For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
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- By Critic Score
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Reviewed by
Ann Hornaday
Mafioso may have been made in another era, but it stands as a classy, even radical rebuke to the film school posers who keep recycling the same tired gangster tropes.- Washington Post
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- Washington Post
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Reviewed by
Ann Hornaday
The news is good for Bridge to Terabithia fans. The beloved children's book has not just survived but thrived in its adaptation to the screen.- Washington Post
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Reviewed by
Stephen Hunter
To see seemingly reg'lar guys utterly stripped of dignity and defense is cruel enough, but crueler still is the laughter that you cannot seem to stop from rupturing your lungs and aorta.- Washington Post
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Reviewed by
Ann Hornaday
That such a masterful depiction of American heroism and can-do spirit has been created by a German art film director known for considerably darker visions of obsession is an irony Herzog no doubt finds delicious.- Washington Post
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Now, finally, we know what it was like to walk on the moon: unbelievably cool. Amazing. Fantastic. Scary.- Washington Post
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Reviewed by
Ann Hornaday
This uncommonly intelligent thriller evokes the great films of the 1970s ("All the President's Men," "Klute," "Three Days of the Condor") that managed to elicit gritty urban realism while maintaining a suave sense of style and moral complexity.- Washington Post
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Reviewed by
Ann Hornaday
Gosling's performance is a small miracle, not only because he's so completely open as a man who's essentially shut off, but because he changes and grows so imperceptibly before our eyes.- Washington Post
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Stephen Hunter
It has the aspirations of an epic of crime and punishment, a superb feel for time and milieu, and an almost subliminal feel for myth.- Washington Post
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Reviewed by
Desson Thomson
Lures us in with extraordinary subtlety. Keeping sound effects and incidental music to a relative minimum, it builds its suspense almost subliminally. So when something scary or shocking does occur -- deprived of those Hollywood-style cues -- we are truly startled.- Washington Post
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Reviewed by
John Anderson
The director has created a not-to-miss gem for the discriminating viewer.- Washington Post
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John Anderson
Infectious and inspiring, despite one's best efforts to resist its charms.- Washington Post
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Ann Hornaday
As he has done in all his movies, from creature features such as "Mimic" to serious dramas such as "Pan's Labyrinth," del Toro creates unforgettable images, filled with color, texture, lyricism and horror.- Washington Post
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Stephen Hunter
In the end, we're about a third of the way through the great Khan's life; he hasn't even begun to take down the cities of Cathay or spread his seed. That suggests two sequels. I, for one, can't wait.- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
Their characters' desire (Scott Thomas and Zylberstein) -- no, need -- to repair their fragile bond feels as achingly real as the mother lode of hidden pain that gets exposed by the work of these two great actresses.- Washington Post
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- Washington Post
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Ann Hornaday
Explodes in a burst of energy, musical chops and an eerie political prescience that makes it feel like something beamed from some past-is-future time warp.- Washington Post
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Ann Hornaday
Paris is a funny, sad, romantic and deeply felt love letter to a great city. If you can't book a trip now, it's the next best thing.- Washington Post
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Desson Thomson
What's best about Faithless is its honesty, its lack of desire to ingratiate itself with the audience.- Washington Post
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- Washington Post
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Reviewed by
Stephen Hunter
A stunner -- as big and messy as a war, as small and perfect as a diamond.- Washington Post
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Michael O'Sullivan
Mostly, though, it's a film about that hollow feeling that hits you when the tears have all dried up and your face hurts way too much to even crack a smile.- Washington Post
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Michael O'Sullivan
Troubling and powerful film, lingering on screen well into the final credits and in the minds of its audience long after the house lights have come on.- Washington Post
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Desson Thomson
It is quietly observant, with a detached eye for the telling moment, and the visual compositions are often exquisite.- Washington Post
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Desson Thomson
Dogme 95 at its best: open-ended and exciting, with a grand sense of experimentation.- Washington Post
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Desson Thomson
Merchant's attention to Trinidadian culture, locales and general atmosphere is inescapably alluring.- Washington Post
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Michael O'Sullivan
It is through the genius of Frears, screenwriter Jimmy McGovern and this talented cast that Liam lets no one off the hook, least of all the audience.- Washington Post
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Michael O'Sullivan
An elegant drama about power and its frightening uses, The Cat's Meow is the bee's knees.- Washington Post
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Desson Thomson
Thanks to strong performances from all, particularly Mount and Nicholson, we're with this story all the way.- Washington Post
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