For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Hal Hinson
A director with a more sensationalistic temperament might have milked this last section of the picture for melodramatic effect, but Russell's direction becomes, if anything, more brisk and more clipped.- Washington Post
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Desson Thomson
In the Name of the Father is as good a compromise of fact and fiction as you could hope for -- and still call it a movie.- Washington Post
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There are no surprises in Sleepless, and the audience is ahead of the characters every step of the way. But people seem to like it that way. And, hey, it works like a charm.- Washington Post
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Reviewed by
Hal Hinson
Actually, the film's more serious side is beautifully balanced by the joy we experience as both Jesse and Willy come into their own.- Washington Post
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Reviewed by
Michael O'Sullivan
The events of the movie are filament-thin and insubstantial but, like fine silk threads, they weave together a fabric of surpassing warmth and texture. [25 Sep 1998, Pg.N.63]- Washington Post
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Reviewed by
Rita Kempley
Written by former deejay Audrey Wells, the observant and funny script includes some wonderful scenes for the leading ladies.- Washington Post
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As always, Lee fills his story with bold, vivid, glib characters who manage to be entertaining even as they flail at one another.- Washington Post
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Reviewed by
Hal Hinson
Few films are more assured in their storytelling or build more forcefully, irrevocably toward their resolution.- Washington Post
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Desson Thomson
Grabbing every backstage musical cliche by the lapels, it sends each one pirouetting, then sprawling hysterically across the floor. It's hard not to love this kind of tribute.- Washington Post
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Reviewed by
Hal Hinson
The filmmakers have done a beautiful job of preserving the satirical snap of Gibbons's original. But the real joy of Cold Comfort Farm is watching these actors play so freely and exuberantly off each other.- Washington Post
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- Washington Post
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Reviewed by
Richard Harrington
Cronos is a horror genre film about vampires - but one so well conceived and executed that it satisfies both mainstream and art-film expectations.- Washington Post
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Reviewed by
Rita Kempley
Director Jonathan Demme has nailed one with this playful, but dangerous, gangster farce.- Washington Post
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Reviewed by
Rita Kempley
X marks the G-spot perhaps, for this is an orgiastic comedy of terrors and errors.- Washington Post
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Reviewed by
Hal Hinson
Van Sant gives his material shape and an invigorating, syncopated style. It keeps coming at you in surprising, dazzling ways.- Washington Post
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Reviewed by
Hal Hinson
This is a spectacularly well-made thriller. It is an odd thing, really -- the movie is sexy and at the same time a warning about the costs of sex.- Washington Post
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Hal Hinson
Boomerang is the funniest, most sophisticated movie of Eddie Murphy's career; it's a sleek, dexterous satire, with a slew of rich comic performances that remind us of everything we loved about Murphy in the first place.- Washington Post
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But no, Lethal Weapon 2 is no artless, autopiloted waste of precious movie-theater air conditioning. It's fun stuff -- crackling, playfully escapist summer fare that doesn't make you feel taken advantage of later.- Washington Post
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- Washington Post
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Reviewed by
Rita Kempley
Marshall masterfully plays our strings without becoming either melodramatic or maudlin. Like Brian De Palma's "Bonfire of the Vanities," hers is an adaptation that ends with a wake-up call, only here it's done successfully and in context.- Washington Post
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Mississippi Burning speeds down the complicated, painful path of civil rights in search of a good thriller. Surprisingly, it finds it- Washington Post
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But the greater credit goes to writer/director Towne. In this adult adventure with a twist, he has mixed a good one. [2 Dec 1988, p.n41]- Washington Post
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Reviewed by
Hal Hinson
Most astounding, though, is the power of the film's leading actor. While Branagh's direction is forthright and articulate, his acting is brash and flamboyant.- Washington Post
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Reviewed by
Rita Kempley
Lethal Weapon opens with a shot of Mel Gibson in his birthday suit and just gets better. Likewise we meet costar Danny Glover in the bathtub, fĂȘted by his family on his 50th birthday. This endearing double exposure introduces us to the vulnerabilities of these superduper heroes, an odd couple of cops who mature into friends as they quell crime.- Washington Post
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Rita Kempley
Unlike "Heathers," a satiric treatment of teen suicide, Pump Up the Volume is passionately caring. It's a howl from the heart, a relentlessly involving movie that gives a kid every reason to believe that he or she can come of age. It appreciates the pimples and pitfalls of this frightening passage, the transit commonly known as adolescence.- Washington Post
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Terry Gilliam is the wit behind this lavish display of sieges, sea-creature tussles and trips to the moon. Adapting the handed-down stories of Baron Von Munchausen, an 18th-century spinner of tall tales, this modern maker of similar flights of fancy has created another brilliantly inventive epic of fantasy and satire.- Washington Post
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Reviewed by
Desson Thomson
A darkly enjoyable roller-coaster ride -- Clooney and Kaufman deftly interweave the macabre with lightheartedness.- Washington Post
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Reviewed by
Ann Hornaday
Gets viewers inside these tense, emotional and occasionally terrifying events with immediacy and, given the confusion of the time, remarkable clarity.- Washington Post
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John Anderson
One of the more accomplished and beautiful films released thus far this year.- Washington Post
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Paul Attanasio
For such a low-budget movie, Nightmare on Elm Street is extraordinarily polished. The script is consistently witty, the camera work (by cinematographer Jacques Haitkin) crisp and expressive.- Washington Post
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