For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ty Burr
Here, [Park] takes a 1997 Donald E. Westlake novel, “The Ax,” and applies it to his home country with malice aforethought. The result is an entertainment that draws blood.- Washington Post
- Posted Jan 8, 2026
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Reviewed by
Hal Hinson
The most engrossing, most revealing film about the making of a movie ever produced.- Washington Post
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- Critic Score
At 160 minutes, “Magellan” is one of the shortest and most accessible of Diaz’s films, which for the past decade have tended to fall between four and eight hours...But the scale of the film remains resolutely epic, in part because Diaz is patient and in part because he’s insistent on telling this story of conquest and domination on his terms.- Washington Post
- Posted Jan 23, 2026
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Reviewed by
Sonia Rao
The Plague does an exceptional job of making viewers share in Ben’s growing sense of dread.- Washington Post
- Posted Jan 2, 2026
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Reviewed by
Paul Attanasio
Tavernier has created an extraordinary portrait of an artist quite simply because he's so intimate with it -- because he's such an extraordinary artist himself.- Washington Post
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Reviewed by
Ann Hornaday
Made with uncommon skill and assurance, the film never succumbs to rank sentimentality, but it manages to get at the nuances of human relationships.- Washington Post
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Reviewed by
Ann Hornaday
Anamaria Marinca delivers an utterly transfixing performance as Otilia, a young woman who helps a friend (Laura Vasiliu) obtain an illegal abortion in the waning days of Romania's communist Ceausescu regime.- Washington Post
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Reviewed by
Dan Kois
Ponyo isn't Hayao Miyazaki's greatest film -- that would be a tall order in a 30-year feature career that includes the Oscar-winning "Spirited Away" -- but his beautiful, quirky fable has magic other children's movies can't touch.- Washington Post
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Reviewed by
Philip Kennicott
Tremendous fun at times, especially in its vicious power plays and betrayals. But it has no redeeming value beyond entertainment.- Washington Post
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Reviewed by
Ann Hornaday
Thanks to an exceptionally deft touch, Mottola manages to capture the absurdity and anguish of young adulthood, while never sacrificing meaning on the altar of crude humor.- Washington Post
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Ann Hornaday
Like all good fairy tales, this outsize celebration of perseverance and moral triumph contains within it a deeper idea -- in this case, the relative nature of what we think we know, and what's worth knowing at all. No doubt Dickens himself would approve.- Washington Post
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Reviewed by
Ann Hornaday
The kids in Nobody Knows are most decidedly not crazy, and we come to care for them to an almost excruciating degree.- Washington Post
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Reviewed by
Stephen Hunter
Gibson may not be much of a deep thinker, but he's a heck of a storyteller. Apocalypto turns out to be not a case of Montezuma's revenge but of Gibson's: It's something entirely unexpected, a sinewy, taut poem of action.- Washington Post
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Reviewed by
Desson Thomson
Observed mostly from Remy's rat's-eye view, Gusteau's kitchen is a memorable world-in-miniature with its vivid old-fashioned stoves, bright, brassy pots and general air of frenzied industry; never did sliced red onions or simmering soup look so fresh and real.- Washington Post
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Reviewed by
Ann Hornaday
Turns out to be not just rude, crude and outrageously funny but a deceptively sophisticated meditation on moral agency -- with pot jokes!- Washington Post
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Reviewed by
Ann Hornaday
The heart of Million Dollar Baby lies in the core relationships among Frankie, Maggie and Scrap, friendships so pure, so genuine, so authentic that it takes actors of Eastwood's, Swank's and Freeman's caliber to sell them in this otherwise cynical world.- Washington Post
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Reviewed by
Desson Thomson
Not only gives us a superb new cast of believable characters, it transcends its own genre. Only superficially a teen comedy, the movie redounds with postmodern -- but emotionally genuine -- gravitas.- Washington Post
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Reviewed by
Stephen Hunter
Then, finally, there are the endings, all six of them...For us outsiders, it seems like too much of a good thing...But all those are minor rants: The big fact is that The Return of the King puts you there at Waterloo, or Thermopylae or the Bulge, any desperate place where men ran low on blood and iron and ammo, but not on courage.- Washington Post
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Reviewed by
Ann Hornaday
Bringing a tough, astringent wit to a subject too often wrapped in the cozy blanket of sentimentality or cute humor, Tamara Jenkins takes a frank look at the indignities of aging in The Savages, a black comedy that invites viewers to laugh or at least smile ruefully at the dying of the light.- Washington Post
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Ann Hornaday
Sean Penn sings a powerful and poetic hymn to America with Into the Wild, his sweeping, sensitive and deeply affecting adaptation of Jon Krakauer's best-selling book.- Washington Post
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Reviewed by
Michael O'Sullivan
Spielmann doesn't move his camera much, but he doesn't have to. The uniformly crackerjack cast keeps things electric, yet always believable, even when behaving in ways that are shocking.- Washington Post
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Ann Hornaday
United 93 unfolds with the terrible inevitability of a modern-day "Battle of Algiers," with Greengrass exerting superb control of tone, structure and pace...United 93 may be the best movie I ever hated.- Washington Post
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Stephen Hunter
From the very first seconds a viewer believes totally in Downfall.- Washington Post
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Reviewed by
Stephen Hunter
Anyhow, either as history at its most inspiring or moviemaking at its most exciting, The Tunnel is a trip.- Washington Post
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Reviewed by
Stephen Hunter
He gives these characters the time to develop, to display their nuances, to establish their relationships with each other, to talk out their destinies.- Washington Post
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Reviewed by
Stephen Hunter
For my generation, Revenge of the Sith is a brilliant consummation to a promise made a long time ago, far, far away, in a galaxy called 1977.- Washington Post
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Reviewed by
Desson Thomson
Batman Begins emerges from the darkness and leaves a powerful, lasting impression.- Washington Post
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