Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. Liv Ullmann, directing her second Bergman screenplay (after 1997’s “Private Confessions”), extracts every nuance from the tantalizing material.
  2. This tale of mismatched lovebirds begins with considerable charm but eventually loses its winning ways with an excess of ridiculous elements.
  3. Most discomforting of all is the sight of world-class actors stuck in such threadbare material.
  4. Nicholson is outstanding as he gradually but tellingly sketches in aspects of a man driven by a mission that outstrips his instincts as a professional lawman.
  5. Robbins is such a live wire that he's able to jumpstart his co-stars whenever they're interfacing onscreen.
  6. It's doubtful that anyone, even executors of Greene's literary estate, will be able to discern much of the source material in this frenetic trifle.
  7. Grounded in bedrock formula and earnestness.
  8. Enormously ambitious and masterfully made, Traffic represents docudrama-style storytelling at a very high level.
  9. A half-broken adaptation of Cormac McCarthy's great modern Western novel. Neither dull nor exciting.
    • 44 Metascore
    • 40 Critic Score
    Vatel, a no-expense-spared costumer, is further proof that all the money and technical expertise in the world are no substitutes for a good screenplay and creative direction.
  10. Reasonably intelligent, well-crafted and dramatically understated.
  11. It's a film of myriad minor pleasures but scant compelling qualities.
  12. Combining a coming-of-age story with the sad odyssey of a woman punished for her beauty, the film ultimately has too little depth, subtlety, thematic consequence or contemporary relevance.
    • Variety
  13. A dense, emotionally satisfying portrait of a man, a time and a place.
  14. Visually detailed but emotionally dry.
  15. Overall, though, the slapdash pic appears to be the work of folks who made things up as they went along; you might say they were, well, vamping.
  16. Stumbling its way down the comedy runway, Miss Congeniality is yet another miscalculated vehicle for the ever-feisty Sandra Bullock.
  17. A bona fide populist laugh riot.
  18. A charming, if lightweight, Coen brothers escapade flecked by plenty of visual and performance grace notes.
  19. Meticulous, sumptuous production design, and striking visuals compensate for the lack of dramatic momentum in a film that arguably stretches narrative form to its limits.
  20. A slickly produced slice of sentimental hokum that borrows freely from a half-dozen or so other, better feel-good fantasies.
  21. Provides a platform for Sean Connery to deliver a definitive, career-summation performance.
  22. A good, old-fashioned suspenser.
  23. Distinguished by its quiet, intelligent, admirably restrained approach and by two finely wrought performances from Harris and Marcia Gay Harden in the leading roles.
  24. A quasi-metaphysical revenge Western that remains as elusive as a distant mirage on a long, dusty trail.
    • 60 Metascore
    • 80 Critic Score
    The top-notch cast never hits a false note.
  25. Light, taut and compact, the zippy adventure is sometimes much too hip for the room.
  26. Sheer energy and audience allure to burn, even if numerous speed bumps cause many of the comic possibilities to go tumbling overboard.
  27. Aimed squarely at adolescents who might find "Bill & Ted's Excellent Adventure" too intellectually taxing.
    • 64 Metascore
    • 90 Critic Score
    The most satisfying epicurean feast since "Big Night."

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