Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Although this film doesn't have the classy quality of The Fugitive, it certainly goes down like an action milkshake. And Jones, one of the most enjoyable actors on the screen, plays himself to the hilt.
  2. Satisfies a hunger for the basics: a decent mystery to chew on, a bit of juicy suspense, maybe a plot twist as garnish. The fare is all on the standard menu, but it goes down well just the same.
  3. Until that sugar coating at the end, Out of Time is clever, believable and gripping, and seems to be headed to a wondrous, bad place as it carefully modulates classic '40s themes.
  4. If nothing else it's a wonderful essay on the meaning of freedom and the courage it takes to wrestle it from despots. In that sense, it feels more political and cultural than religious.
  5. Your children are almost certain to have a great time.
  6. The most unlikely of undertakings: an energetic feel-good movie about sex, drugs and other rock-related depravities.
  7. A parody of B-movies stupid enough -- and yet with just enough brains -- to appeal to the most discriminating fans of the genre.
  8. It lacks Altman's wisdom, but its sense of humor is corrosive, if dispiriting, and its willingness to show the human animal at his most disgusting has a kind of anti-grandeur to it.
  9. Another Kevin Williamson triumph, a smart, sharply drawn genre film with a moral center and a solid cast of young actors to hold it.
  10. Proud to be junk food, but it still tackles the serious subjects of illiteracy, teen-age pregnancy and young adult alcoholism. [22 July 1987]
  11. Sobering yet faintly optimistic documentary.
  12. Fortunately, Jackson and Spacey have enough sassy wit and crackling intensity between them to keep The Negotiator from becoming hostage to its own inanity.
  13. The outspoken congressman is just as entertaining as his liberal fans already know him to be.
  14. A thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people, seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause.
  15. Enriched by a strong and unforced supporting cast, "Bread" nourishes the heart, even if its fairy-tale ending feels tacked on and unnecessary.
  16. With its outrageous double-entendre, gonzo performances and appalling lack of restraint, the sequel is more than a guilty pleasure.
    • 51 Metascore
    • 70 Critic Score
    We may not need as many Austin Powers movies as there are James Bond pictures, but one or two more might be nice.
    • 62 Metascore
    • 70 Critic Score
    Guts-and-green-beret saga.
  17. Far from an amusing romp.
  18. It doesn't lack for emotional intensity or persuasive, three-dimensional characters.
  19. The movie is as tawdry as someone else's lingerie, yet not without a certain prurient watchability.
  20. It's a mixed bag--deftly and hilariously philosophical in some places, deeply disengaged and prosaic in others.
  21. Whiny, quirky and urbane.
  22. Diverting and provides a satisfying alternative to teen-oriented summer comedy.
  23. It's a brilliant concept, one of Allen's finest. Love the concept, baby. But the execution is, well, average.
  24. What the movie lacks in clarity, it makes up for in honesty, toughness, relentlessness and passion.
  25. Powerful, depressing and very, very long. At close to three hours, it virtually enslaves an audience, which may be part of the point.
  26. Beaufoy and Cattaneo handle this potentially racy material with an engaging balance of good taste and outright slapstick.
  27. A gorgeous, if disjointed, spectacle, made endurable – if not entirely comprehensible – by its eye-popping cast.
  28. To watch Greendale is to understand everything about Neil Young. Like him, it's grungy, honest, disarming and unapologetically original.

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