For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Emanuel Levy
A deliberately paced literary film that takes too long to build narrative momentum and explore its central dramatic conflicts.- Variety
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Reviewed by
Todd McCarthy
A lot of talent on both sides of the camera operating in low gear.- Variety
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Reviewed by
Derek Elley
A smoothly made period romancer that's elevated by strong playing from its whole cast, led by John Turturro and Emily Watson as the starstruck lovers.- Variety
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Reviewed by
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- Variety
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- Variety
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Reviewed by
Robert Koehler
One of the most brutally awful comedies ever to emerge from a major studio.- Variety
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Reviewed by
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Reviewed by
Dennis Harvey
A fairly sexy, serious-minded drama hobbled by its lack of real conceptual ambition.- Variety
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Reviewed by
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- Variety
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Reviewed by
Scott Foundas
The happiest marriage yet of the disparate propagandistic and narrative influences inherent in the subgenre of "religious" cinema.- Variety
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Reviewed by
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Reviewed by
Emanuel Levy
So fractured and so awkwardly staged that end result is an uninvolving film that’s dramatically inert and artistically shapeless.- Variety
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Reviewed by
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Reviewed by
Scott Foundas
Has shown its true colors as less a serious religious-themed film than a moth-eaten tapestry of foreign intrigue and badly miscast international stars.- Variety
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Reviewed by
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Reviewed by
Deborah Young
Both fascinates and horrifies with its bold assertions about what it means to be a woman under a cruel, institutionalized patriarchy.- Variety
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Reviewed by
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- Critic Score
Misses its mark, failing to capitalize on the staccato rhythms and sardonic wit of Bridget's inner life.- Variety
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Reviewed by
Joe Leydon
Sensationally exuberant, imaginatively crafted and intoxicatingly clever.- Variety
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Reviewed by
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- Variety
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Reviewed by
David Stratton
The director has managed the difficult feat of making a nonlinear film that contains a handful of almost unbearably suspenseful sequences, each one undercut by bizarre black humor.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Takes a prominent place along with "Tomcats," "Say It Isn't So," "Saving Silverman" and "Get Over It" on the list of reasons why raucous teen farce is headed six feet under.- Variety
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Reviewed by
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- Variety
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Reviewed by
Derek Elley
Plays like a movie where the script went missing on the third day of shooting.- Variety
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Reviewed by
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Reviewed by
Deborah Young
A powerful statement about the social oppression of women in today's Iran.- Variety
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Reviewed by
Robert Koehler
Weaves a humdrum plot that's never ahead of the audience until three-quarters through.- Variety
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Reviewed by
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Reviewed by
Joe Leydon
The series' quest for different and challenging Pokemon reaches a nearly absurd endpoint this time.- Variety
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Reviewed by
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- Variety
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Reviewed by
Dennis Harvey
Respectable but unmemorable end result may suffer from comparison with the similarly themed, albeit differently angled, “Traffic.”- Variety
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Reviewed by
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Reviewed by
Robert Koehler
Will greatly peeve many hardcore fans.- Variety
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Reviewed by
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Reviewed by
David Stratton
He (Gonzalez Inarritu) handles a complex plot with clarity and precision while keeping audience members on the edge of their seats.- Variety
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Reviewed by
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- Variety
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- Variety
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- Critic Score
Fulfills kids' empowerment fantasies and features enough techno-wizardry and cool f/x to satisfy those weaned on videogames.- Variety
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Reviewed by
Todd McCarthy
A boner-headed comedy whose sense of gross-out humor is calculated rather than inspired.- Variety
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Reviewed by