Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. A self-described abstinence comedy that is funny, sexy and silly in equal measure.
  2. While the direction is a little anonymous and could use some verve, the comedy-drama gets by thanks to a solid script, witty dialogue and engaging performances.
  3. Lee crafts actions and situations that are credible without being particularly engrossing -- recognition doesn't necessarily translate into absorbsion.
  4. Chekhov has never seemed such a long haul as in this awkward adaptation of The Cherry Orchard by veteran director Michael Cacoyannis, 77, who's assembled a good roster of names but ones that are not necessarily right for their roles.
  5. A flawed and overlong but ultimately affecting account of one man's struggle to regain control of his life.
    • 65 Metascore
    • 60 Critic Score
    A lovely, intricate coming-of-age portrait set in a cross-cultural context.
  6. OK entertainment but nothing more.
  7. Splashy, noisy and downright fun.
  8. Costner's earnest performance is a major plus for Dragonfly, keeping the picture grounded in some semblance of reality even as it becomes progressively more fantastical.
  9. Handsomely mounted, this direly conventional bit of vampire business is enlivened by flashes of humor and game performances. It isn't great entertainment or camp, but pic sets its ambitions so low, it can't help partially delivering on them.
  10. Represents a passable follow-up to the venerable Peter Pan story and mercifully, at 72 minutes, is exactly half the length of the last attempt at same, Steven Spielberg's lamentable "Hook."
  11. Works best as a straightforward appreciation of the music. Though docu's structure wears out full viewer interest after an hour or so, few will come away with staid prejudices (i.e. that turntablism isn't "real" musicianship) intact.
  12. A mostly superb bit of modern horror from the writer-director-editor previously responsible for the Frankenstein story "No Telling" and the urban vampire pic "Habit."
  13. Absorbing in a low-key way but more dramatic where its secondary characters are concerned than its leads, and capped by climactic incidents that are less than entirely convincing.
  14. Awfully lame bigscreen debut for pop diva Britney Spears.
    • 92 Metascore
    • 80 Critic Score
    The ending is happy, but the general effect of the film is disturbing, so compelling is De Sica's description of a man's solitude.
  15. A fairly sustained barrage of broad undergraduate humor and gross-out gags that should tickle young auds looking for unsophisticated laughs.
  16. A shamelessly manipulative commercial on behalf of national health insurance.
  17. Utterly fascinating, playfully probing mystery story.
  18. Sheer chaos on wheels, a hysterically edited jumble that defies belief at nearly every juncture.
  19. Though Muniz and Bynes make a somewhat likable team, their funniest skills are dampened by the material's insistent stupidity.
  20. More than an embarrassment, it's an insult.
  21. Charmingly setting aside glamour for a turn at pure acting, Nicole Kidman zings up the already zingy script of Birthday Girl.
  22. Despite good acting from the entire cast, yarn is a bit dull and predictable, straining too hard to convey its spiritual message.
  23. Awful and subversively spunky at the same time.
  24. Dryly funny and benevolently shrewd.
  25. A colorful, enjoyable ride most of the way but could have been even better if Beatriz Flores Silva's direction had more often risen above the functional and had not gotten a bad attack of conscience in the closing reels.
  26. Third outing for prairie auteur Gary Burns is his most ambitious, and most uneven, effort yet.
  27. A film whose charms are odd and indefinable by design.
  28. While devotees expecting Moretti's wry worldview may feel shortchanged, others will find this a profoundly moving experience, giving it fuel to cross borders into the arthouse niche.

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