For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Slick, ingratiating and high-spirited enough to win over gay men of all colors.- Variety
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Reviewed by
Deborah Young
Result is a weird hodgepodge that has the audience doing mental somersaults in an attempt to keep up with this highly original festival head-scratcher.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
The Coen brothers tread into James M. Cain territory with The Man Who Wasn't There, but with less tasty results than either Cain or the Coens themselves at their best.- Variety
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Reviewed by
David Stratton
Guediguian's seemingly sprawling but in fact quite precise picture takes a while to establish itself, but is eventually rewarding viewing.- Variety
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Reviewed by
Dennis Harvey
Offers radical sexual politics in a jester's surprise package of impudent humor and Situationist-style found-footage monkeyshines.- Variety
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- Variety
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Reviewed by
Emanuel Levy
The atmosphere is properly bizarre and in moments even scary, but there's no involving story or characters to sustain the feature-length narrative.- Variety
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Reviewed by
Joe Leydon
Perfectly harmless, often humorous, featherweight confection -- think "Serendipity" re-imagined as a teen-skewing Saturday morning sitcom.- Variety
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Reviewed by
Robert Koehler
Frustratingly fritters away what fascination it develops and bows to the basic conventions of a standard detective story mixed with the theme of a physician healing himself.- Variety
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Reviewed by
Robert Koehler
A family melodrama that becomes less authentic as it progressively takes itself more seriously.- Variety
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Reviewed by
David Stratton
Cheekily diverting, decidedly feel-good, tremendously sexy entertainment.- Variety
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Reviewed by
Joe Leydon
The actors manage to keep from being upstaged by the sets, though just barely. Abraham goes over the top, then further still.- Variety
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Derek Elley
A quietly subversive my-sister-is-turning-into-a-werewolf movie that doesn't wimp out at the end.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Has plenty of problems. But most stem from a young filmmaker overswinging on his first time up to the plate and hitting a deep fly out rather than a home run.- Variety
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Reviewed by
Joe Leydon
A sly mix of haunted house melodrama, slasher pic mayhem and retro-blaxploitation iconography, spiced with dollops of grisly, dark comedy.- Variety
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Reviewed by
Dennis Harvey
While seemingly insoluble divide between personal identity and collective belief lends the documentary an intense focus, it's also a narrow one.- Variety
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Reviewed by
Todd McCarthy
An exercise in improv-derived filmmaking that simply proves once again that there's no substitute for a good script.- Variety
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- Variety
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Reviewed by
Robert Koehler
The result under Penny Marshall's direction is a film with genuinely serious intentions that falls considerably short of its intentions.- Variety
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Reviewed by
David Rooney
A tortured reflection on the complex relationship between love, sex, desire and obsession, distinguished by courageously raw performances from leads Mark Rylance and Kerry Fox.- Variety
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Reviewed by
Todd McCarthy
A disappointingly pedestrian prison meller that falls between stools artistically and politically.- Variety
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Reviewed by
Derek Elley
Surprisingly conventional Olde London Towne gaslight mystery, gussied up with some doctored visuals, and an eccentric performance by Johnny Depp.- Variety
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Reviewed by
Todd McCarthy
Audiences looking for something fresh and different, not to mention a head trip, will find it in Waking Life.- Variety
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Reviewed by
Deborah Young
Scorsese's heartfelt love letter to Italian movies up to 1961.- Variety
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Reviewed by
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- Critic Score
A mostly slick, intelligent psychological thriller/modern morality tale flawed by occasional lapses of subtlety and a central performance that veers just to the wrong side of empathetic.- Variety
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Reviewed by
Todd McCarthy
Lahti's feature directorial debut walks an innocuous middle line between the story's maudlin possibilities and its meaningful potential.- Variety
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Reviewed by
Joe Leydon
Ranks as the most slapdash comedic star vehicle to hit screens since Harland Williams misfired with the career-stalling "RocketMan."- Variety
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Reviewed by
Todd McCarthy
The disparate but highly skilled leading trio of Bruce Willis, Billy Bob Thornton and Cate Blanchett keeps this road movie engaging even when it veers giddily onto the shoulder.- Variety
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Reviewed by
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- Variety
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