For 17,771 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,130 out of 17771
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Mixed: 7,005 out of 17771
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Negative: 1,636 out of 17771
17771
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Derek Elley
Doesn't ring true as a love story between a cocky scam artist and a clever biology student, despite a game effort by Charlotte Ayanna in an impossible role and Adrien Brody at his loosest.- Variety
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Reviewed by
Todd McCarthy
While this John Singleton-directed sequel provides a breezy enough joyride, it lacks the unassuming freshness and appealing neighborhood feel of the economy-priced original.- Variety
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Reviewed by
Dennis Harvey
Combines straightforward coming-of-age narrative with Maori mysticism to most engaging effect.- Variety
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Reviewed by
Robert Koehler
Michele Maher's Garmento appears more shocked at the fashion industry's cynical side than moviegoers are likely to be, making its drama of corruption a preordained snooze.- Variety
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Reviewed by
Scott Foundas
Assembled in a straightforward, television-style presentation that gets the better of it.- Variety
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- Variety
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Reviewed by
Robert Koehler
Has the stench less of rotting flesh than the whiff of a thoughtless quickie.- Variety
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Reviewed by
Derek Elley
The plucky music student who overcomes adversity is a staple subgenre of mainland cinema and, though Chen Kaige directs with greater slickness and more finesse and humor, there's still little to differentiate Together from any other state-studio pic.- Variety
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Reviewed by
Robert Koehler
The forthcoming line of high-octane summer entertainments will be hard-pressed to top this one for both thrills and wit.- Variety
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Reviewed by
David Rooney
The clear ambition here is to recapture the raw, explosively violent atmosphere of such hallmark 1970s shockers as "The Texas Chainsaw Massacre" and "The Hills Have Eyes." Nice try, but no cigar.- Variety
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Reviewed by
Scott Foundas
There's a kind of rawness on the screen that most movies never approach.- Variety
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Reviewed by
Todd McCarthy
Very clever and imaginative indeed, and its pictures are so gorgeous that they alone could warrant a second viewing.- Variety
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Robert Koehler
The 2003 edition written by Nat Mauldin and Ed Solomon and helmed by Andrew Fleming places the Douglas-Brooks combo inside a much more complicated if not quite as funny world.- Variety
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Ronnie Scheib
Harris effectively interweaves home movies of his 8th birthday party and his two-year stay in Tanzania into a mesmerizing autobiography.- Variety
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Reviewed by
Dennis Harvey
It's shiny, amusing, incessantly clever, but sometimes a tad too snarky for its own good.- Variety
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Reviewed by
David Rooney
Crialese's first feature in his native Italy is a small but distinctive drama that displays a firm command of his cast, an arresting visual sense and an admirable avoidance of facile sentiment or cliche.- Variety
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Reviewed by
Robert Koehler
There's remarkably little done with a premise snatched from high-concept heaven, adding yet another file to the growing cabinet of under-realized comedies.- Variety
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Reviewed by
Dennis Harvey
Completely over-the-top yakuza actioner -- featuring nonstop mayhem, gore, torture and S&M -- duly reflects its comic book origins in both style and barely coherent narrative frenzy.- Variety
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Reviewed by
Robert Koehler
As weak and banal as its thoroughly uninvolving central character.- Variety
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Reviewed by
Ken Eisner
Too stylistically scattered to appeal to all tastes…but its unique combo of slick art direction, sweet romance, supercharged eros, low comedy and out-there melodrama –--- Variety
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Reviewed by
Derek Elley
Though solidly crafted, with a host of well-etched performances, film is unable to establish a consistent, engaging tone.- Variety
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Reviewed by
Robert Koehler
Unusually slick, mini-budgeted and broad piece of slapstick that liberally borrows from Neil Simon and "The Gang That Couldn't Shoot Straight'' with the twist that gay hit men are the romantic heroes.- Variety
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Reviewed by
Ken Eisner
An unsparing, if light-touched, look at obsession, denial and where to find the cheap seats in Manhattan.- Variety
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Ronnie Scheib
Their interwoven stories, backgrounded by concise narration, well-chosen archival imagery and an evocative score by John Zorn, make for an absorbing and revealing examination of the ties that bind.- Variety
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Reviewed by
Robert Koehler
Demonstrates no improvement or enhancement. But the action this time is even less inspired than past battles- Variety
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Reviewed by
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- Critic Score
Only intermittently bright. Too much homage to Yank musicals and comedies point up the lack of polish.- Variety
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Reviewed by
David Rooney
Rendered deeply moving by the director's peerless capacity to combine humor and compassion with honesty and despair.- Variety
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Reviewed by
Todd McCarthy
Delivers enough thrills, kicks and cool moments to satiate geeks, fans and mere general viewers worldwide -- until the "Revolutions" installment wraps up the trilogy in November.- Variety
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Reviewed by
Deborah Young
Though it sounds like an offbeat idea even for horror fans, the tech work is so well done that it could disarm unwary buffs attracted by the campy title.- Variety
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Reviewed by
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- Variety
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