Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. A 160 minute work of sustained brilliance and delicacy.
  2. A witty, raunchy comedy, which proves that a well-written piece of business – oozing with sex, wit and nasty intrigue – works for any generation.
  3. Witherspoon's simply terrific, and it's amazing how quickly and easily she sheds speculation that she was too modern for the role.
  4. It's not the sort of film one can be said to enjoy, but it is the sort of film that has the clarity of a dream and lingers for hours.
  5. Amounts to a rare gift and an opportunity to appreciate the end of an era and celebrate one of the screen's most subtly etched heroes: the soft-spoken Monsieur Georges Lopez.
  6. Writer-director David O. Russell's exhilarating follow-up to "Spanking the Monkey," is even wilder, giddier and more unpredictable than that irreverent debut.
  7. It's a new new thing, classic myth from both literature and the movies, commingled, set to great folk music, and untrammeled by any sense of predictability, urgency, realism or believability but hypnotic, graceful and seductive.
  8. This rapturous romance is not only laugh-out-loud funny but demonstrates how little humankind has evolved in matters of the heart.
  9. Harbors some indelibly arresting images and characters whose stories, even at their most superficial, manage to be authentically inspiring.
  10. The greatness of The Battle of Algiers lies in its ability to embrace moral ambiguity without succumbing to it.
  11. Exploding on the screen in a riot of movement, music and color.
  12. The longest, hardest sit of the season -- you are stuck there, a single tube of puckered muscle, waiting for the extremely ugly violence to occur -- but it is driven by performances of such luminous humanity that they break your heart.
  13. The brothers, who have always seemed fond of their characters, have never taken quite so overt a stand for life's simple joys.
  14. The movie is sleek and shiny as a new bullet, reflecting Scott's patented surplus of style.
  15. The movie's intense watchability can be traced directly to superb performances by Jennifer Connelly and Ben Kingsley.
  16. His story is sad, compelling and morbidly, tragically watchable.
  17. But the movie has a great deal of zest and charm, and Yakusho gets so exactly that crest of melancholy that is a man’s early 40s, until he decides to go for another kind of life, that the movie is infinitely touching.
  18. Takes both its characters and the audience to the depths, but it's a journey Kidd redeems with wit and fluency and, ultimately, a deeply persistent humanism.
  19. It's a brilliant, profound movie, but it's almost no fun at all.
  20. The film is a strictly no-bull proposition.
  21. The movie may take five extra minutes to end and could do with one less sunset but . . . other than that it's damned near perfect.
  22. A delirious piece of pop ephemera.
  23. Ten
    Shows us, in an extraordinarily simple way, the hopes and frustrations of one woman's life.
  24. Hilarious, painful and brutally frank.

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