Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. There's visceral horror, too, including a grisly image -- a horror-in-miniature involving a fingernail -- that located an open nerve in my jaded ability to endure screen violence.
  2. A hilarious fantasy, about a plucky piglet that learns how to tend sheep, Babe is a barnyard charmer.
  3. A modern epic that fuses myth with hard-edged reality, it's a one-of-a-kind, thoroughly engaging experience.
  4. McNamara fits perfectly into Morris's canon: He tells a story that knocks you right off your feet.
  5. About as good a picture of a writer's real life as we are likely to get. It is wide-ranging, it is fair, it is thorough, and although it admires, it is also tough enough to condemn.
  6. A disconcertingly assured tango between tenderness and brutality.
  7. One of the year's best films.
  8. It's part sugar, part spice (cayenne, not nutmeg) and all-around brilliant.
  9. Thanks to Caine's subtly nuanced performance, there's a deeper dimension to everything. He's snappily ironic at times, sometimes amazingly delicate, always engaging.
  10. If Frears and screenwriter Donald E. Westlake (who scripted "The Stepfather") are light on substance, they're satisfyingly heavy on nuance. Grifters may not blow you away afterward but it keeps your attention riveted during.
  11. What "The Big Chill" was to baby boomers, the inspirational sex, lies, and videotape is to the mall crowd. It's designer soul-searching, a looking glass for a generation.
  12. A dead-on sense of how rich kids live and talk today, a sense of the melancholy of a dysfunctional family, and some great dark laughs.
  13. Although it's a drama, Osama feels like urgent documentary.
  14. Brilliantly written by Buck Henry, "To Die For" works on several levels. As a satire on the American obsession with celebrity and fame, the movie is nuanced and haunting. And for the most part, Van Sant keeps the tone chillingly light and ironic.
  15. It's funny and human and really pretty damned wonderful, all at once.
    • Washington Post
  16. There's an extra dimension here, not present in the other comedies. Not only is the material amusing, it's charmingly engaging.
    • 76 Metascore
    • 90 Critic Score
    Using home movies, photos, a brilliant soundtrack and candid, articulate interviews, director Stacy Peralta (one of the original Z-boys) details the birth of a pop culture phenomenon.
    • 82 Metascore
    • 90 Critic Score
    Mysteries still surround many aspects of bird migration. This film unravels exactly none of them. Rather, in some of the most remarkable footage you'll ever see, the film lets you look over the shoulders of migrating birds.
  17. Mesmerizing art-noirish thriller.
  18. Delightful, delicious, de-lovely.
  19. Part of this success is due to the exquisitely cast ensemble-composed of actors, not movie stars. To a man, woman and child, the unforced performers are spot-on.
  20. Ford makes such a dynamic president in Air Force One, you may find yourself favorably weighing his odds in Iowa and New Hampshire.
  21. Obliged to go from lost soul to demigod, Sewell's performance is as fascinating as Proyas's mystical vision.
  22. The fantastic and at times deliciously nihilistic world of X2 is fully, believably three-dimensional.
  23. Mike Myers unleashes (or seems to unleash) the entire contents of his comic mind.
  24. A brainy, superbly acted buddy movie.
  25. The interplay between Glass and Lane is riveting and rigorous.
  26. I love the unsettling details.
  27. It's a highly professional project complete with exquisite production details and superb actors, yet its subject matter is so far out of the mainstream, it feels almost radical.
  28. A quirky, tender, splendidly acted fable.

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