For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael O'Sullivan
Gets most of its juice from listening to groups of people who were students and activists in segregated Clarendon County, S.C., and Prince Edward County, Va., during the years leading up to the case.- Washington Post
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Reviewed by
Rita Kempley
About as understated as a 21-gun salute... What's missing is anything of Reiner himself.- Washington Post
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Reviewed by
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- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Jane Horwitz
A cute sequel to the 1967 Disney classic, is likely to provide 72 minutes of enjoyment and a few scary thrills to tykes, as well as a pleasant diversion for parents.- Washington Post
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Reviewed by
Stephen Hunter
As a piece of almost dadaist filmmaking, Spy Kids is great fun with its continual spirit of invention.- Washington Post
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Reviewed by
Richard Harrington
Harmless romantic and musical high jinks abound, and sentimentality prevails.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Rita Kempley
A densely plotted, visually dynamic post-apocalyptic thriller.- Washington Post
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Reviewed by
Rita Kempley
Sonnenfeld, who demonstrated a knack for Gothic comedy in "The Addams Family," brings the same mischievous gleefulness to this deliriously macabre enterprise.- Washington Post
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Reviewed by
Desson Thomson
Hoffman introduces a memorable sensuality to the movie.- Washington Post
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Reviewed by
Desson Thomson
An ingenious hybrid of submarine movie and ghost story. And there's a wee bit of "Macbeth" in there too.- Washington Post
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Reviewed by
Desson Thomson
Although this movie shows Lin's promising moviemaking sensibilities, its point of view feels coldly amoral and dismissive.- Washington Post
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Reviewed by
Rita Kempley
Primarily, it's a warm, fuzzy and funny duet between Spacey and Bridges, one that brings to mind the interplay between Spock and Kirk.- Washington Post
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Reviewed by
Desson Thomson
It's great to watch the cat-and-mouse of it all -- even when the movie might not be firing on all points.- Washington Post
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Reviewed by
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- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
What a shame, therefore, that in its puritanical treatment of the only strong female character, the otherwise politically correct police story is blithely unaware of its own closet misogyny.- Washington Post
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Reviewed by
Stephen Hunter
It's not without moments of wit and powerful emotion, but somehow Stepmom never feels either real enough to move us deeply or bubbly enough to make us forget our woes.- Washington Post
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Reviewed by
Stephen Hunter
It believes, in the end, in the decency of most people.- Washington Post
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Reviewed by
Desson Thomson
We are amused. We are not sputtering into our teacups, but we are chortling lightly.- Washington Post
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Reviewed by
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- Critic Score
This flick has modest ambitions, but it delivers the goods in a fresh manner.- Washington Post
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Reviewed by
Stephen Hunter
It's not a great movie by any means, but it grips tighter than a chokehold and it cuts as deep as a knife.- Washington Post
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Reviewed by
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Reviewed by
Michael O'Sullivan
Offers up the kind of pleasures that only a summer movie can...The cast is good-looking, the soundtrack is loud, the plot is stupid.- Washington Post
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Reviewed by
Rita Kempley
A knowing, somewhat slight, often hilarious sendup of cubicle culture.- Washington Post
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Reviewed by
Desson Thomson
The writing (by Bill and Cherie Steinkellner) has a non-sentimental appeal for that young preteen (and early teen) crowd that fancies itself too cool for kiddie stuff.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Desson Thomson
There’s so much high-voltage fun running throughout this comic sci-fantasy -- engineered gleefully by director Luc Besson -- you’re hard-pressed to be unaffected.- Washington Post
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Reviewed by
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- Washington Post
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