Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. Holes will no doubt speak clearly and appealingly to its intended early teen audience.
    • 83 Metascore
    • 90 Critic Score
    Hard-hitting, dark and tragic story that rarely lets up.
  2. Ultimately implodes, letting down the 'hood, hip-hoppers and Jamie Kennedy fans looking forward to his first major starring role.
  3. Thesping and production values are solid and sometimes even attractive, but pic's overall American-style gloss becomes extremely odd and discomforting given the setting.
  4. Tremendous emotional force and uncompromising honesty.
  5. The gifted repertory company again creates an amusing gallery of incisively observed characters, riffing off each other with enjoyment levels that frequently prove contagious.
  6. Not surprisingly based on a comic book series by Brett Lewis and R.A. Jones (whom pic fails to credit), pic hurtles along at a pace designed by vet music vid and ad helmer Paul Hunter to engage short attention spans.
    • 33 Metascore
    • 40 Critic Score
    For the most part, the fast-moving pace, thankfully slight running time, attractive leads and infectious soundtrack distract from its many inconsistencies
  7. A strident, painfully repetitive and hopelessly stage-bound drama about self-indulgent twentysomethings on the fringes of the L.A. film scene.
  8. Chick agreeably captures the feel and flow of on-the-move young professionals in New York.
  9. Lin's nicely turned out picture is sometimes both predictable and a bit far-fetched narratively, but still provides a generally absorbing look at a slice of society normally taken for granted, both in life and onscreen.
  10. Gentle, touching tale.
  11. Though quite routine on the logistics of deep-sea exploring, pic develops a visual style as it replays the events of the sinking that some viewers may find more visually exciting and satisfying than what Cameron staged in his original mega-blockbuster.
  12. The antics here are strained, graceless and tiresomely crude, the sorts of things audiences feel they're supposed to laugh at rather than well-developed situations that generate genuine amusement.
  13. There seems to be no bottom to Going Down, a lame also-ran in the rapidly declining teen gross-out comedy genre.
  14. A cobwebbed, mummified horror entry that makes obvious, cartoonishly grotesque demands for attention.
  15. Sensitive directorial bow by editor Wiebke von Carolsfeld and solid performances lend conviction if not quite distinction to the drama Marion Bridge.
  16. Scheide's feature never quite seizes the potential for full-on "Stepfather" thrills or "Serial Mom"-style black comedy, leaving pic diverting but too mild.
  17. The attempt to draw certain connections between Griffin's material and its autobiographical origins feels slapped together, shortchanging both aspects of the film.
  18. Enormously satisfying, superbly crafted.
  19. Gussied up with a host of filmmaking tricks in an attempt to keep things lively, this intensely acted little exercise just doesn't have enough going for it, with the exception of gradually growing interest in lead Colin Farrell.
  20. This family affair is a squeaky-clean cable-ready comedy, unabashedly retro fluff.
    • 89 Metascore
    • 100 Critic Score
    Balkan probably gives her best performance to date to create a woman tormented by instability, sexual drive and psycho demons -- disjointedly portrayed in the script.
  21. It feels much more like a shameless reshuffle of "The Princess Diaries."
  22. Despite an effectively low-key performance by Billy Bob Thornton in the leading role, pic is no more spiritually insightful or illuminating than Sunday School instructional story, and a lot less dramatically coherent.
  23. Diesel makes a violent bid to align himself with the Clint Eastwood-Charles Bronson-Steve McQueen tradition, but he lacks the charisma, emotional strength and humor to do so.
  24. Though it isn't the entirely original creation "Metropolis" was, Bebop is more satisfying.
  25. A limp-to-wilted film version of Duras' 16-year-long love affair with a young man who became her secretary and literary executor.
  26. Sure, it's all been done before, but seldom with this degree of vigor and panache.
  27. A forceful, affecting experience.

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