For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
A sloppy and shoddy piece of work, filled with just about every cliche and caricature common to low-budget, low-brow comedies with predominantly African-American casts.- Variety
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Robert Koehler
Morrow displays keen attention to physical detail, but starring both behind and in front of the camera looks to have been a mistake here.- Variety
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Robert Koehler
Story's spurts of violence are designed to tear Seymour's world apart , but Rosenfeld's scripting and directing choices tend to lessen impact of a potentially gut-wrenching urban tale.- Variety
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David Rooney
While staccato dialogue and edgy confrontations have always been the wordsmith's forte, the precision-tooled mechanics of an elaborate crime caper have not, and the physical direction here could use some muscle.- Variety
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Todd McCarthy
Could use a little extra comic poundage. The Farrelly brothers' latest sees the team tapping a sweeter, milder vein of humor than their outrageous norm.- Variety
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- Variety
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Lisa Nesselson
Any buyer who's had success with Troma fare in the past will find the makings to delight the self-selecting audience that generates grosses from gross-out humor.- Variety
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Dennis Harvey
Emphasis on its combustible emotions, suspense and surprising humor should help draw sophisticated audiences who, once lured, will quickly find themselves hooked for the duration.- Variety
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Todd McCarthy
Although decked out with a legitimate star and handsome production carpentry, pic takes no greater interest in creating three-dimensional characters or fleshing out a credible storyline than does the run-of-the-mill straight-to-video thriller.- Variety
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- Variety
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Todd McCarthy
Clever and jokey in a vaudeville sort of way, but lacks the heart and sheer imagination of the company's best work for Disney, "Toy Story 2" and "A Bug's Life."- Variety
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- Variety
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Robert Koehler
The combo of cheesy effects and martial arts choreographer Cory Yuen's unimaginative staging results in something that's martial artless.- Variety
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Dennis Harvey
Slick, ingratiating and high-spirited enough to win over gay men of all colors.- Variety
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Deborah Young
Result is a weird hodgepodge that has the audience doing mental somersaults in an attempt to keep up with this highly original festival head-scratcher.- Variety
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Todd McCarthy
The Coen brothers tread into James M. Cain territory with The Man Who Wasn't There, but with less tasty results than either Cain or the Coens themselves at their best.- Variety
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David Stratton
Guediguian's seemingly sprawling but in fact quite precise picture takes a while to establish itself, but is eventually rewarding viewing.- Variety
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Dennis Harvey
Offers radical sexual politics in a jester's surprise package of impudent humor and Situationist-style found-footage monkeyshines.- Variety
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- Variety
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Reviewed by
Emanuel Levy
The atmosphere is properly bizarre and in moments even scary, but there's no involving story or characters to sustain the feature-length narrative.- Variety
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Reviewed by
Joe Leydon
Perfectly harmless, often humorous, featherweight confection -- think "Serendipity" re-imagined as a teen-skewing Saturday morning sitcom.- Variety
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Robert Koehler
Frustratingly fritters away what fascination it develops and bows to the basic conventions of a standard detective story mixed with the theme of a physician healing himself.- Variety
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Robert Koehler
A family melodrama that becomes less authentic as it progressively takes itself more seriously.- Variety
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David Stratton
Cheekily diverting, decidedly feel-good, tremendously sexy entertainment.- Variety
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Joe Leydon
The actors manage to keep from being upstaged by the sets, though just barely. Abraham goes over the top, then further still.- Variety
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Derek Elley
A quietly subversive my-sister-is-turning-into-a-werewolf movie that doesn't wimp out at the end.- Variety
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- Variety
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Todd McCarthy
Has plenty of problems. But most stem from a young filmmaker overswinging on his first time up to the plate and hitting a deep fly out rather than a home run.- Variety
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Joe Leydon
A sly mix of haunted house melodrama, slasher pic mayhem and retro-blaxploitation iconography, spiced with dollops of grisly, dark comedy.- Variety
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Dennis Harvey
While seemingly insoluble divide between personal identity and collective belief lends the documentary an intense focus, it's also a narrow one.- Variety
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