For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
Believable characters trump the retread plot and hokey message.- Variety
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Reviewed by
Dennis Harvey
Less an historical flashback than a present-tense valentine.- Variety
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Ronnie Scheib
The cataclysmic changes in attitude and lifestyles the characters pass through at irregular intervals from 1973 to 1984... seem to consist wholly of changes in hairstyle that look as wildly stereotyped and inauthentic as the gestures and lines that accompany them.- Variety
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David Rooney
The comedy-drama hinges on the captivating dynamic between the two men, combining gentle humor and charm with a melancholy undercurrent of yearning.- Variety
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Todd McCarthy
Scarcely more amusing than spending 90 minutes in a pre-K classroom.- Variety
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Dennis Harvey
Very much in line with his maiden screen efforts "In the Company of Men" and "Your Friends and Neighbors"...ends with a satisfying shudder of recognition at the extreme cruelty possible within human relationships, particularly those conceived by Neil LaBute.- Variety
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David Rooney
Stars Zellweger and McGregor are too knowingly nudge-wink in their performances, too much contrived constructs to become real characters, let alone fuel the romantic comedy engine and make an audience care much whether they end up together.- Variety
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Dennis Harvey
Nancy Savoca's workmanlike record of a La Mama stage performance taped last December finds the comic spinning some not-especially-interesting anecdotes about her bewildered actions that day, before turning toward more incisive political commentary.- Variety
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Robert Koehler
The deft shading he (Byler) elicits from his thesps is of a piece with his dramatics and his understated, artful approach to compositions and movement.- Variety
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Todd McCarthy
About twice as good as the original...bigger and more ambitious in every respect, from its action and visceral qualities to its themes.- Variety
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David Rooney
The film is powered by a superbly controlled performance from Javier Bardem. While it lacks economy and could have used a firmer hand in shaping the key central relationship, this intelligent, arrestingly sober drama packs a cumulative punch.- Variety
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David Rooney
Philip Seymour Hoffman and John Hurt give compelling performances... But the coldly unrewarding drama is as distant and joyless as its protagonist, representing a disappointment for director Richard Kwietniowski.- Variety
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David Rooney
This melancholy, insightfully scripted coming-of-age drama is moving without being manipulative and makes an assured calling card for writer-director Karen Moncrieff.- Variety
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Todd McCarthy
Just two weeks after successfully targeting boys with "Holes," Disney is giving girls something they want with this mild, quasi-romantic romp.- Variety
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Dennis Harvey
Another satirical view of the everyday insanity of working within the Industry, slickly made New Suit adds no special insight to the subgenre.- Variety
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Ronnie Scheib
Docu dispassionately examines this strange phenomenon of anachronistic Americana, created as a newspaper promotion in 1925.- Variety
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Robert Koehler
Undone by an idea capable of hanging together for 30 minutes at best.- Variety
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Scott Foundas
Unabashedly tasteless, wholly trashy and, also, hugely entertaining.- Variety
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Deborah Young
Has the comically grotesque appeal of a Fellini film and could reach out to auds in specialized release. It lacks the originality and invention to go much beyond that.- Variety
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Derek Elley
Despite a name cast, with Dillon playing an insurance crook, pic is holed by a plot-heavy script that's unsatisfying at a character level and plays like a cut-down version of a much longer, more ambitious saga.- Variety
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David Rooney
An entertaining, deeply respectful assessment of the directors and actors who rode the countercultural wave of the 1970s.- Variety
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Joe Leydon
A bland gumbo of wartime intrigue and home-front soap opera in the bayou country of Louisiana.- Variety
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David Rooney
Stylish, compelling crime caper full of smoothly navigated plot twists.- Variety
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Todd McCarthy
Some fancy footwork in the writing and directing can't disguise the hoary "Ten Little Indians" origins of Identity.- Variety
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Robert Koehler
Uneasily pivots between comedy and drama, with its best parts strongly reminiscent of Schepisi's previous, British-made drama about aging and dying buddies, "Last Orders."- Variety
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David Rooney
Compelling 24-hour odyssey into the life of a world-weary Gotham publicist, driven by a vivid performance from Al Pacino.- Variety
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Derek Elley
A drama of impeccable intentions flawed by arch dialogue and only OK direction.- Variety
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David Rooney
The unfocused writing makes the film increasingly less convincing as it stumbles toward an awkwardly structured resolution -- closing on a conga line that makes "My Big Fat Greek Wedding" seem cutting-edge.- Variety
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Robert Koehler
The effects prove extremely uneven, with sub-par touches alongside astonishing and truly unforgettable shots.- Variety
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Reviewed by
Lisa Nesselson
Visually stunning, practically dialogue-free and very family-friendly.- Variety
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