For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Desson Thomson
Anguish ranges from gritty and realistic to the tragicomic soap opera found in Pedro Almodovar's films.- Washington Post
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Reviewed by
Stephen Hunter
Huge, sprawling, and utterly absorbing.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Every moment of the way, there is a delectable sense of subtle menace and, at the center of it all, Huppert's haunting expression, part sphinx, part grace and maybe part scary.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Never has an actor embodied the passing down of violence and bitterness from father to son more powerfully.- Washington Post
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Reviewed by
Michael O'Sullivan
The plot is far from intricate, but Waking Ned Devine more than makes up for its narrative simplicity with a uniformly engaging cast of Hibernian oddballs.- Washington Post
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Reviewed by
Desson Thomson
A memorable and devastating indictment of the oppression facing many women in Iran.- Washington Post
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Reviewed by
Michael O'Sullivan
The nail-biting quality of Shackleton's true story outdoes any dramatic fiction on the market.- Washington Post
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Reviewed by
Desson Thomson
So elegantly layered and emotionally restrained, it makes the horror at its center all the more disturbing.- Washington Post
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Reviewed by
Desson Thomson
The movie's pace is unhurried by Hollywood standards, but it's all the richer in character detail.- Washington Post
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Reviewed by
Ann Hornaday
Searing dramatization of a story of remarkable courage, stamina and spirit.- Washington Post
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Reviewed by
Desson Thomson
The movie does what any great musician should: It lifts an idea to the heights of ecstasy; it sells its song.- Washington Post
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Reviewed by
Rita Kempley
Yet much of the movie's validity stems from time and place recreated with such authenticity that you can sense the wet chill in the morning air and the new wax pungent on the old gym floor. [27 Feb 1987, Weekend, p.n29]- Washington Post
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Reviewed by
Rita Kempley
The real story lies beneath the surface of this superbly acted, strangely moving film.- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Rita Kempley
Apollo 13 is humanized by Hanks's reassuring portrait in courage, by Harris's nicotine-stained fingers and Quinlan's lacquered French twist.- Washington Post
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Reviewed by
Stephen Hunter
The director isn't much on orgies; he's all talk. But that's good, not bad, because his talk is so brilliant. Stillman is the Balzac of the ironic class, the Dickens of people with too much inner life.- Washington Post
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Reviewed by
Michael O'Sullivan
Jack is just one of a dozen enormously appealing personalities in Out of Sight.- Washington Post
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- Washington Post
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Reviewed by
Ann Hornaday
Small, quiet movie that imperceptibly takes its viewers by their throats and doesn't let go- Washington Post
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- Washington Post
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Reviewed by
Hal Hinson
Though brilliant, Menace II Society is definitely a film to guard yourself against. There's not a trace of softness or sentimentality. At times, the picture takes on the scary you-are-there verisimilitude of a tabloid-TV show.- Washington Post
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Reviewed by
Desson Thomson
Pure energy, a perfect orchestration of heroism, villainy, suspense and comic relief.- Washington Post
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Reviewed by
Stephen Hunter
And that's the surprise of the movie, beyond even the humor and humanity of its inside look at contemporary American Indian culture. It's really the oldest and most primal story forms, the one about the old man and the boy.- Washington Post
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Reviewed by
Desson Thomson
Everything has a Chaplinesque feeling, from the largely silent scenes to the highly visual, tragicomic situations...But The Man Without a Past is entirely free of the tramp's cloying sentimentality.- Washington Post
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Reviewed by
Hal Hinson
Never has political correctness looked so sumptuously handsome as it does here, and in its perfect-pitch instinct for the cultural vibe, this sweeping movie is so immaculately dead-on that it nearly transcends criticism.- Washington Post
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- Washington Post
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Reviewed by
Stephen Hunter
The tension is never crushing, as it would be in an American job. Instead, it grows by increments, until you realize the movie, in its quiet way, has you snared entirely.- Washington Post
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