Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. If Kelly felt it necessary to add the new material, that's all to the good. It just means there's more to love.
  2. Straightforward, droll, brutally honest and arresting.
  3. In keeping with the Smith rules, the movie is irreverent, self-referential, twisted, cheap and tasteless. And, of course, I mean that as the highest compliment.
  4. Unforgettable, especially in Pearce's startling performance.
  5. Want to see something strange, funny, twisted, brilliant and macabre? Sure you do.
  6. Gorgeously animated and stirringly told, Disney's Mulan is a timeless story that will delight kids and divert adults with its sweeping scope, emotional intimacy and screwball humor.
  7. Cogent, scary and, at times, sickening.
  8. A spectacular concert documentary that also gives some fascinating insights into the making of "The Black Album."
  9. All about undertones, obliqueness and expectancy, about the scent, if you will, of something no one can stop
  10. There's a lot in this movie, simple, big, small and exciting. It's the year's first serious contender for big prizes. What's not to like about this picture?
  11. Van Sant's sensibility is wholly original, wholly fresh. "My Own Private Idaho" adds a new ingredient: a kind of boho sweetness. I loved it.
  12. Takes you down paths full of primitive, almost biblical implications, but it also finds comic relief in moments of palpable tension.
  13. The movie's stroke of sheer genius is its wondrous ending.
  14. Though computer-animated rather than hand-drawn, this wry, rippingly paced buddy movie is as delightful in its own way as any of Walt Disney's traditional fairy tales.
  15. Enormously entertaining.
  16. Cuts a path directly to the heart.
  17. Demonstrates what writer-director Levinson does best: evoke the sights, smells and atmosphere of his youth with intelligence, humor and a keen sense of social perspective.
  18. A movie that throws out the rules with audacity, assurance and admirable moral seriousness.
  19. The 11-year-old Osment evokes the boy's terror and awful predicament so memorably, you'll never forget him.
  20. It spins its wheels in a giddy sort of way, then puts the pedal to the mettle, lays rubber and fairly takes wing.
  21. The movie itself is a miracle: tough, smart, relentless, provocative and, above all, serious.
  22. Lilya's struggle to make a life for herself is both heartbreaking and heart-stirring.
  23. It conforms to that twisted French genius's typical opus: grisly, ironic but minuscule and sordid.
  24. Truly a movie for world audiences with a message that's devastatingly subtle.
  25. The disturbing ideas it plants in the soil of the soul need time and darkness ? not light ? to germinate.
  26. In a performance of enormous complexity and nuance, emotions seem to race across McKellen's face like hurrying clouds.
  27. Costner (with Michael Blake's screenplay) creates a vision so childlike, so willfully romantic, it's hard to put up a fight.
  28. Where Elizabeth really triumphs over its dusty source material is in transforming all this boring history into a real, rip-roaring adventure tale.
  29. We've seen it all before, most recently in "Gardens of Stone," most romantically in "An Officer and a Gentleman," but never more elegantly than here as Kubrick sustains the athletic ballet of obstacle courses and white-glove inspections for a breathtaking 40 minutes.
  30. Its cleverness is exceptionally congenial and sustained. [13 Apr 1984, p.B1]
    • Washington Post

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