Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. Believable characters trump the retread plot and hokey message.
  2. Less an historical flashback than a present-tense valentine.
  3. The cataclysmic changes in attitude and lifestyles the characters pass through at irregular intervals from 1973 to 1984... seem to consist wholly of changes in hairstyle that look as wildly stereotyped and inauthentic as the gestures and lines that accompany them.
  4. The comedy-drama hinges on the captivating dynamic between the two men, combining gentle humor and charm with a melancholy undercurrent of yearning.
  5. Scarcely more amusing than spending 90 minutes in a pre-K classroom.
  6. Very much in line with his maiden screen efforts "In the Company of Men" and "Your Friends and Neighbors"...ends with a satisfying shudder of recognition at the extreme cruelty possible within human relationships, particularly those conceived by Neil LaBute.
  7. Stars Zellweger and McGregor are too knowingly nudge-wink in their performances, too much contrived constructs to become real characters, let alone fuel the romantic comedy engine and make an audience care much whether they end up together.
  8. Nancy Savoca's workmanlike record of a La Mama stage performance taped last December finds the comic spinning some not-especially-interesting anecdotes about her bewildered actions that day, before turning toward more incisive political commentary.
  9. The deft shading he (Byler) elicits from his thesps is of a piece with his dramatics and his understated, artful approach to compositions and movement.
  10. About twice as good as the original...bigger and more ambitious in every respect, from its action and visceral qualities to its themes.
  11. The film is powered by a superbly controlled performance from Javier Bardem. While it lacks economy and could have used a firmer hand in shaping the key central relationship, this intelligent, arrestingly sober drama packs a cumulative punch.
  12. Philip Seymour Hoffman and John Hurt give compelling performances... But the coldly unrewarding drama is as distant and joyless as its protagonist, representing a disappointment for director Richard Kwietniowski.
  13. This melancholy, insightfully scripted coming-of-age drama is moving without being manipulative and makes an assured calling card for writer-director Karen Moncrieff.
  14. Just two weeks after successfully targeting boys with "Holes," Disney is giving girls something they want with this mild, quasi-romantic romp.
  15. Another satirical view of the everyday insanity of working within the Industry, slickly made New Suit adds no special insight to the subgenre.
  16. Docu dispassionately examines this strange phenomenon of anachronistic Americana, created as a newspaper promotion in 1925.
  17. Undone by an idea capable of hanging together for 30 minutes at best.
  18. Unabashedly tasteless, wholly trashy and, also, hugely entertaining.
  19. Has the comically grotesque appeal of a Fellini film and could reach out to auds in specialized release. It lacks the originality and invention to go much beyond that.
  20. Despite a name cast, with Dillon playing an insurance crook, pic is holed by a plot-heavy script that's unsatisfying at a character level and plays like a cut-down version of a much longer, more ambitious saga.
  21. An entertaining, deeply respectful assessment of the directors and actors who rode the countercultural wave of the 1970s.
  22. A bland gumbo of wartime intrigue and home-front soap opera in the bayou country of Louisiana.
  23. Stylish, compelling crime caper full of smoothly navigated plot twists.
  24. Some fancy footwork in the writing and directing can't disguise the hoary "Ten Little Indians" origins of Identity.
  25. Uneasily pivots between comedy and drama, with its best parts strongly reminiscent of Schepisi's previous, British-made drama about aging and dying buddies, "Last Orders."
  26. Compelling 24-hour odyssey into the life of a world-weary Gotham publicist, driven by a vivid performance from Al Pacino.
  27. A drama of impeccable intentions flawed by arch dialogue and only OK direction.
  28. The unfocused writing makes the film increasingly less convincing as it stumbles toward an awkwardly structured resolution -- closing on a conga line that makes "My Big Fat Greek Wedding" seem cutting-edge.
  29. The effects prove extremely uneven, with sub-par touches alongside astonishing and truly unforgettable shots.
  30. Visually stunning, practically dialogue-free and very family-friendly.

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