For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Koehler
The star in this case is Martin Lawrence, who is not only thoroughly upstaged by nemesis Danny DeVito but is completely boxed out of his comfort zone for broad physical comedy.- Variety
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David Rooney
While the slender idea feels stretched at feature length and fails to brings its themes of societal chaos together in a fully cohesive way, the film is fresh and lively enough to score further festival bookings, particularly at events devoted to new talent.- Variety
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Reviewed by
Deborah Young
Sally Potter, who leapt to critical attention with her 1992 adaptation of Virginia Woolf's "Orlando" -- makes a serious misstep with The Man Who Cried.- Variety
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Reviewed by
Derek Elley
Takes the simplest of stories and weaves a seductive, extremely moving portrait of a young woman’s unshakable love.- Variety
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Reviewed by
Todd McCarthy
Just compare their superficiality to the complex characters in "From Here to Eternity" and what's missing here becomes terribly clear.- Variety
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Lisa Nesselson
Boasts engaging characters, inventive situations and a series of satisfying punchlines that will send viewers out with a smile.- Variety
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Reviewed by
David Rooney
Technically raw, and amusing only in hit-and-miss fashion, the no-budget independent production recalls too many other entries about erudite young adults wrestling with questions of love and sex.- Variety
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Reviewed by
Robert Koehler
Darts back and forth from being a psychological thriller to a vaguely metaphysical drama to a fate-driven romance -- it all becomes a blur.- Variety
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Reviewed by
Todd McCarthy
A tour de force of artifice, a dazzling pastiche of musical and visual elements at the service of a blatantly artificial story.- Variety
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Reviewed by
Todd McCarthy
This spirited and often very funny lark accomplishes something that most films in the bygone Hollywood studio era used to do but is remarkably rare in today's world of niche markets: It offers entertainment equally to viewers from 4 to 104.- Variety
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- Critic Score
Co-director Nicolas Roeg’s lensing is tricky, the characters gamey, the dialog dull, performances flat, impact none.- Variety
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Reviewed by
Ken Eisner
When Sordid Lives does what it does best -- showing Southern gals in the full flight of rabid self-denial -- it's as screamingly funny as this subgenre can get.- Variety
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David Rooney
Topical film, which goes beyond its potentially dry diet of facts to incorporate the juicy human drama of Machiavellian manipulations, ambition, torn loyalties and crushing betrayal.- Variety
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- Variety
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- Critic Score
Bland animated musical offers little to charm adults with fond memories of the book, and even tykes are likely to become bored by the halfway point.- Variety
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Reviewed by
Todd McCarthy
Its politics and dramatic line are familiar and far from convincing.- Variety
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Reviewed by
Todd McCarthy
Traditionalists and older viewers in general will scoff, while pop culture addicts will no doubt go with the flow.- Variety
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Reviewed by
Emanuel Levy
Unlike "Four Weddings," which ultimately was moralistic and conservative in its message --—About Adam is a frolic free of any judgments, and marked by Stembridge's sparkling wit.- Variety
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Dennis Harvey
A memorable portrait of an unbearable personality.- Variety
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Robert Koehler
Fails to stir the emotions despite its heavily melodramatic drive.- Variety
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- Variety
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Reviewed by
David Rooney
Builds steadily through a series of masterfully orchestrated modulations to a final act without shattering revelations or lofty dramatic peaks but with a quiet, formidable power.- Variety
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David Stratton
An almost plotless effort that features charismatic stars and plentiful scenes of finely choreographed mayhem.- Variety
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Reviewed by
Todd McCarthy
Virtually bursts with visual goodies, and writer-director Stephen Sommers scarcely allows the actors, or the audience, a moment to take a breath during the nonstop action of the final hour.- Variety
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- Variety
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Reviewed by
Robert Koehler
In its overwhelmingly artificial depiction of the street gangs that ruled Brooklyn's mean streets in the 1950s, Deuces Wild draws from a phony deck.- Variety
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Reviewed by
David Rooney
An ultimately moving drama about a displaced people. But its emotional kick is muffled by long-windedness, sentimental overkill and an overpopulated character gallery.- Variety
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Reviewed by
Joe Leydon
Chalk it up as a middling B-pic that, with a bit more wit and style, could have been at least a cult item.- Variety
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Reviewed by
Todd McCarthy
Feels like a film from several years ago, one of the many made in the wake of "Pulp Fiction" that tried and failed to be as clever as its progenitor.- Variety
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Reviewed by
Todd McCarthy
Director Renny Harlin has unfortunately adopted a let's-try-anything attitude that translates into a chaotic and unattractive visual style.- Variety
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