Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. On just about every level -- as a thriller, as a romance and as a character study of a complicated man nearing the end of his professional life -- the film fails, and the meandering, sub-Cassavetes approach is likely to be a turnoff for all but the most indulgent viewers.
  2. More palatable than most pictures of its ilk due to its keen awareness of its own preposterousness, a self-knowledge exuberantly expressed by a mostly live-wire cast.
  3. So beneath the considerable talents of its star, Chris Rock, it's dismaying to note Rock is also the movie's director, producer and co-scenarist. Not unlike Richard Pryor a generation ago, Rock has yet to land a movie vehicle that captures the sparky energy and subversive bent of his excellent stand-up performances.
    • tbd Metascore
    • 80 Critic Score
    Jules Dassin, in his direction, manages extraordinarily interesting backgrounds, realistically filmed to create a feeling both of suspense and mounting menace.
  4. The teasing tale is told with such dispatch it will carry willing audiences along; genre staples of action, macho attitude and corruption through the ranks are delivered intact.
    • 47 Metascore
    • 80 Critic Score
    Jensen helms with assurance and maturity, with rapid but unhectic pacing, plenty of dark humor and deft action sequences that turn cliches from U.S. action-comedies into something very Danish.
  5. Unlikely to draw new fans but destined to please followers who couldn't catch the live act.
  6. As lethargic as the characters it portrays, the film requires greater staying power than many audiences will possess.
  7. Fine new chapter in the long-running franchise should score well with family audiences.
  8. High-octane plunge into pop gangster psychology.
  9. Unaffectedly hip and affably manic, Down & Out With the Dolls picks up where "Singles" left off.
  10. Washout. Lacking the mojo even to be offensive in its stereotypical view of gays and women, this excruciating cocktail of sitcom plotting and gross-out humor makes a clunky cheesefest like "The Love Boat" look like breezy, sophisticated fun.
  11. Silly, childish fun and as relaxing to watch as good American TV fiction -- and with a very similar world view.
  12. Flubs nearly every opportunity to be the comedy it wanted to be.
  13. Overlong and unwieldy grab-bag of vintage monster-movie elements starts intriguingly as a snowbound deep-woods chiller, but gradually dissolves into a mess of other-worldly invasion and military counter-offensive.
  14. Lacking any obvious thematic or emotional arc, compilation pic succeeds as a pure exercise in visual stimulus, its narcotic effect much amplified by Michael Gordon's thunderous, dissonant orchestral score.
  15. Its powerfully visual storytelling delivers great rewards as the meditative drama moves into increasingly complex, at times confrontational territory.
  16. Thoughtful, melancholy drama.
  17. Strictly for the birds.
  18. A golden opportunity to witness the "unplugged," after-hours George W. Bush at his most congenial. "George" offers a portrait of a gregariously charming and self-mocking fellow who's perfectly at ease in his own skin, and who's no less slick and savvy a politician for being willing to make himself the butt of jokes.
  19. Routine, superficial manhunt stuff.
  20. As a spy pic, it has more pizzazz than the last few Bond adventures, "The Sum of All Fears" or "The Recruit."
  21. Outrageously grungy and whacked-out walk on the wild side.
  22. Writer-helmer Gurinder Chadha assembles a gallery of broadly played stereotypes into a movie about social attitudes that's more rooted in small-screen sitcom than anything deeper.
  23. The dramatic trajectory is frightfully obvious, the characters tediously one-dimensional, the dialogue banal.
  24. Easy on the eye and effortlessly entertaining across almost 2½ hours.
  25. There are certainly good laughs to be had. But the contrived script and bland direction prevent the film from ever developing a comic life of its own, leaving what fun there is seeming like the foundation to a rumpus room that's never finished.
  26. A genuine and tangible fondness and respect for the characters and their eccentricities.
  27. A demanding but rewarding emotional odyssey in a challenging visual package.
  28. This is one of those pictures that unavoidably becomes part of the zeitgeist due to its coincidental arrival at a precise moment in history when its themes play into current events.

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