Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The museum sparkles, but the movie is awfully dull.
  2. Scrat's annoying ubiquity -- is just one piece of evidence that Dawn of the Dinosaurs has been focus-grouped and is now trying to please its presumed young audience a little more than is healthy.
  3. Boils down, in the end, to the age-old question: Career or life? That Post Grad draws a stark line between the two, and forces its heroine into an untenable decision, might be the most disappointing thing about a movie that never quite succeeds in capturing a generation adrift.
  4. A lot of it is low, crude, admittedly comic in the rudest positive sense, which involves a lot of falling down to humorous effect.
  5. The bad news? The story, which rumbles along like an unattended wheelchair on a gently sloping sidewalk.
  6. The region's stark beauty and the filmmaker's eye for composition compensate somewhat for its predictability and obvious if misguided feminist agenda.
    • 36 Metascore
    • 40 Critic Score
    Tries hard to be charming but succeeds only occasionally.
  7. Breaks no new ground.
  8. Benefits from affecting performances from a gifted cast headed by R&B heartthrob Usher Raymond.
  9. The movie's half over before it really starts to whack at the funny bone.
  10. So phony it makes your gums ache.
  11. The movie is a little crude for the subtlety of the emotions it plays with.
  12. An adolescent romance that isn't smart enough to mirror "When Harry Met Sally" or crudely amusing enough to get close to "American Pie."
  13. A fairly straightforward, if preachy, tale about environmentalism.
  14. It's a mannered, precious exercise that seems to have less to do with lived moral dilemmas than with the smug piety of its makers.
  15. It is the verdict of this court that it be led to a stockade reserved exclusively for cheap, pandering movies and duly shot.
  16. Unfortunately, the actors seem overqualified for their parts, delivering earnest monologues that come across as clumsy transplants from the proscenium stage.
  17. Uneven, not particularly inspired comic thriller.
  18. We know the story will conclude with a crescendo of frozen-north hallelujahs. Cheering is endemic to Disney. They can't help themselves.
  19. CQ
    A charming, spirited movie for cinephiles, or those who aspire to be. It's the kind of movie every kid in film school wanted to make but didn't have the father to produce.
  20. Overwritten, overextended and clunkily symbolic
  21. The French now proudly prove they can make a big stupid violent cop movie, just like our gifted Hollywood professionals.
  22. Cumming manages to keep the film's pandering in check with every wicked raised eyebrow.
  23. Cutesy in the television sitcom sense.
  24. The movie's too slick and obvious about its intentions.
  25. Never transports you to another place and time, as it intends to.
  26. Riveting in its low way. It traffics in imagery profoundly disturbing.
  27. The documentary never gets more than skin deep. It rarely delves into the troubling regions that are the very orchards of documentary.
  28. For the most part, the movie's a bland disappointment, on many levels.
  29. Too bad the filmmakers -- and here's where the American part comes in -- decided the movie had to have some heart, too.

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