Ring Fit Adventure is a unique and entertaining adventure that could offer laxed gym-goers a compelling route back into exercise.

A Plague Tale: Requiem is a sometimes compelling adventure weighed down by poor technical performance, and simple, frustrating and repetitive gameplay.

The only saving grace is that some of the elements it lifts from much better games are recreated adequately, so fans of those titles might find some of the fun of going to see a cover band of your favourite artist. You’ve likely not only played Immortals Fenyx Rising before, you’d played a better version of it.

Good characters, strong performances and well-engineered dual timeline storytelling are let down by pacing that’s utterly arhythmic and gameplay that’s fighting you at every step.

Stalker 2 could be a great game in a few years, but what's presented at launch is a technical mess that doesn't capitalise on its best ideas. Compelling side stories and a brilliant setting do a lot of the heavy lifting, but at launch Stalker 2 isn't an adventure we'd fully recommend embarking on.

Outriders is its own greatest victim. There are some decent ideas in here – an absorbing cauldron of combat variables, some majestic geography, even a few guns worth holding onto – but they're dragged down and suffocated by a game that doesn't want to entertain you but hypnotise you with the prospect of another trinket.

Yakuza Kiwami 3 & Dark Ties is a sad microcosm of the state of Ryu Ga Gotoku Studio: a developer spinning its wheels, no longer caring for quality, content to chew up old assets and discard what made the original special in order to spit out a yearly release that cashes in on love for what the series used to be.

If you’re interested in another Far Cry game that does the Far Cry stuff the way it’s been doing it for 10 years, you’ll probably have a good time, but if you’ve already hit your limit with this kind of game, Far Cry 6 is the ne plus ultra of why open-world game design is so badly in need of a revolution.

Days Gone is far from the worst specimen of its genre but in a year already packed with 50 hour+ endeavours, it rarely makes the case for its own existence.

The finest – and best value – Labo kit so far is no Rift beater, but an excellent entry-level VR experience, especially for younger players.

Scorn has one of the most beautiful worlds you'll see in a game (if you can see beauty in the grotesque). It's just a shame that world is also home to a frustrating puzzle-heavy adventure filled with aimless wandering.

Though bold and colourful and accompanied with a dazzling score, Mario and Sonic at the Olympic Games 2020's clumsy gameplay lacks the polish we've come to expect from games emblazoned by that iconic little plumber.

It may look better than the original MediEvil, but the improvements stop there. This could have been the beginning of a new breath of life for a cult favourite, but instead it’s probably the final nail in the series’ coffin.

Marvel’s Avengers offers a reasonably entertaining campaign, but it’s highly derivative. Everything in it has been done better elsewhere. And the longer it goes on, the more it’s hampered by desperately repetitive missions and a mindless upgrade structure.

Biomutant’s feature list seems to include everything a successful open-world action RPG needs. But journey through its towns, fields and bunkers, and there’s no intrigue in its exploration or weight in its relationship building. Not even a worthy combat challenge to hold everything together. With so many ideas left under-developed, it wastes a setting that had far more potential.

Alone in the Dark's promising atmosphere is let down by annoying and repetitive puzzles, poor combat and frequent glitches. There's a good game in there somewhere but you have to put up with a lot of frustration to find it.

Gameplay is more action-orientated than the slower-paced Lara Croft Go, with the game taking place from an overhead view. [Review in Progress]

There are some foundational bright spots in Scars Above, such as some interesting puzzle-solving and a story that, while somewhat predictable, was well told, but it isn’t enough to justify the criminally stiff movement, huge technical issues and the ugly, lifeless animations. At the end of the day, even the best parts of Scars Above have been done far better, almost two years ago.

This remaster finally brings the fourth Fatal Frame game to the west, but the problem is it was a clunky game in 2008 and its upgrades aren't enough to improve its frustrating feel in any meaningful way.

Out of the 4 modes available at launch, 2 of them feel redundant and unbalanced. The single-player content is slim and if you want even a crumb more, you’ll have to pay, which leaves Destruction Allstars feeling like a clumsy, hollow product whose fun moments go by in a blur.

Slitterhead isn't very good, but it is very interesting. In an age of remakes, sequels and safe bets, it's heart-warming to see something that's so clearly such a singular vision. We're disappointed that vision is sold short by basic combat and a focus on the game's ugly characters, but we're glad it exists and would welcome more attempts like it.

It’s a below average open world game that’s stuffed to bursting with bugs, and the best thing we can say about it is that making our Tobias Fünke-inspired character crouch over and do the wanker gesture while he walked down the street made us laugh. Probably not quite worth the price of admission.

While admirable in its intent, Jupiter and Mars' watery wonder is marred by repetitious activities and a lack of detail and direction.

Fans of the original need not worry: this sequel’s tone is spot on. Unfortunately, its technical issues are among the worst in living memory.

A Call of Duty game of this low quality released a decade ago would have been a scandal. Now, it's emblematic of an approach to a franchise that's in desperate need of a reality check.

In stark comparison to previous Ghost Recon iteration Wildlands, Breakpoint feels as though it has no real sense of what it’s supposed to be or what players want from it.

There’s an intriguing game buried somewhere in Anthem, lying broken beneath its loot and structural frustrations like chunks of fossilised dinosaur bone.

Clive 'N' Wrench is game with its heart in the right place, but its myriad issues – its frustrating jumping, its annoying combat, its all too frequent bugs – constantly drag down the experience.