For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
- By Date
- By Critic Score
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- Variety
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Reviewed by
Joe Leydon
Modestly engaging but thoroughly formulaic drama about a boxer turned preacher who returns to the ring to fund a community-outreach center.- Variety
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Reviewed by
Robert Koehler
Gruff and downright smelly, especially when star David Arquette is forced at one point to flop around in a pile of doggy doo.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
An intensely whimsical shaggy-dog crime story that ricochets between goofy violence and some endearing personal moments.- Variety
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- Variety
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Reviewed by
Todd McCarthy
If drive-ins still existed, this film would rule there for weeks.- Variety
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Reviewed by
Todd McCarthy
Has a jaunty, cosmopolitan air that proves appealing for considerable stretches, and Chin's love of cinema and mostly humorous approach to weighty themes will win points with buffs who have seen the same films the director has.- Variety
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Reviewed by
Lisa Nesselson
A consistently silly, occasionally funny but mostly forced account of how a mild-mannered teacher from Connecticut unwittingly triggered the Bay of Pigs fiasco.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
A very earthbound comic fantasy, a racially flip-flopped "Heaven Can Wait" redo stuck in a purgatory with just enough meager laughs to keep it from a more fiery fate.- Variety
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Reviewed by
Todd McCarthy
A contrived but entirely workable premise is given a well-tooled treatment in Sweet November, a femme-slanted doomed romance with a heavily calculated feel to it.- Variety
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Reviewed by
Todd McCarthy
Animation is dull and characterless, and vocal talent has evidently received blanket direction to, when in doubt, shout.- Variety
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Reviewed by
David Rooney
Full of surreal occurrences and bizarre, sometimes overly precious humor that may make it too rarefied an exercise for wide acceptance.- Variety
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Reviewed by
Todd McCarthy
The continuing saga of one of contemporary literature and cinema's most fascinating villains, as played once again with exquisite taste and riveting force by Anthony Hopkins.- Variety
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- Variety
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Reviewed by
Dennis Harvey
Looking good but lacking much in the way of personality or gray matter -- rather like its characters -- Valentine is a straightforward slasher pic that's acceptably scary until a weak finale.- Variety
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- Variety
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Reviewed by
Joe Leydon
Might be extremely effective while preaching to the converted, but it's no great shakes as secular entertainment.- Variety
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Reviewed by
David Stratton
Liv Ullmann, directing her second Bergman screenplay (after 1997’s “Private Confessions”), extracts every nuance from the tantalizing material.- Variety
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Reviewed by
Robert Koehler
This tale of mismatched lovebirds begins with considerable charm but eventually loses its winning ways with an excess of ridiculous elements.- Variety
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Reviewed by
Robert Koehler
Most discomforting of all is the sight of world-class actors stuck in such threadbare material.- Variety
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Reviewed by
Todd McCarthy
Nicholson is outstanding as he gradually but tellingly sketches in aspects of a man driven by a mission that outstrips his instincts as a professional lawman.- Variety
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Reviewed by
Joe Leydon
Robbins is such a live wire that he's able to jumpstart his co-stars whenever they're interfacing onscreen.- Variety
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Reviewed by
Joe Leydon
It's doubtful that anyone, even executors of Greene's literary estate, will be able to discern much of the source material in this frenetic trifle.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Enormously ambitious and masterfully made, Traffic represents docudrama-style storytelling at a very high level.- Variety
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Reviewed by
Todd McCarthy
A half-broken adaptation of Cormac McCarthy's great modern Western novel. Neither dull nor exciting.- Variety
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- Critic Score
Vatel, a no-expense-spared costumer, is further proof that all the money and technical expertise in the world are no substitutes for a good screenplay and creative direction.- Variety
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Reviewed by
Todd McCarthy
Reasonably intelligent, well-crafted and dramatically understated.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
It's a film of myriad minor pleasures but scant compelling qualities.- Variety
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Reviewed by
David Rooney
Combining a coming-of-age story with the sad odyssey of a woman punished for her beauty, the film ultimately has too little depth, subtlety, thematic consequence or contemporary relevance.- Variety
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Reviewed by