Variety's Scores

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For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
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  1. The King Is Alive
    Simultaneously gritty and cerebral.
    • 27 Metascore
    • 30 Critic Score
    The Trumpet of the Swan
    Bland animated musical offers little to charm adults with fond memories of the book, and even tykes are likely to become bored by the halfway point.
  3. Bread and Roses
    Its politics and dramatic line are familiar and far from convincing.
  4. A Knight's Tale
    Traditionalists and older viewers in general will scoff, while pop culture addicts will no doubt go with the flow.
  5. About Adam
    Unlike "Four Weddings," which ultimately was moralistic and conservative in its message --—About Adam is a frolic free of any judgments, and marked by Stembridge's sparkling wit.
  6. The Man Who Bought Mustique
    A memorable portrait of an unbearable personality.
  7. Pavilion of Women
    Fails to stir the emotions despite its heavily melodramatic drive.
  8. Under the Sand
    An exquisite reflection on personal bereavement.
  9. Eureka
    Builds steadily through a series of masterfully orchestrated modulations to a final act without shattering revelations or lofty dramatic peaks but with a quiet, formidable power.
  10. Time and Tide
    An almost plotless effort that features charismatic stars and plentiful scenes of finely choreographed mayhem.
  11. The Mummy Returns
    Virtually bursts with visual goodies, and writer-director Stephen Sommers scarcely allows the actors, or the audience, a moment to take a breath during the nonstop action of the final hour.
  12. Ed Gein
    A disappointingly mild re-creation of true events.
  13. Deuces Wild
    In its overwhelmingly artificial depiction of the street gangs that ruled Brooklyn's mean streets in the 1950s, Deuces Wild draws from a phony deck.
  14. Green Dragon
    An ultimately moving drama about a displaced people. But its emotional kick is muffled by long-windedness, sentimental overkill and an overpopulated character gallery.
  15. The Forsaken
    Chalk it up as a middling B-pic that, with a bit more wit and style, could have been at least a cult item.
  16. One Night at McCool's
    Feels like a film from several years ago, one of the many made in the wake of "Pulp Fiction" that tried and failed to be as clever as its progenitor.
  17. Driven
    Director Renny Harlin has unfortunately adopted a let's-try-anything attitude that translates into a chaotic and unattractive visual style.
  18. The Golden Bowl
    A deliberately paced literary film that takes too long to build narrative momentum and explore its central dramatic conflicts.
  19. Town & Country
    A lot of talent on both sides of the camera operating in low gear.
  20. The Luzhin Defence
    A smoothly made period romancer that's elevated by strong playing from its whole cast, led by John Turturro and Emily Watson as the starstruck lovers.
  21. The Low Down
    The lowdown on The Low Down: charm 8, content 2.
  22. Crocodile Dundee in Los Angeles
    Amiable rather than genuinely funny.
  23. Freddy Got Fingered
    One of the most brutally awful comedies ever to emerge from a major studio.
  24. The Center of the World
    A fairly sexy, serious-minded drama hobbled by its lack of real conceptual ambition.
  25. States of Control
    Oblique and impenetrable under its glossy surface.
  26. Brigham City
    The happiest marriage yet of the disparate propagandistic and narrative influences inherent in the subgenre of "religious" cinema.
  27. Lakeboat
    So fractured and so awkwardly staged that end result is an uninvolving film that’s dramatically inert and artistically shapeless.
  28. The Body
    Has shown its true colors as less a serious religious-themed film than a moth-eaten tapestry of foreign intrigue and badly miscast international stars.
  29. The Circle
    Both fascinates and horrifies with its bold assertions about what it means to be a woman under a cruel, institutionalized patriarchy.
    • 66 Metascore
    • 60 Critic Score
    Bridget Jones's Diary
    Misses its mark, failing to capitalize on the staccato rhythms and sardonic wit of Bridget's inner life.
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