is all about: entertaining, enlightening and including its audience.
  9. Even by its own standards, the movie becomes increasingly macabre and ludicrous as Anne's machinations get the better of her, and everyone, including the audience, is left feeling shattered, shaken and vaguely unclean for having participated in all this.
  10. Andre Benjamin, Woody Harrelson, Maura Tierney and David Koechner -- all talented -- seem amazingly zombie-like here. And Jackie Earle Haley, as a stoner fan of the Tropics, is more disconcerting than funny.
  11. Perhaps there will be people who do laugh at Lawrence and Raven-Symon screaming in tandem, or mugging their way along every tortured mile of their road trip, or unwittingly joining a sky-diving club and having to parachute into Washington so Melanie can make her interview. Heck, it was all really funny when they did it on "I Love Lucy."
  12. Rather like the faltering way Dennis runs the race, Pegg the performer insists that we keep watching, ever hopeful for a decent gag. And we spend most of our time thinking back to movies that better showcased his talents, such as "Shaun of the Dead" and "Hot Fuzz."
  13. 21
    The story may be based on real events, but most of it feels patently false.
  14. All the movie's treacheries, deceptions and story twists are marred by our lack of innocence. We see the big picture way before the characters do, and that pushes us right out of the movie and back into our seats -- the last place we want to be.
  15. A movie that jumps between two worlds can be a powerful experience, as any fan of "The Wizard of Oz," "Back to the Future" or "The Terminator" can tell you. But this phoned-in epic is simply a celebration of the inauthentic.
  16. If the movie is meant to uncover any "big scandals," it's a disappointment. The investigator, in one surprising sequence, goes through a number of alleged "torture" photos and acknowledges that the vast majority of them represent "standard operating procedure." That is supposed to be the film's kicker: not what was illegal but how much was legal.
  17. Suffers from, if anything, a lack of pure confidence in the story, the actors or the audience.
  18. Falters when it falls into exploitation (Irena's flashbacks to scenes of depraved sexual torture) and fatal contrivance.
  19. The kind of bland, generic, high-concept midsummer comedy that drives a critic to the thesaurus in search of new ways to say "vapid."
  20. You have to wonder whether writer and director Steve Conrad, who wrote the films "Wrestling Ernest Hemingway," "The Weather Man" and "The Pursuit of Happyness," had something more hefty in mind before Harvey and Bob Weinstein came aboard and marketed his movie as a laugh riot. Regardless, it's not the stuff of lighthearted summer comedy.
  21. W.
    Why this movie -- a rushed, wildly uneven, tonally jumbled caricature -- and why now?
  22. Think of Phoebe in Wonderland as "A Beautiful Mind," only for kids. And with Elle Fanning, Dakota's little sister, in the Russell Crowe role of the gifted outsider, tormented by demons within.
  23. Misbegotten buddy-bonding comedy of errors.
  24. It's a live-action Looney Tunes cartoon that lasts 154 minutes rather than just five, and it's as exhausting as it sounds.
  25. My only question is this: In the context of these by-the-book pratfalls, is it funny enough?
    • 45 Metascore
    • 40 Critic Score
    The result has a cobbled-together feeling. The Force is not strong with this one.
  26. What the movie is supposed to accomplish -- laying out a fairly complex mystery in a way that creates suspense -- is precisely what it doesn't do.
  27. Fighting isn't very good, but it will make you hope that someday, some great director will give Tatum's pecs the star vehicle they deserve.
  28. I wished Next Day Air were funnier. In the end, it's a fitfully amusing, sloppy comedy that doesn't work very hard for your 10 bucks.
  29. If a few decent actors play their roles and defend their turf, it doesn't matter how preposterous the whole proposition is.

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