For 11,478 reviews, this publication has graded:
-
46% higher than the average critic
-
2% same as the average critic
-
52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
-
Positive: 6,014 out of 11478
-
Mixed: 3,069 out of 11478
-
Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Desson Thomson
It's not Fellini, by any means, but it's lively. Never stops moving, even though it crashes into cliches along the way.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
Like many of his recent films, The Mexican would be an independent movie if Pitt, not to mention the queen of popcorn cinema, weren't part of the picture. This is not your typical star vehicle.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
A complex, compelling examination of personal-injury law as well as a portrait of personal redemption, the movie quickly sets its tone with a heartless summation of an individual's relative worth.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
This Matt Perry vehicle is funnier than anyone could hope to expect.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Rita Kempley
The case is tried off-screen. Thank goodness for the maid (Sarah Flind), who runs home from her chores with tidings from the outside world -- we hear from the maid that Sir Bobby gave a helluva final argument. The jurors wept, the crowd went wild. Too bad we missed it.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Desson Thomson
You feel as though you're watching a filmed play rather than a movie. Nothing wrong with that. But The Human Stain, directed more than well enough by Robert Benton, doesn't reach the emotional pitch it's shooting for.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
- Washington Post
- Read full review
-
-
Reviewed by
Rita Kempley
With its energetic cast and insistent street score, it still manages to be poignant without becoming bathetic, and violent without being exploitative.- Washington Post
- Read full review
-
Reviewed by